My soundcloud page is currently just my demos to show musicians my playing and find people to collaborate with and hopefully form an original band with. 

Im my worst critic so havent released any of my stuff. Most days I dont even like  my  recordings. Its just stuff Ive cobbled together in my home studio, mostly by myself. 

Ideally want to put a band together and rework anything that works musically and come up with entirely new material as a band rather than my current limitation of doing everything myself which most of these tracks are. 

Prefer to just play guitar rather than sing when performing in front of an audience as am a bit shy about singing/rememmbering lyrics.  Prefer to play a supporting role as a musician ideally. 

A  lot of my tracks are set to private so I can select who can listen to them, intended as demos of my guitar playing rather than something i would  release. I dont see the point releasing solo stuff until i have or am part of a band to be able to play it live. (If at all, as most of time im bored of these songs and sketches...want to collaborate with other talented musicians/songwriters/composers, producers.

www.alexpalmer.com
I'm a British-Australian Film & TV Composer, Arranger/Orchestrator and Musical Director based between London and Sydney.
I have composed, orchestrated and produced hundreds of recordings and performances for stage and screen, with a focus on excellent-quality music for orchestras, chamber ensembles and choirs.
I studied Music at the University of Cambridge, UK and Scoring for Film, TV & Video Games at Berklee College of Music.

HVISKE is Ivan Lisyak and Kusum Normoyle. 

12" pre order available at:
http://sound-merch.com.au/siberiarecords/

Launches Sydney 25 August and Melbourne 26 August 2017.

EP1 presents opulent, blackened techno by way of EBM, sonically testifying their investment in the relationship of noise and art to dance music, whilst hitting heavy with addictive melody and texture.

Award winning Composer for Games, Film & TV

Someone once told Olga Solar that getting her to open up was like pulling teeth. Thankfully, it seems that in songwriting the Sydney artist has found her confidant.

“As far as first offerings go, it doesn’t get much better than this.”
- Happy Mag

“This is a triumph! Standing upright with enviable posture, it’s got heaps of heart!”
- Dave Ruby Howe, triple j

“It’s clever in so many ways. How can you not be swept along with this one?!”
- Declan Byrne, triple j

“With her craft and her voice and all that personal momentum, as auspicious as this debut is, I’m expecting a lot
more soon.”
- Chris Cobcroft, 4ZZZ

“Triumphant and precise, with a commanding mastery of sound, Olga Solar’s ‘Tulips’ loudly declares she is a force to be reckoned with.”
- Left Bank Magazine

“’Tulips’ leaves you with zero doubt about Solar’s readiness for the world stage.”
- Sleeping Bag Studios

 "Mapping and reconsidering terrain traversed by contemporaries such as Ben Frost and Pimmon, Blake’s work ranges from vast and spacious drones to rhythmically driven electronic compositions, married with often intensely processed guitar improvisations. However, unlike so much abstract experimentalism, Freele's work has a clear and unmissable narrative - a dark sequence of drones, frequencies and cinematic sweeps, laced with anxiety, restlessness and paranoia." New Weird Australia.



Ipecac Recordings is the brainchild of Greg Werckman (former label manager for the legendary punk label, Alternative Tentacles, employee for Mercury Records for a record 15 minutes, currently operating Pick-A-Winner Management) and Mike Patton (former frontman for Faith No More, Mr. Bungle, currently of Fantômas, Tomahawk, Peeping Tom).

Werckman and Patton had been scheming for years (in between video games) about starting their very own label, waiting for just the right moment to unleash their master plan. Ipecac Recordings is not about to make music biz history and execute a revolution (although one is surely needed) or bore you by waxing poetic about their original musical philosophies. But if we have to adhere to a "mission statement," how about the notion of being an honest, artist friendly label run on a shoe string with no outrageous promotional or production costs. This label is a home to Mike Patton's eclectic musical collaborations as well as a place where bands we admire have the freedom to release music they might not be able to, or want to, release on other labels.

Blake Freele is following