The recording was made on 10th February 2021 on a white, snowy walk. Seeing this Haiku reminded me of that time. It's somewhat fortunate (I still have the recording) and also that the power of the written word can trigger the memory. A random chance then that the words attracted the sound. This is a raw untreated field recording...well apart from the fade out.
More here:
https://soundcloud.com/naviar-records/sets/haiku-378-snowflakes-gently
and here:
Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku/

bb_r_naviarhaiku378_snowflakes gently fall

15 years of Faitiche.

Tracklisting and download: https://bit.ly/XLR8Rinfluences_JanJelinek

XLR8R Influences Podcast

Tracklist & Download

XLR8R Influences Podcast 24: Jan Jelinek

DJ Serotonin - DJ Randall Tribute Cut & Paste

A vague memory from a trip years ago to the Ontario Science Centre inspired this auditory illusion. With quotes from The Origin of Species (Darwin) and from Report N° 3211000RAE00-A: Hair Volume Measurement(Bolero) - Evaluation of 4 Products.

More on this 410th weekly Disquiet Junto project — Op Audio / The Assignment: What does the sonic equivalent of Op Art sound like? — at: https://disquiet.com/0410/

Thanks to Nate Trier for having suggested a “Shepard tone Junto,” which led to this week’s project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Stress (disquiet0410)

Stones have a history and stones have a memory. Three small stones from the Tyrolean Alps, broken off from the mountain, hiked down the slope, fallen into the water or thrown into the water, lying in the water, moved by the current, sanded, shaped. In their form, their history has sedimented. The memory of water is inscribed in these stones, even if they are transported to a city without mountains and without a river, to a city standing on sandy soil in the lowlands. Shape, smoothness and roughness, heaviness, all these properties of the stones reflect their memory and at the same time determine their sound. Sound and memory are in this way related to each other. The piece tries to explore this memory of the water, sealed in the stone, which has migrated from the water of the mountain stream into the dry sand of the lowlands. The three stones are used as sound objects, they are rubbed against and thrown on several materials like concrete, metal, tense canvas and the wooden resonant body of an acoustic guitar. The acoustic memory of running water is generated by electronic manipulations of these stone sounds. This creates a certain degree of alienation, which resonates the strangeness of the migrated stones in the stone- and waterless environment. The stones' environmental memory is rendered audible.

More on this 441st weekly Disquiet Junto project, Disquiet Junto Project 0441: Three Stones — Make music that explores territory sonically — at:

https://disquiet.com/0441/

This is the first of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0441-three-stones/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Migrated Stones (Memories Of Water) [disquiet0441]

Three stones from the shingle coast in the shadow of Dungeness Nuclear Power Station, and a recording of the seawater constantly heated by its reactor, known locally as ’the boil’.

Each stone is recorded hitting the other. These recordings are triggered repeatedly. The rate of repetition of each collision modulates independently, live, using random number generation. The audio readout of a Geiger counter: one click for each randomly emitted particle of radiation detected in its ionisation chamber.

Each stone is scanned using Virtual ANS, which generates the ominous texture at 1:00, 2:00 and 2:55. A bleak reminder the station is inactive after an inspection in 2018 found dangerous levels of corrosion, classified as a level 2 incident on the International Nuclear Event Scale.

Inspiration also from 'Music for Pieces of Wood' by Steve Reich and 'Rock Piece' by Pauline Oliveros.

ps. there is a stone in the opening of the shell :)

More on this 441st weekly Disquiet Junto project, Disquiet Junto Project 0441: Three Stones — Make music that explores territory sonically — at:

https://disquiet.com/0441/

This is the first of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Three Stones From Dungeness   |   disquiet0441

Colne Valley Re-imagined

Colne Valley Re-imagined - Disquiet0443

More on this 445th weekly Disquiet Junto project, Disquiet Junto Project 0445: Aare Tribute — The Assignment: Read maps of a river as a graphic score — at:
disquiet.com/0445/

vaeli {Disquiet0445}

The first piece is haLF unusual's  - semI autO biO graphicaL - 14 Graphical 3 - auto 1-2
My bridge is in the middle followed by Rupert Lally's - Penta

More on this 448th weekly Disquiet Junto project, Seamless Bridge (The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music), at:

https://disquiet.com/0448/

Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:

https://20x20project.bandcamp.com/ 7

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image background for this project is the logo design for the 20×20 series. The logo is by David Barrington.

Seamless bridge (disquiet0448) with halF unusual and Rupert Lally

Using two brilliant tracks from @meaganjohnson and @sevenism from the 20x20 Project ...

SC won't let me put links to the albums! But check out the 20x20 Project on bandcamp! It's awesome!

More on this 448th weekly Disquiet Junto project, Seamless Bridge (The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music), at:

https://disquiet.com/0448/

Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:

https://20x20project.bandcamp.com/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image background for this project is the logo design for the 20×20 series. The logo is by David Barrington.

MFA seashells

halF seamlesS [disquiet0448] - with Mrs Dink & Sevenism

Participation in the "Disquiet Junto" project led by Marc Weidenbaum.
Texture Analysis. The Assignment: Create a piece of music from sounds related to working with rocks.
https://disquiet.com/0450/

From the field recordings of Tobias Reber made at Carlo Bernasconi, a factory in Bern that works with stone:
ambience04, machine01_2, machine01_3, machine01_4, work01, work02.
https://soundcloud.com/tobiasreber
Audio transformations (filtering, compression, expansion) are done with a Pure Data patch:
http://gerard.paresys.free.fr/WithPureData/Flt-LP-Pow-Reverb3.zip
Mixing and editing with Audacity.

-----------------------------------------------------------------------------------------

Participation au projet "Disquiet Junto" de Marc Weidenbaum.
https://disquiet.com/0450/

A partir des enregistrements audio de Tobias Reber chez Carlo Bernasconi, une usine de Berne qui travaille la pierre:
ambience04, machine01_2, machine01_3, machine01_4, work01, work02
https://soundcloud.com/tobiasreber
Les transformations audio (filtrage, compression, expansion) sont faites avec un patch Pure Data:
http://gerard.paresys.free.fr/WithPureData/Flt-LP-Pow-Reverb3.zip
Mixage et montage avec Audacity

-----------------------------------------------------------------------------------------

This is the third of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:
https://www.musikfestivalbern.ch/ 
https://www.facebook.com/musikfestivalbern/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

StoneFactory - Disquiet0450

blackbody_radiation is a project that absorbs and reflects. Study, Research and Documentation of Acoustic phenomena through the creation of Compositions /  Scores / Performance / Editions and Objects.