POSTER BOY

Song of the Day

Club / juin 2014

Live at British Shorts Film Festival at Sputnik Kino, HAU Hebbel am Ufer, City Kino Wedding, Acud Club, HBC, Badehaus Szimpla, Ballhaus Ost, Schaubühne am Lehniner Platz and Freiluftkino Insel im Cassiopeia in Berlin, 2007–2023. Not in this playlist but also live at British Shorts Film Festival: Tincan Folklore, Video Rideo ...

Live at British Shorts Film Festival 2007–2022

Março Hits 2018

Releasedate: 04.08.2013
Genres: Electro/Breakbeat/Dub
For fans of: Massive Attack, Ellen Allien

With his Single „Radiostation“ Angelo Fonfara gives us a little foretaste of his first album „Menschen und Maschinen“ which will be released on Dirty Cat Records too. A mixture of breakbeat and dub, witty and fresh, followed by a drum n’ bass remix made by himself, Kabelmann sent the whole thing through his machines and presents a remix with an analogue vintage touch and finally Dirty Cat serves a chilled techhouse remix. All in all a beautifull single with a thrill of anticipation on his album. 

Feedbacks: 
AFFKT (Sincopat) - Interesting EP here! Congrats! 
Aerialnoise (Aerialnoise.com) - Proper night-time elektronika! 
Mike Murphy (Spinnin' House) - Track 3 is really nice! 9 as well is more likely to fit into my sets these days, but everything sounds well done, i like the keys, synths and especially guitars. 
John P. (Westradio.gr) - Nice tracks! Thanks! 
Sergio Gomes (BREAKS Ida.) - Old-Skool sounds looking to the future..
Eddie Hu (Revox Records) - Thank you for the music. Wil try Dirty Cat Remix. 
Dj Chito (Paris One Reverse) - I really like the dark mood of this release. 
Suffused (Suffused Music) - Dirty Cat Remix for me, thanks. 
Acid Pimps (Kontemplationwelt Ltd.) - Pretty nice Ep with that industrial touch on the vocals. Love the dark mood on the Dirty Cat Remix. Will surelly play it! 
Eden (Great Wall of Sound) - Definitely something i start my set with. 
Nsekt (Badmood Recordings) - Classy production, straight forward german sounds. 
MPI (Yucatech Recordings) - Dig the Dirty Cat remix and Original, ill slot them both into my radio show. 
Veztax/glorio Veztacci (Vezotonik/Glorio Music) - Dirty Cat rmx for my slow mixes. thx. 
XLII (Civil Music / Raid System) - Tha loop is pretty mental and broken beat ting is unique. 
Chris (Taiwan-Lounge Radio) - I like it. 
HipGnosis (Glitch.FM) - Very unique sound and great production. The remixes fill out the single with diverse styles, while keeping true to the original.


Links:
http://soundcloud.com/fonfara
http://soundcloud.com/dirty-cat
http://www.soundcloud.com/dirtycatrecords
http://records.dirtycat.ch


Buy it on Bandcamp

Angelo Fonfara - Radiostation (DCR013)

Courtney Love - Car Crash

Inkswel Ft Merwyn Sanders - Eternal Freedom (Linkwood Remix)

Zellophan

LIGHT DON'T OWE SHADE
Poster Boy 5/13
Produced by @mauraumusic
Additional Production Black Cracker
Released March 20th 2014
via http://gullyhavoc.com


LIGHT DON'T OWE SHADE- Black Cracker

Dena – Cash, Diamond Rings, Swimming Pools

CHASING RAINBOWS
Poster Boy Track 4/13 
Produced by Black Cracker
Released March 20th 2014
via http://gullyhavoc.com



CHASING RAINBOWS- Black Cracker

ASH ON THE GROUND
Poster Boy 3/13
Produced by Black Cracker
Released Mach 20th 2014 
via http://gullyhavoc.com

ASH ON THE GROUND- Black Cracker

LIVING RIGHT
Poster Boy 1/13
Produced by Black Cracker and https://soundcloud.com/mauraumusic
Released March 20th 2014
via http://gullyhavoc.com

LIVING RIGHT- Black Cracker

Prince Koloni's Aléké music from Suriname remixed by Uproot Andy and Geko Jones

follow soundcloud.com/quebajo for all the free releases

Free Download

Luku A Meisje (Uproot Andy & Geko Jones Remix)

Free download: http://vladlabel.bandcamp.com/album/oldies-remixes-free-downloads

Free download!

