For episode 243, we present a four-hour set from Lorely Mur, recorded on October 5th, 2025, during the second edition of Misa de 7 at Bar Américas.

Raised in Ciudad Juárez, Lorely Mur developed her voice within the city’s early-2000s pressure cooker, a context that shaped the discipline and clarity that run through her work. Her years at Hardpop, one of Mexico’s most emblematic clubs, placed her alongside artists from across the global circuit and grounded her approach to techno in precision and intent.

Now based in Denver, she continues to expand her presence in the global underground while remaining a key reference in Mexican techno. This set reflects that trajectory, one that is direct, deliberate and rooted in experience.
Listen and enjoy.

Watch the video on Youtube - https://youtu.be/rEHuqBM_Be4

Para el episodio 243, presentamos un set de cuatro horas de Lorely Mur, grabado el 5 de octubre de 2025 durante la segunda edición de Misa de 7 en Bar Américas.

Criada en Ciudad Juárez, Lorely Mur desarrolló su voz dentro del ambiente intenso de la ciudad a principios de los 2000, un contexto que moldeó la disciplina y la claridad que caracterizan su trabajo. Sus años en Hardpop, uno de los clubes más emblemáticos de México, la colocaron junto a artistas de todo el circuito global y consolidaron su enfoque del techno, basado en la precisión y la intención.

Ahora radicada en Denver, continúa expandiendo su presencia en el underground global mientras se mantiene como una figura clave del techno mexicano. Este set refleja ese recorrido: directo, intencional y forjado a través de la experiencia.

Blank Code Podcast 243 - Lorely Mur - Recorded Live @ Bar Americas

Music for the Soul 
Resident at #1 Club in Mexico, Hardpop, living in Denver, CO.

|DANCN IN THE DARK| 
Cd. Juarez, CHIH🇲🇽| El Paso,TX🇺🇸

Progressive
Organic
Melodic

Minimal Detroit takeover
Minimal Detroit manager

Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

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Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.

Music addicted
Hardcore Punk Kid with ambitions for good Deep House, Techno and PowerElectronics/Industrial.

Growing up with Hard Rock (my fathers music)as a kid, my interests for music went more in extreme directions in my youth. From Heavy to Death Metal & Hardcore Punk, I found a part of my heart in electronic music, especially Acid & Gabba. At the end of my youth I got to know real Techno like Sven Väth, Laurent Garnier and other icons of Techno, and a music called Rhytmic Noise and Power Electronics. This was the moment my musical taste split of for the rest of my life. On the one side hard and extreme Guitarmusic, on the other Techno, Hard Techno & noisy electronics.
In the middle of my 20‘s I tried to mix some tracks to sets. Unfortunately the time runs and I getting older and older, get a familiar life, a full time job and a risky sport so I let Mixing be what it was and set my focus more on hearing and enjoying music.
Maybe it coms the day that I load up new stuff. Maybe in the near future, be prepared! ✌🏼

If you like it, set it to your favourites and playlists and follow me.

You can find some of my old sets @

https://www.mixcloud.com/rallehc/

cause SC delete them here.