I Black monday tornano con il loro secondo EP Teeth for the cannibal.Da sempre I BM uniscono una spiccata tendenza al metal core più underground con influenze melodiche che spaziano dal funky al rock n roll.La band vercellese nasce nel 2004 e dopo due anni fitti di live esordiscono con il loro primo Ep "21"( 2006 ).Un brano dell'ep ( Antipolitical propaganda ) viene inserito nella compilation "Italian Underground 2007 ", distribuita nei maggiori festival metal europei tra i quali Gods of metal e Wacken.E' questo l'inizio di due anni che la band spenderà con un intensa attività live in tutt'Italia, collaborando con moltissime band dell'underground metal quali Head in Pollution,Arcadia,Infection Code e Land of Hate.Dall'inizio del 2009 la band subisce un cambio di line up che porta i tre fondatori della band, Daniel Fasano (batteria),Valeria Molina (basso) e Mattia Ferrari (chitarra), ad essere affiancati da Fabio-Marco Ferragatta,già voce degli ETB e da Michele Nocentini frontman degli Arcadia.La rinnovata composizione della band porta alla stesura dei brani che compongono questo nuovo ep in uscita per Banksville records.Il tiro metal-core rimane immutato e le voci dei due nuovi cantanti portano a soluzioni più incisive sia nelle parti ritmiche che in quelle melodiche.

Mattia Ferrari-Guitar
Valeria Molina-Bass
Daniel fasano-Drums
Fabio-Marco Ferragatta-Vocals
Michele Nocentini-Vocals

Irae Satanai is a Black Metal band from Pasto -  Colombia https://m.facebook.com/IraeSatanail


The preeminent Thrash metal band of the mid-'90s to nowadays, Holy angels is built up by the brothers Raharison -Dom robertini (Bass guitar), Rudd Mich (drums), and ramann (Lead guitar and vocal) - in Antara a village of Rock music in Fianar Madagascar. At that time, the way to blow up the small pound was not easy, since at that time Metal music was not considered as a kind of interesting showbiz music but remained only as a fervent dream for the addicted teenagers. That's why the Holy angels band was only enclosed in a studio for the rehearsal and the songs composing during their first two years.
 As a fruit of this hard working, the key turning point was the first major label album debut, DIRTY WORK (1993). It thrust the band to the forefront of the metal scene. (Pentecote Rock, Live to ride, Vatravatra, Rock be tsa leo, Big Rock.. ). Though bearing some difficulties in terms of appropriated sounds and matos, let's say that Holy angels band was belonging to the bands that opened the right way for the rock music popularity and influence in Fianarantsoa.
 As far as the lyrics were concerned, they were foccused on life, policy, death, Peace, anvironment, love, and hope. Apart from the songs that written by raMann and Dom, some good cooperations with other monument writers (such as Gova Hernan, Doc Metal...) signed up another good orientation for Holy angels' way.
 In 1998, the about-face came with the addition of a magician guitarist Tommedge, it was a kind of a new page full of new attitude, and new breath for the band.
 Fianarantsoa was factualy only a small place for the Big rock music, where Holy angels band was like a big fish in a small pound, that's why they made up their mind to climb up the capital of Madagascar (Tananarive), a place where Rock is as popular as in overseas.
 At the height of their popularity, Holy angels seemed to"self-destruct"; In fact, it was not really a split but the members of the band had to think much more about their own personal life (work, university study,..), that's why they couldn't afford to stay together in a same place for a regular moment, but only doing something whenever they met themselves together. Therefore from 1999 to 2007, they could only recorded some singles such as "Tambin'ny ota", "Messiah", "...", and some shows like "Vakina Mirock", "Big rock three", "Rock be tsa leo", "Tapage nocturne", ... . "
 Anyway, along the vacant times the members were doing a kind of a side project, For instance Dom butressed the Golgotha band as a guitarist, and Rudd played with Vazantany band, whereas Tommedge and raMann ensured the OFF/ON band. So it was the ten years vacant, or "Garazy 10 taona" for the Holy angels band, a vacant which couldn't help to gathering the new experiences for them.
 As time goes by, after ten years, after the "gallère" of "Garazy folo taona", Holy angels came back, with the full energy, a new vision, and especially a new style (Moraingy Metal); In fact their come back was set up by a sold out show in Fianar, "Love year 2009- in Moulin Rouge Fianarantsoa, Madagascar". A show that marked by some souvenir items such as Garazy 10 taona tee-shirt, mini album entitled BACK FROM THE DEAD, (Mamo indray, KAT, Tontolo, Sary mainty sy fotsy, im70 im7, Tambin'ny ota), and 2 DVD clips of KAT and im70 im7.
 Now Holy angels is remaining a solid band, as Rock as a Stone, they are feeling stuffy now upon working hardly under the four walls of a studio, preparing the real Moraingy Metal which seemed like a new discovery of the century for the world of Metal. METAL IS NEVER DEAD.
 