Branko X Bert On Beats Ft Yadi - Control (Sauvage FM Remix)

JFTH - Pumpin' [CUT]

Recorded at the Brighton festival, Angélica and Hilary read two poems in English and Portuguese, and answer questions from two GCSE students.

ANGELICA FREITAS
Angélica Freitas’s recent poetry collection, Um útero é do tamanho de um punho (Cosac Naify, 2012), was nominated for the Portugal Telecom Prize. Her first book, Rilke Shake (Cosac Naify, 2007), has been translated into English and German. She co-edits the poetry journal Modo de Usar & Co. from her home in Pelotas, Rio Grande do Sul, Brazil.

HILARY KAPLAN
Hilary Kaplan is the translator of Rilke Shake by Angélica Freitas (Phoneme Media). Her work was featured on BBC Radio 4 and has received fellowships from the PEN Translation Fund and Itaú Cultural. She is translating a collection of short stories by Paloma Vidal.


Feminism, the internet and Brazilian poetry: Angélica Freitas and Hilary Kaplan

Sunset Strip

Debut album of Matching Outfits, released on Kitchen Leg Records.

Twenty-two citrus fruits. A chain letter in Danish. A livestreamed funeral. With ultra-specific details and flashes of deadpan humor, Berlin lo-fi trio Matching Outfits relates tales of dissolving friendships, lost loved ones and insurmountable distances - between childhood and adulthood, summer and winter, Germany and rural Sweden. At the heart of the project is singer and keyboardist Linnea Mårtensson (formerly of duo Featherweights), who merges wistful indie pop with a playful DIY ethos that’s further brought to the fore by bandmates Rachel Glassberg (drums/guitar) and Leah Corper (bass). Call-and-response vocals that convene into three-part harmonies, shout-along choruses, saxophone breakouts: whether on debut album Band Made Out Of Sand (Kitchen Leg Records) or in their live shows, you never really know what to expect.
Credits 

Linnea Mårtensson: lead vocals, keys, saxophone, drums (6) 
Rachel Glassberg: backing vocals, electric guitar, drums 
Leah Corper: backing vocals, bass 

Songs by Linnea Mårtensson 
Arrangements by Matching Outfits 
Recorded and mixed by Karl Mattar 
Mastered by Brian Pyle 
Produced by Karl Mattar and Matching Outfits 

Cover art by Andrew Kemp

Sparkling

Edge of Seventeen

The uncanny is Helen Fry’s birthright: both of her parents have a twin
sibling. For her, the absence of a genetic double is felt as a lack.
When nature reveals itself as a master of eerie duplication, how does
one draw a line between organic and mechanical reproduction? Thus,
Fry’s plea to her mother for a “Twin” becomes a technological
proposal: “so this is the future….if we have the possibility to create
functional 3D-printed human organs, why don’t we just print my twin?”
If nature is in the business of cloning, why wouldn’t your mother have
a 3D printer?

In this world, where it is hard to trace the boundaries of the
artificial, a love song becomes a matter of materials science.
Feelings can be confused with industrial processes. An emotion might
have not only texture but extension; a sentiment might be a membrane,
becoming impossibly thin. The prospect of lost passion shades into the
promise of a technological miracle. It’s hard to tell whether the
request to “turn me on” in “Maybe Not” is a come-on or a friendly
computer instruction, robotically repeated. It’s not made any easier
by the dispassionate phrases spoken between the choruses: “a sensible
desire, a vulnerable reflection.” Is a lover another kind of twin? If
yours was 3D-printed, could you tell?

