This is basically my asset flip of songs. The chimes and percussion were a sample I found off of Bandlab as well as the synth. Still thought it could be in the compilation though.

Chimes

a short music about love (ambient worx)

A deep drone with a promise that may be fulfilled.

Wachten op sneeuw

LNEG008 V.A 3

A1 Penelope's Fiance - If You Want More,You'll Get Less
A2 SSIEGE - Arborea
B1 Dj Guy - CDIIF Quad Side B Trk 7

250 copies ltd, hand stamped
release date: oct 2017
worldwide distribution via Rubadub

LNEG008 A2 SSIEGE (snippet)

LNEG008 SSIEGE - Arborea  (snippet)

Haron - Wandelaar

Format: LP / digital
Catalogue: QUEESTE002

bit.ly/queeste002

A1 Lotuseter
A2 Maangerij
A3 Caverne
A4 Selenieten
B1 Foschia
B2 Sepia
B3 Music for Elbows

Queeste emerges with the nocturnal sounds of Haron's Wandelaar, an album exploring his long-term interest in music's talent for inducing and affecting dreams, successfully turning listening into an act of transport, leaving you in the midst of falling asleep, at a junction of dislocation, hazily arriving in a liminal world. In Wandelaar we hear Haron's playful reaction against the confines of dance music, gathering energy from his estrangement from the scene and using it as a means to reorder and interrogate sound.

The modest piano takes centre stage, allowing each solo note to becoming fertile and full, suspended and considered, guided by the principles of minimal composers such as John Cage and Ryuichi Sakamoto. Haron delicately translates sparse chords into a cinematic narrative of ascension, conjuring up a 'moony landscape,' grey and desolate from afar, intricately detailed on approach.

Haron’s Wandelaar is available 6 July 2018 on LP and digital platforms. The vinyl release includes an art print by Fallon Does, who is also responsible for the graphic design of Wandelaar. All tracks written and produced by Haron Aumaj, mastered by Wouter for Brandenburg Mastering. Words by Jo Kali.

Worldwide distribution via Clone Distribution.

Wandelaar

Available now!

Haron - B1 Foschia

a comedown track for the party people and for my party self

Mmmmm

Grüne Hölle

vase - Slew

"Customer’s Copy" is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s "Sing Me a Song of Songmy," and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin - Canis Minor

The tape label from Brussels Vasteschoses distorts time with some foggy downtempo beats and duby howls from obscure cavities.

https://lyl.live/episode/vasteschoses-with-lostsoundbytes/

Vasteschoses (21.05.20) w/ Lostsoundbytes

Art Cover - Nika Milano
Producción - Simon Called Peter
Mezcla y Master - Dj Fucci

Women Voice

Non-profit curatorial platform for ⏳-based art.

Exotic Sin - Canis Minor

Blank Forms