The Only Messiah Is Electronic (Live With The Ruling Class Mix)

🌀 Vortex
There’s a moment where everything begins to shift — when gravity bends, time stretches, and you're no longer in control.

A hypnotic pulse builds, pulling you deeper into the unknown. Voices echo in the dark, and suddenly… you’re in it.

Don’t fight it.
Let the vortex take you.

Vortex

She bends the grids with whispered spell,
A prism voice through circuits fell.
Each line she stirs becomes a path,
Unwinding space in spiraled math.

Through sacred shapes her silence sings,
The colors pulse with hidden wings.
Beware the gaze that meets her trace.
She chants in patterns, warps in place.

Inchantress

Interchantress

all instruments and voices: Jeff Gardiner 
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said


you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 1

scalar fields pt 1: scalar fields - with stonerjazz

July 4th

Nouveau titre, nouvelle collaboration... Monsieur Madeleine nous raconte et chante la "Complainte de Sailor ZiMad" et Zitou rame en cadence....

New title, new collaboration... Monsieur Madeleine tells us and sings the "Complainte de Sailor ZiMad" and Zitou rows in time.....


La complainte du marin ZiMad By  Monsieur Madeleine & Zitou Itou

blues 2

Composed, arranged, performed, and produced by:
Carlos Vivanco

Steel Tears

This song cover, featuring a serious yet happy Afrocentric cartoon of a male flower child, perfectly captures the essence of an upbeat hip-hop electronic track titled "Impossible."

The artwork itself is a vibrant explosion of color, with the flower child at its heart, radiating joy against a bold blue backdrop. His intricate Afro is adorned with a cascade of colorful flowers and beads, reflecting a deep connection to nature and a free spirit. Dressed in a lively, tie-dye inspired outfit, he exudes an infectious happiness that balances the "serious cartoon" style with a celebratory vibe. The bold, stylized "Impossible" title acts as a confident declaration, suggesting themes of overcoming challenges and reaching for what seems unattainable.

Musically, this cover art speaks to a fusion of genres. Imagine a hip-hop electronic track that blends rhythmic beats and sharp lyrical flow with pulsing synths and uplifting melodies. The "happy vibe" of the artwork could translate into an energetic electronic soundscape, while the "serious cartoon" element hints at thought-provoking lyrics or a deeper message within the music. The Afrocentric focus suggests influences from diverse musical traditions, adding rich layers to the electronic production and hip-hop delivery. This isn't just a song; it's an anthem for positivity and breaking barriers, delivered with a vibrant, modern sound.

Impossible

Bygone Days



https://music.youtube.com/watch?v=ZMtHyxcD-ug&feature=shared

https://open.spotify.com/album/0DPQMRW1F9XiIwzHzyLwti?si=jR2xeZuLS4uI9RYtmcuS9Q


https://music.apple.com/us/song/standing-ovation/1824451583

Standing Ovation.mp3

Horror Synth, Electronics and Industrial celebrations of Sleazoid Cinema and EBM Grooves!

The Only Messiah Is Electronic (Live With The Ruling Class Mix)

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