What does all of this actually sound like? Well, beautiful. 
Technological alienation is an easy theme to find in music today;
Future Light Cone distinguishes itself as music for technological
domestication, music of the cyborg hearth. Fry’s Classical background
comes through in her organ and harpsichord-invoking synth pads, but
the tones don’t aspire to an organic realism; nor are they
self-evidently artificial. They simply are themselves, comfortable and
elegant like a worn-in but finely-crafted set of furniture. On “PCNC
310,” a fantasy about an unstopping milling machine, with Fry (who is
also an industrial designer) repeating a priestly intonation of the
device’s name and MS-DOS entry code, one can imagine the heavy-duty
machine tool positioned in a living room, next to an antique sofa and
a loom. That domestic feel likely has a lot to do with how the EP came
about. Fry and her collaborator Rémi Letournelle, (of the band Slow
Steve) who played on the record as well as producing and mixing it,
retreated to a rural east German home to work on Fry’s demos. There
they incorporated the setting’s prosaic elements into the recordings,
using baskets, cotton swabs, and a neighbor’s cat.

The term ‘future light cone’ refers to the region of space and time
that a beam of light will travel through in its lifetime. It’s a nice
metaphor for an EP which sees the future unfolding in front of it and
takes in all its strangeness with equanimity and poise.

Future Light Cone comes out on Mansions and Millions on April 7th.

Buy Tape on Bandcamp

Helen Fry - Plasticine

Haunted Hearts

Hawaii

Joana Jett - Do You Wanna Touch Me

"Down Under, Mining", from new Dear Reader album 'Rivonia', out 8 April 2013.

Buy the album direct: http://dearreader.frocksteady.com/ 
on Amazon: http://glnk.it/1zz or 
on iTunes: http://glnk.it/200



DEAR READER - Summer Tour 2013

08.05 Hannover DE - Musikzentrum
09.05  Magdeburg DE - Moritzhof
10.05  Dresden DE - Scheune
11.05 Linz AT -  Posthof
13.05 Stuttgart, Schocken
14.05 Zürich CH - Rote Fabrik
15.05 Basel CH - Kuppel
16.05 München DE - Atomic Café
21.05 Freiburg DE - Schmitz Katze
22.05 Belfort FR - La Poudriere
23.05 Paris FR - Le Nouveau Casino
24.05 Köln DE - Gebäude 9
26.05 Münster DE - Gleis 22
27.05 Hamburg, Uebel & Gefährlich
28.05 Berlin, Lido
13.07. Rüsselsheim, Phono Pop Festival
02.08 Jena, Kulturarena
22.11 Luxemburg - Sonic Visions Festival

For more information visit our site: www.cityslang.com
or www.dearreadermusic.com

Buy on iTunes

Dear Reader - Down Under, Mining

Hard To Be Like You by Hanna & Kerttu

Black Cracker is a multidisciplinary artist working in sound, text, video. He was a featured performer in the Louis Vuitton men’s runway show under the direction of Wu Tsang and Virgil Abloh and the creative consultant/technical director and for Peaches’ the 20th anniversary of The Teaches of Peaches world tour. Black Cracker was the musical director for The Ring of the Nibelung by Necati Öziri, directed by Christopher Rüping at the Schauspielhaus Zurich and his own directorial work A Ballet Of Slug And Shell, an adaptation of Der Freischütz, released in VR due to the pandemic, in celebration of 200 years of Konzerthaus Berlin in collaboration with the Solistenensemble Kaleidoskop. He is currently recording the next album for his jazz project Kiku, alongside Einstürzende Neubauten's Blixa Barged.

LIGHT DON'T OWE SHADE- Black Cracker

black cracker