Bonnie Barnard is a Texas singer-songwriter whose soulful, haunting voice reflects the best traditions of the folk-pop movement. Her roots-rock songwriting touched by an undercurrent of Americana, has won her a legion of fans all over the world. 
Inspired by the music of Bob Dylan, Neil Young, Janis Joplin, Stevie Nicks, Bruce Springsteen, Tom Petty,  Bob Marley, The Ramones and Patti Smith, Bonnie Barnard is an award winning Texas singer-songwriter who began singing, playing guitar and harmonica, as well as writing songs at the age of eight.  One of Bonnie's original songs, Dead Town, was chosen as a winner of B.U.B.S. judged by Lou Reed, Robbie Robertson, Branford Marsalis, Vernon Reid and Lyle Lovett.   
Bonnie's original song "A Girl's Gotta Do" from her 10,000 Fortunes album is featured on the soundtrack of the cult movie classic "Whore" a film by legendary movie director Ken Russell. Bonnie's newest release, "Catch Her If You Can" was produced by multi-Grammy winning Texas producer Joe Trevino.
Website:  www.bonniebarnard.net
https://twitter.com/bonniebarnard 
Pandora: https://pandora.app.link/PWAGKKlNksb
iTunes: https://itunes.apple.com/us/artist/bonnie-barnard/id5924362
Amazon: http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Dpopular&field-keywords=bonnie+barnard

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Chilean singer-songwriter (2015-2019)
Podcasting since 2021.

Multidisciplinary artist
Current project: All-American Ruins

Brian Michael Henry’s new EP, "The Horror! The Horror!," is a five-track collection of New Wave-inspired alt-pop tracks that examine love and desire from the perspective of classic horror characters.

"The Horror! The Horror!" may only be Henry’s second recorded release—following 2021’s "Remote Work"—but he’s no stranger to the stage, having made a career in opera and musical theater before diving head first into home recording at the height of the 2020 pandemic. 

Throughout "The Horror! The Horror!," Henry examines the humanity of monsters and the monstrosity of humans atop pulsing layers of cold electronic production that call to mind both John Carpenter’s signature synth scores and modern darkwave artists like Cold Cave in equal measure. Henry’s vocals, however, are reminiscent of Stephin Merritt’s signature croon and lend a notable warmth to each song, creating a more three-dimensional portrait of his characters and heightening the emotional resonance of the EP.

Although Henry’s background is in musical theater, his songwriting prowess and synth-heavy instrumentation throughout "The Horror! The Horror!" eschews any acute Broadway sensibility in favor of New Wave and post-punk influence, a recent development in Henry’s tenure as a writer and performer.

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