Seth Troxler is one of electronic music’s most instantly recognisable artists. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. Descended from a family of cowboys and Baptist preachers, Seth is part African-American, with a singular approach to viewing the world through the prism of contemporary music culture.

Born in Kalamazoo, Michigan, and raised in suburban Detroit, Seth learnt the art of DJing initially from his stepfather (then a college radio DJ) and later from working, at only 16, behind the counter in legendary Detroit record store ‘Melodies & Memories’. It wasn’t until Seth made the decision to explore new horizons in the mid-2000s, moving to Berlin fresh out of his teens (after debuting at Panorama Bar at just 18 years old), that his DJ career really took off.

Since the move from Detroit to Berlin, then settling in London for a number of years, and now with his time divided between Ibiza and Berlin (Round 2), Seth has established himself as one of the world biggest DJs (voted the world’s number one DJ in scene bible Resident Advisor and gracing the front cover of Mixmag three times). He’s equally at home playing to the smoke-filled dance floors of some of the world’s most discerning nightclubs, such as CircoLoco, fabric (London), Nordstern (Basel), The Lux (Lisbon) or Blitz (Munich), as he is headlining the world’s largest festivals, like Glastonbury, Movement, Roskilde or Sonar.

Right from the word go, Seth has been as passionate about food and contemporary art as he is about music, and these two interests have resonated at all points, and in parallel, to his music career. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent ‘Play In The Dark’ collaboration with the Martinez Brothers on Crosstown Rebels, and ‘Lumartes’ that kick started CircoLoco Recordings in Summer 2021). Furthermore Seth has found the time to launch the successful Smokey Tails’ restaurant in London, to create and host his own party during the Rio Carnival, and then to stop everything and to take the time out to climb Kilimanjaro for charity.

More recently Seth has focussed his creative energies on his ‘Lost Souls of Saturn’ www.lostsoulsofsaturn.com project, alongside Phil Moffa and further opaque participants, that sits firmly at the intersection between futuristic electronica, contemporary art and technology. In 2019 Lost Souls Of Saturn presented their audio/visual installation Transmission at the Saatchi Gallery in London, after its premiere during Art Basel in Switzerland, and collaborated with the Met in New York and the Fondation Beyeler in Basel in 2021. Lost Souls Of Saturn are currently recording their second album and conducting further experiments in augmented reality and virtual reality, which will be revealed soon.

Extremely well travelled, constantly searching and experiencing, Seth Troxler continues to follow his own unique path.

Captin(Capo)- Rap Artist #SMG 
Manchester, Moss Side





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Even their name is unique.

But that’s not the only thing that sets Pretty Ricky apart from the rest of the pack.

From their configuration – one singer and three rappers – to their image –
handsome, young and sexy – Pretty Ricky has been in a league all its own since
they first hit the scene in 2005 with “Grind With Me,” the smash single from their
platinum debut CD, “Bluestars.” Says member and resident producer Diamond
Blue Smith, “In a time where record labels are generically making bands on
reality shows, Pretty Ricky is the last of a dying breed.”

With a sound that is one part hip hop, one part R&B, Pretty Ricky practically
invented and single-handedly mastered the art of combining melodies,
harmonies and dope raps. They took their signature sound and injected it into
a predominantly hip-hop marketplace during a time when crunk music ruled the
airwaves. The result was the birth of an exciting twist on both genres that would
be imitated – but never duplicated – by their successors.

Adoration for Pretty Ricky caught on early. Their debut CD spawned two of their
three top ten hits and set the stage for their sophomore CD “Late Night Special,”
which topped the charts and owned the number one spot for five consecutive
weeks. Pretty Ricky mania erupted as reports of fanatical fans fainting at
concerts and standing in interminable lines at record stores ran rampant. Atlantic
Records COO Craig Kallman likened it to Beatle-mania.

As a group, Pretty Ricky is known for their sexy, sensual (borderline raunchy)
music and stage shows. But there’s much more to these Miami natives, known
individually as Diamond, Spectacular, Lingerie and Slick’em, than meets the eye.
It’s safe to say these guys really do mean business. Julie Greenwald, president
of Atlantic Records, once proclaimed, “Diamond Blue is the new Puffy in the
making.” (Diddy himself referred to the band as “the new Jodeci.”)

These music impresarios know that Pretty Ricky have all the traits that
superstars are made of: business sense, vocal innovation, showmanship and, of
course, dynamic personalities. Says Diamond, “The various personalities of each
individual member is what gives the band diversity. Spectacular brings the sex-
appeal, Slickadelaphante brings out the wild and crazy side of the band, Lingerie
provides the charismatic, R&B, sultry side and I’m the business man; collectively,

We are the Kings of the Bedroom!”

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