Millia (fka Millia Rage / 1/3 of Purelink) recorded this mix live at a pop up gallery in May. Lots of humid / summer feeling tones in this session, it also features some unreleased demos of his. Keep an eye out for new Purelink and solo work of Millia's due out later this year. Hope ur all enjoying the 
season.

https://soundcloud.com/millia-rage

Motion Cast Vol. 74: Millia

when you sing and tears come through 
moments to capture
moment to refeel

*https://perilazone.bandcamp.com/album/over-me

perila – over me

From:

"Jan Jelinek – Loop Finding Jazz Records"
Label: ~scape
Year:2001

Jan Jelinek - Do Dekor (Blacksmif Remix)

DC Promo Tracks #1601: "Tri Tochki" by Frunk29 is part of the release "Zonned Compilation Vol.2" on Zonned @frunk29 @zonned-records  

Buy from: https://zonned.bandcamp.com/album/zonned-compilation-vol-2 

--

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🎶 More Promo Tracks: https://www.dreamchimney.com/promo
📻 Dream Chimney Radio: https://www.dreamchimney.com/radio

instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • twitter.com/dreamchimney

⭐ More Dream Chimney: https://www.dreamchimney.com ⭐

DC Promo Tracks: Frunk29 "Tri Tochki"

all prod me mels n drums
dm me on ig or disc to buy
(this a small clips I got a bigger beat clips im dropping Ina couple weeks💗🏹)

@mqysin october clips 1 : 2

"Singularity Ceremony" - Dreamy pads create a trance-like state.

#Electro #Dreamy #Deep #Lucid
#NeonShepherds #Album
#AIMusic #luefh

While utilizing AI generation for initial concepts (pictures, album art, lyrics, musical foundation), this music is the result of extensive and documented human creative direction, editing, and production. Manual and complex AI-prompting shaped the raw material. Lyrics underwent significant manual editing for narrative, flow, and emotional impact. The core musical composition was refined through human arrangement choices. The production involved intensive manual mixing and mastering: multi-stem editing, stem correction, octaving, precise cuts, gain staging, dynamic balancing, low-frequency mono processing, pocketing and boosting energy points, bass excitation, sculpting bass harmonics, detailed sound design, effect application, side-chaining, compression, multiband dynamics, tempo fine-tuning, equalization for clarity and reduction of muddiness, loudness optimization, panoramic placement, frequency analysis, targeted high/low-frequency cuts, and LUFSi correction.

Neon Shepherds

Singularity Ceremony (AI-aided)

From the album "69" Released by Growing Bin Records, 2016. 
Melbourne launch this Sunday at the Fairfield Amphitheatre
https://web.facebook.com/events/131749897224821/

Buy the DIGI here: https://wilsontanner.bandcamp.com/releases
And the LP here: http://www.growingbinrecords.com/growing-bin-releases/


Wilson Tanner - Long Water ('69', Growing Bin Records, 2016)

From "Water messages on desert sand" by Roberto Musci & Giovanni Venosta
Recommended Records label vinyl & CD.
Water music for guitar & pygmy chant with flute 
www.rmusci.com

Empty boulevard

Jan Jelinek - They, Them

Another win for the Glowing Pin as Müller & Wandt drop a fresh new age groover on a killer club dub tip. Elsewhere Phazer Boys, Suzanne Kraft, Philipp Otterbach and River Yarra remix the pscht out of their favourite tracks from ‘Instrumentalmusik..’. Expect Goan hits, cosmic trips, loved up rave and chilled out wave on this flawless five tracker.   
Growing Bin becomes Glowing Pin for the most anticipated rematch of the century. Back at the beginning of 2018, Wolf Müller and Niklas Wandt went head to head for a box office smash, throwing a high school percussion tray, wall of hardware and voodoo skull into the ring for the tribal trip of ‘Instrumentalmusik Von Der Mitte Der World’. 
Now the multi-instrumental duo face off once again, but this time it’s a royal rumble with Phazer Boys, Suzanne Kraft, Phillip Otterbach and River Yarra all bringing the noise to the Glowing Pin.  
Müller and Wandt dominate the action on the A1, playing loose with sampler vox, serene pads and future primitive rhythms on the unreleased ‘Fun Dub’ of the also unreleased ‘Dub Dub’. Imagine Ferris Bueller’s trampoline tumble trading Chicago to the Weissenhof and you’ll sense the mood of this New Age groove. Germany’s number one party dudes, those freaky Phazer Boys take a break from dropping killer Candomblé cuts to reach for the lasers on the A2, taking ‘Ahu’ to another dimension. Dripping in neon body paint and armed with fire poi, the Düsseldorf duo power up progressive house sequences, didgeridoo bass and thumping tribal house percussion for a wall-shaking, speaker-breaking remix.   
The B1 belongs to synth whiz Suzanne Kraft who revels in glistening, gliding glory on an expansive remix of  ‘Auflösung’. Sleek, serene and futuristic, the track shimmers like Fritz Lang’s Metropolis, free from inequality and rendered with the 5D(ub?) majesty of a DMT breakthrough. 
B2 hears Salon associate and serious talent Philipp Otterbach take over on a stripped back and psychedelic post punk dub of ‘Expedition’. Angular bass by Süne Große and a stuttering rhythm underpin astral flourishes and the hazy vocals of Lucas Croon before the African elements begin to move to the forefront. 
Last man standing is Australian outlier River Yarra, who leads us into the Krautback with a chugging dub of ‘Weltraumsandalen’. Lent a lysergic sparkle by a percolating one-note bassline, this slow motion stunner masters perpetual motion amid the eerie echoes of the bush, organic percussion and electronic animal cries fading into the night. Let the pins glow again.  
Patrick Ryder  

A1. DUB DUB WMNW Fun-DUB feat. Vomit Heat			8:30 
A2. Ahu - Phazer Boys LaserDUB						8:07  
B1. Auflösung - Suzanne Kraft WerkDUB					6:13 
B2. Expedition - Philipp Odd Dub Bach DUB 
feat. Lucas Croon & Süne Große		                                 5:31 
B3. Weltraumsandalen - River Yarra DUB					6:42

WMNW Remixes - A1 - Dub Dub (Dub) Feat. Vomit Heat (clip) 8min 30sec

Produced by Kieran Hebden between 1997 and 2001
Compiled 2012
TEXT021

Also available on vinyl LP soon.

0181

Description:
___________
"...simultaneously aqueous and intergalactic, full of gooey synth lines, syncopated rhythms, and fuzzy, dubby sounds...  so many textures melding and warping together, giving the listener a reason to pay attention."
(Molly Beauchemin - Pitchfork)

"Incredibly strange & wonderful... Stunning... Absolutely phenomenal..."
(Mary Anne Hobbs - Radio 1 / Xfm)

"A producer that we think is destined for big things..."
(Goldierocks - NME Radio / Radio 1 / 4Music)

"...collage-like, sounding a little like the production work of Sampha or Frank Ocean's early sketches."
(Dummy Mag)

"...gruff and sweet, heavy and dreamy, spiky and soft-focus..."
(FACT Magazine - The 100 Best Tracks of 2012)

"...pure professionalism, delighting in the slickness of its own textures..."
(Resident Advisor)