Name: I Hope You Know That You My Girl You Matter by BlackDiscourse.co
Duration: 1 min 29 s
Description: Oyinda Yemi-Omowumi reading ‘I Hope You Know That You My Girl You Matter’ from her collection ‘I have survived myself & prevailed’. Available now on Amazon.

Oyinda Yemi-Omowumi reading ‘I Hope You Know That You My Girl You Matter’ from her collection ‘I have survived myself & prevailed’. Available now on Amazon.

I Hope You Know That You My Girl You Matter

Composed in reflection of the loss of important figures of our Crenshaw District. We remember you. We thank you.

Crenshaw Remembers

Stoked to be back for a visit on Koh PhaNgan and combine Ecstatic Dance with my passion for African Music.

Deep gratitude to Sandesh for inviting me and his ongoing help, Lidor Cohen, Daniella, PinYa the sound guy, and the dancers that drove in the rain to join us.


Featuring:

Mop Mop
Nato
Juls Baby
Tekno Miles
Burna Boy
Radio Tarifa
Stagga & Magugu
DJ Inko, Lauryn hill
Mop Mop
Thomas Vent
M.J, DaliWonga, Mellow & Sleazy
Kamo Mphela
Kabza De Small
Mfr Souls, DJ Tira, Aubrey Qwana
Nowananda ft. DJ Satelite and Fredy Massamba
Alex Forster
Ayub Ogada
Carl Craig
Randomized Coffee
The Eloise Trio, Umoja
Aroop Roy
Michael Jackson
Daniel Haaksman
Fatoumata Diawara, Disclosure
Frank Williams, Stingray, Justin Imperiale
Tabia, Saint Evo, Lizwi
Maga Bo, Sabo
Kid Loco
Franco et le T.P.O.K. Jazz
Odum Orím
Beautiful Chorus

#308

African Ecstatic Dance ~ Pyramid Koh PhaNgan ~ Jan 2023

First-time on the controller with lady Ghettotech.

Chile, dis da Ghetto

This is the soundscape for 'a divination of enjoyment: extended play (EP) vol. 3 for this immersive exhibition at The Mix Design Hub December 15 - December 29th 2023 in Osu - Accra, Ghana. This 12 min one track EP was produced by nii.a.k, Fritzwa, and Obi Nnani. It includes sounds of the oceanside, forest, and streets of Accra alongside the traditional gyli from the northern region of Ghana of the Lobi people. All sounds recorded on an iPhone 11 including the kpanlogo drums, horns, agogo, shekere instruments featuring Universal Wonderful Street Academy.

a divination of enjoyment: extended play (EP) vol.3

Bellaqueo - Parzubanil Feat. Endgame
Mambiche - Entrañas
Hay Algo en Ti - Luny Tunes & Noriega
Choca x Under Fire - Manuka Honey 
Crystal Castro - Aggromance
Morder - Merca Bae
Dale Bellaqueo - Kriss Da Kidd
Papi chulo (Hellbvy Remix)
Frikitona (Dos Flakos & DJ Guari Bregaton Remix) - Plan B
Tristechonda - Ms Nina
Perreando Triste - Yng Lvcas, El Malilla, El Bogueto ft Uzielito Mix
Piripituchy - El Bogueto & Uzielito Mix
Agarrala - Trebol Clan
Desnúdate - Big Metra
Bendito Cumbiaton - El Cusco X Drewther & Los Benditos
Metele - Dj Yelkrab X Alu MIx X Ranking Stone
Linea Del Perreo - Uzielito Mix, Yeri Mua, El Jordan 23, Dj Kiire
Super Bellakeo - Drewther x Los Benditos
Ñero Session 5 - Alu Mix, Dani Flow & Tensec
Latosa - Ruzzo Doblezz
Resolvemos - El Malilla & Nando Produce
En 4 - El Jordan 23
Tiki - El Malilla
Kittyponeo - Bellakath, Alanz G & Ruzzo Doblezz
Sin Carné - Bad Gyal
Pa La Calle - Ruzzo Doblezz
Modo Avión - Kennoly

¿Cómo se dice “hot girl shit”?

On the occasion of Cayman Carnival in July 2024, Wild Grass Research Practice presented an immersive sonic installation within The Duho Pavilion, exploring the role of sound in preserving lost, undocumented, and future memories. The studio applied its sonic work within the Duho as a fermentation process, layering the frequencies of the Neotropic landscape to capture the tempo created by the natural and built environments, living and more-than-living elements, archival sounds, and elements of the Caymans. The sound installation transformed The Duho Pavilion into a place of worship and reflection, allowing listeners to connect with the spirit of the island.

The installation featured a layered immersive sound mangrove, archiving field recordings from the island's public and private life—its animals, vegetation, coastlines, vistas, public spaces, memories, and dreams. The work reflected the visible and invisible interconnected ecosystems of the Caymans, shaped by both historical and natural forces. It honored Taino deities, endangered endemic plant life, and the unrecorded stories of historical and future passersby. The sonic opening was marked by an intimate ceremonial movement performed by Chris Emile, paying tribute to the ruptures of culture, natural environment, and history within the Cayman landscape.

Conceptually, the sonic work arranged multiple standing speakers tucked between the natural landscape to create a choral effect. Visitors were invited to move between the speakers to listen to specific sounds or to be enveloped by the entire ensemble. The speaker setup paid homage to the sounds as gods in the space. The installation was temporarily housed within The Duho and explored relocation within the Palm Heights property and residency archive.

The Sonic Artifact was produced by Zion Estrada, co-founder of @wild.grass.practice
Performance by Chris Emile, founder of @no_one.arthouse
Landscape installation by Dominique Petit-Frère, Emil Grip, and Malthe Mørck Clausen of @limboaccra.

The Duho Pavilion project was commissioned for Palm Heights, Open Palm Arts residency program.

Wild Grass Sonic Field Notes- Posture, Transmission, Land Grand Cayman

Broadcasting live and direct from Bershka in Mumbai with live sets and some conversation from Suggahunny, Shai, P-rallel and chrms, hosted by Anu.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/nts-x-bershka/episodes/nts-x-bershka-suggahunny-26th-february-2025

NTS X BERSHKA MUMBAI: SUGGAHUNNY 260225

We transfer link will delete after a week pls msg for downloads and follow my socials

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Bless much love, YOU KNOW THE VIBES!

Buy Her Album

DJ Haram - Gemini Rising (BASSBEAR!! Remix)**Free Download**

KELIS BAILE

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UCLA Alan D. Leve Center for Jewish Studies
2019-2020 Etta and Milton Leve Scholar-in-Residence Lecture

Jewish Listening: A Reckoning

Josh Kun

In his public lecture, “Jewish Listening: A Reckoning”-- reimagined as a radio essay -- Kun will reflect on a lifetime of listening to music and explore what it means to be a Jewish listener, what it means to listen “as a Jew.” In particular, he will re-visit writing from earlier in his career on the history of Jewish-American music in the context of contemporary debates across Israel and Palestine. Can listening change the meanings of Jewishness? How does music interrupt the equivalencies of identity? What happens when a “Jewish” listener is immersed in the music of Palestine? What new music, what new musical positions, emerge?

Acknowledgments:
With gratitude to Rasha Hilwi, Sulafa Zidani, Abed Hathot, Ussama Makdisi, Bashar Murad, David A. McDonald, Mark LeVine, Ceci Bastida, and everyone at the UCLA Alan D. Leve Center for Jewish Studies for their support of this work.

I Hope You Know That You My Girl You Matter

BlackDiscourse.co

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