don't know what to call this

Різне,забуте,загублене,маловідоме і відоме,інше,імпровізаційне,еклектичне,емоційне,легке для ізоляції, творчості та перерви) Фонове, весняне... До 4 годин.

Different #27

experimental/alternative

I Must Obey...

let's see

BLAINE L REININGER - CIRRUS SPIRIT

xxnz

all sounds, noises, piano and saxophone played and recorded by Zoy in 2013

ETA CARINAE - Zoy Winterstein

A teaser from the upcoming release by Les Disques du Crepuscule of "Commissions", a double CD of my commissioned music 2007-2013.

Antigone End Theme

Above the Sky

Lyra

LYRA

Ed Sheeran <3

Support me by giving it a <3 on hypem:
http://hypem.com/track/20w6w/Ed+Sheeran+-+I+See+Fire+(Kygo+Remix)

Kygo
https://www.facebook.com/kygoofficial/
http://www.instagram.com/kygomusic 
http://www.twitter.com/kygomusic 
https://www.youtube.com/user/KygoOfficialVEVO/ 
http://kygomusic.com  

Ed Sheeran - I See Fire (Kygo Remix)

Pink Floyd - Wish You Were Here

Track 3 from Malka's forthcoming EP "Gliding" - released on May 19th 2014

03. Tall Grey Buildings - Malka Spigel

I was asked to visit Cambridge University to perform my vocal work. Near the date, they called me, asking if I was still coming... since they knew that I was about to get married and didn't know if my plans had changed or not. "Tell him you're coming with a band," John whispered loud from the side. John and I thought it was a riot, but we didn't know they would take it at the other end of the phone. Was it alright to bring a rocker? But the guy held his ground well. It was Cambridge, so the greeting committee was cordial but cool. John took that in, of course. He joined me on the stage and played underneath my vocal. Maybe I WANNA HOLD YOUR HAND? That would have been cute. But he went in for the kill and played an incredibly creative avant-garde guitar that nobody in the world had ever heard before and since. The audience didn't react to it. I was probably the only musician who was totally impressed by it. But did I express my appreciation? John loved CAMBRIDGE 1969. So for awhile, he always asked for it to be played when we were in the car. I just thought "Oh, not that one again!" "How about Yesterday?" (a joke). And when I tried to play something else he wouldn't hear of it.

Yoko Ono, 24 March 2014.


Recorded 2 March 1969, at Lady Mitchell Hall, Cambridge University, Cambridge
Yoko Ono: Vocals
John Lennon: Guitar
Saxophone: John Tchicai 
Percussion: John Stevens

From the album <a href="http://amzn.to/1mqxGDF">Unfinished Music Vol. 2 - Life With The Lions</a>

Cambridge News Article: <a href="http://www.cambridge-news.co.uk/Home/How-John-Lennon-turned-to-Cambridge-for-life-after-The-Beatles.htm">How John Lennon turned to Cambridge for life after The Beatles</a>.

Buy at Amazon.com

John Lennon & Yoko Ono - Cambridge 1969

Thank you for listening!
Youtube - https://www.youtube.com/user/SkallNove/videos?view=0&sort=dd&shelf_id=1

The xx - Intro (Skallnove remake)

Tuxedomoon Seeding The Clouds | remixed by Parks

Embers

A new rough mix from unreleased material sept-oct 2014

I Got God Now

The love theme from Maria's production of "The Master and Margarita, A Picnic With the Devil" for the Experimental Stage of the Greek National Theatre, 2016.

Flamenco Filtre

The magical opening to Maria's play "The Master and Margarita, A Picnic With the Devil".

You People Amaze Me

August winds blow this drama from the mysterious dark continent our way.
Episode One in The Winds of August series.

Snake Woman Sleep

Episode two in the Winds of August series.

Bwana, Him Dead

The title track from my 1984 solo album "Night Air". This track has had the most staying power of all of them.

Blaine L Reininger - Night Air

From "Byzantium", my third solo album with les disques du crepuscule.

Teenage Theatre Blaine L. Reininger

Some output from my systems. Submitted for your comment.

Old Man's Buckle

A re-recording of the song from my "Night Air" record.

Cafe au Lait Remake, 2010

Coil-Things

VA - Pakistan Folk And Pop Instrumentals 1966 - 1976 (Excerpt 3)

The original track I composed for the amazingly talented artist Gavin O'Donnell. 

I decided to remaster and edit the original track. I re-edited the cymbal builds, adding more of my own custom stuff, and some from the Evolve library. And I also added a solo violin playing a counter melody at the end.

The Eye of the Beholder (re-master & edit)

"Shannon Wright is an example of that shocking, spooky thing: a natural." New York Times 

"The most underestimated american songwriter of our musical era." - Noise

After thirteen years and seven LP's as a solo artist, Shannon Wright has returned with what could be her fiercest record to date. Crashing out of the gates with the aptly titled "Noise Parade" Wright immediately reintroduces listeners to her trademark cutting guitars with a distinctive bittersweet fury that jumps from the speakers. In Film Sound bursts with urgent immediacy, a kind of direct intention-into-thought that's as raw as it is focused. It's an album where your favorite track can change with each listen, be it the easy sway of "The Caustic Light" that thrusts into a chaotic attack of atonal guitar and rhythm, or the gorgeous piano dirge of "Bleed" overflowing with chest pounding wonder and loss. 

"In Film Sound" features an esteemed rhythm section consisting of Shipping News members Kyle Crabtree (drums) and Todd Cook (bass) and was recorded this fall in Louisville, KY by Kevin Ratterman (My Morning Jacket, Andrew Bird, Maserati) and mastered by Bob Weston at Chicago Mastering Services. It is Wright's first new LP for Brooklyn's Ernest Jenning Record Co. after a decade of work with esteemed Chicago imprint Touch and Go Records and a self-released 2010 LP. Wright has been out of the spotlight in America since her long time label shuttered, but in that time she has been active overseas where an adoring European audience has supported her from the start, and collaborations with cult composer Yann Tiersen have only increased her international profile. France's Vicious Circle will also be releasing the album in Europe. 

Wright's songwriting has always been unflinchingly honest while untainted by the whims of current trends and her legendary guitar playing continues to shine through, often heavier than ever. The Intensity of her voice refuses to let up these days either, and her sense of harmonic movement and rhythmic patterns often hints at something unsettling going on, a dangerous and explosive feeling that shrouds and ultimately defines In Film Sound.

The Caustic Light

"seek beauty in life", they told me. "only then you'll find happiness."

the eye of the beholder

"Choices"

Blaine L. Reininger is an American composer and performer born in 1953 in Pueblo, Colorado. Having studied violin from age 9, guitar from age 11, and music theory and composition through high school and into college, he left Colorado in 1976 for San Francisco. There, in 1977, as a consequence of his studies in electronic music at San Francisco City College, he started the legendary American cult band Tuxedomoon together with classmate Steven Brown.