Soft Leather Club

Techno/House/Minimal/Darktechno

Techno by Ar

Do You Need A Messiah

Inphasia  - Horny Slut (Original Mix)Promo Cut ( OUT 25/12 )

Inphasia - So Warm (Christian Cambas Remix) [INLAB Underground]

B1 Len faki - Stripped - FIGURE 54

www.origamisound.com/album/deapmash…den-start-stop

Big room techno tracks usually convey an ample, gripping, heavy on the chest type of feeling; some can even be as emotionally impactful as stadium chants.

Hot on the heels of his "Complex" EP, French prodigy Deapmash teams up with Raito for two peak-time, memorable techno anthems. Joining the two on remix duty are the immensely versatile and inventive Strip Steve and BS1, both of BNR fame.

Strip Steve's take on "Stop" packs a structure and elements that we would've only expected from the likes of Tessela, Truncate or TWR72 - a stand-alone track that is equal parts DJ tool and an unforgettable moment during a party. 
BS1 deliver a surprisingly grimey workout which expands through a churning acid line that ripples through.

This is a straight-forward, uncompromising package for techno DJs and enthusiasts alike which is probably at its best when played for bigger venues/crowds. 
All killers, no fillers.

Deapmash & Raito - Den Start

Dirty

Basic Pain Procedure (Len Faki Remix)

LABEL:
Blank Code

ARTIST:
Brian Sanhaji

TITLE:
BCR010 - Panic EP

RELEASE DATE:
May 2015

FORMAT:
12", digital

DISTRIBUTION:
Complete USA / Beatport

WEB:
http://www.blankcode.com
contact@blankcode.com

TRACKS:
A1. Panic (Original Mix)
B1. Pending Errors (Original Mix)
B2. Initial Boot (Original Mix)


Brian Sanhaji - Panic - Original Mix

EDLX043 - B1 - AnD - Power Spectrum (Sleeparchive Remix)

Jenny sings cover of Creep, a la amazing Post Modern Jukebox version. 

Creep (Original By Radiohead, A La Post Modern Jukebox) Live

7 - Giorgio Gigli - Shades of Depth [snippet]

5 - Giorgio Gigli - The Silence Was Infinite [snippet]

Don’t be fooled by the name, Clouds are about as rough and spiky as it gets. Words like “rowdy”, “boisterous” and “ragged” have been used to describe Calum Macleod and Liam Robertson’s voluminous output together on the likes of Soma and Fifth Wall, with the unlikely Turbo shouldering most of the brunt. And since the release of their album, Ghost Systems Rave, Clouds have only gotten more gnarled and savage, as their Tannhauser Acid Works series and latest cassette release for Opal Tapes will attest. But ‘Roadslip Timemender’ could be their most formidable yet.

From a clean slate Clouds present four scuzzy techno cuts full of rattling irreverence that settle in nicely between AnD’s gun-slinging and Sawlin & Subjected’s heady, virulent soundscapes. On the A-side “Maverick Scrabble” dives straight in without pausing for breath whilst “Castres Olympique” slides around on un-oiled hinges as it layers itself up over time. Dramatic chords, rattles, bells, static noise and industrial pangs are all woven in, making this a densely packed and textural number. Then on the flip “Coast Range Arc (Tuff Stuff Hardcore)” is like a blast from some cavernous subterranean workshop fathoms below the surface, leaving “Polgate Slamen” to close things on a tough, tight and itchy tip. “Fixed Kaos Network Fee” is your digital freebee that’s big, bold and wildly unpredictable—use it well.

Digital Bonus - Clouds - Fixed Kaos Network Fee

As a motion graphics designer by day and musician by night, Dara Smith has always been fascinated by audio and visual expression. They are one and the same, he says, and as Arad he’s putting that theory into action. Particles and Waves is his second record under the moniker after Haon and unveils more a focused concept with all of his loose modus operandi in tact.

Like his work with Ian McDonnell as Lakker, Smith’s solo practice is one in perpetual flux; forever changing and redefining itself whilst drawing from a deep well of musicology. It’s directly indebted to his DJ sets, too, which cover techno in its purest form right to the very fringes of the dancefloor with brokenbeat, Gqom and Fwd influence included. It’s music written intuitively, with laissez-faire sentiment that doesn’t extended beyond the granular of the now. As a result, it cannot be defined in terms of style or structure but rather in its detailed and supremely diligent approach to sound design.

With Arad, Smith is bringing his two worlds ever closer together. It is a project born from the audio-visual intersection with exclusive artwork produced here by Smith himself in symbiosis with the music. Particles and Waves then is the first real step towards a singular Arad language that works across all of the senses.

Particles and Waves is an Electric Deluxe special LMTD edition double vinyl release, which will only be available for physical purchase through the Electric Deluxe store.