Riccardo Grechi was born in Bologna the 29 September 1986. The passion for music grew inside him since his childhood. At the age of 16 he starts playing drums and to practice all the genres that he grew up with: rock, pop, ska, punk, hard-rock, hardcore and various styles of extreme metal, a genre that he kept playing through his career. Thanks to this particular artistic formation, he manages to build an original and varied drumming style. After various experiences with different bands and in different live events, Riccardo gives life to a metalcore project named “Cruel Face of Life” and in the year 2004 he records his first full-length: “Le False Utopie”, that grants him the opportunity to get to be known by the international scene.

In 2006 he’s recruited by Lacerater, a brutal-death band with various years of experience. With them he records “NessunUrlonell’Ombra” an EP that gains great popularity and that allows him to play live in various venues in Italy and in Europe. 
Encouraged by the positive feedback from the metal webzines and magazines and by his considerable live experience, Riccardo decides to practice drums on an higher level. In 2008 he enters the MMI (Modern Music Institute) academy in Bologna, where under the teachings of Jerry Galavotti he learns various styles still unknown to him like blues, funk, fusion, latin and afro music. He also participates to clinics and lessons with some of the greatest contemporary drummers like Simon Philips, Steve Smith, Jojo Mayer, Thomas Lang, George Kollias, Christian Meyer and many others.

After this period of studies he plays with the progressive band Furyu and the old school death metal band Deathwork, recording a full length CD and an EP respectively. Both projects give him another chance to gain popularity with interviews, radio interviews, compilations and positive reviews. 
Thanks to these experiences his name and ideas spread through the globe and he is often recognized as one of the musicians that created the “New Wave of Italian Metal”. During the 2011 he works as a session player with various bands and musicians and he starts writing several practicing pieces for the webzine DDGDrums. 
He also starts working with success as a private drum teacher and he is invited to Rome for the D.P.C. National Drumming Contest, where he has the opportunity to play with the best drumming talents in Italy. 
Throughout the year, Riccardo focuses on live shows and on writing songs for various projects until in 2013, after being noticed by Gold Music national distributors, he signs an endorsement contract for Ddrum. 
Few weeks later, he records every song written in the past months. He records a full length with the old school black metal band Krigere Wolf from Sicily and an EP with Across The Swarm (ex-Lacerater) at Sliver Studio in Parma.

In 2014 Riccardo fills the line-up of Reasons Behind, a symphonic power metal act from Bologna. With them he records a full length in Rome, with Stefano Morabito. Meanwhile he continues writing articles on his own drumming method which are widely appreciated and published by webzines and by hard copy magazines, like Drum Club. 

Riccardo is actually writing a book regarding his own drumming method while preparing new recordings, collaborations and national and international live exhibitions.









Voodooismi,synths sporchi,campionamenti molesti,worldwide rap,latin Soul,scratches&cuts.

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