The past feels heavier when it’s slowed

Nostalgia will be the death of me (Slowed + Reverb)

wavey twin

live from UZESTE

a comedown track for the party people and for my party self

Mmmmm

Taken from E B U's debut album 'Hinge' -
... Available to preorder now:
ltd edition vinyl: rwdfwd.com
digital: nocorner.bandcamp.com

"Celebrating otherness, E B U casts a universe of her own both sonically and visually. Defying any one genre, she refers to her distinct sound as 'Swamp Pop'. Unnatural sounds and pitches exhale in melodic chants, ominous basslines resound and eerie loops fixate in this macabre ensemble. You are captive in her world. Moments of haunting clarity keep you wondering where she will take you next whilst strange narratives unfold. Her chameleonic visual display is charged with emotion, keeping you suspended in a state of flux as she orbits through the spectrum. Stimulated by human behaviour and existence she questions the very nature of being, and invites the audience to explore through her cathartic performance."

To our ears, her sound captures elements of the radiophonic qualities by electronic pioneers such as Delia Derbyshire, through to unlikely melody and harmony akin to that of Ryuchi Sakamoto or Laurie Anderson. 

It's an explorations of strange places with a weird & wonderful sphere, sonically capturing the colourful intensity of Alejandro Jodorowsky's Holy Mountain, or perhaps sounding like a much more out-there, much more convincingly extra-terrestrial Space lady... These are just vague comparisons though... Essentially, her sound is a total world of it's own. 

Hinge, E B U's debut album, is an outer body experience that will conjure up memories you never had before, images you can't quite place but somehow relate to, and a sense of sweet disorientation as you slip into a whirlpool of shapeshifting melody, harmony and frequency.

<< support here >>

E B U - Homeland

Release date: 2019-07-25 
Format: Tape + Digital 
Purchase: bit.ly/Supynes13

Awaited 13th edition of Sūpynės Festival starts with the compilation of selected works of various mostly local artists, performing at Lithuanian electronic music festival dating back to 2006. Most of them are newcomers with an adult approach in their sound direction. This neon colored casette release is compiled from a special nightmarish shipment coming from Japan’s human-beast DJ Die Soon and a range of local delicacies as a screaming, energizer track “Let It Be” made by scene’s trickster Jaroška and a special nightmarish shipment coming from Japan’s human-beast DJ Die Soon. Discover more thrilling surprises inside this limited edition MC.

1. Amora Lamor - Amora Vorkflova	
2. Auren - I'm Sorry
3. Konsistent - Moral Decay
4. Jaroška - Let It Be
5. Pindrops - Reflection II
6. Teatre - Disease
7. Dj Die Soon - Call It
8. Forgotten Plants - Basic Income
9. Sigīta Seyr - Venus (Cherries)
10. Lakeside Culture - Supynes
11. Channel37 - Funky Water
12. Jon - Wienelon
13. Undveld - Swell

[SUP003 + MC] VA – SŪPYNĖS 13 
Written, produced and arranged by various artists. 
Preview the compilation on Soundcloud: soundcloud.com/minimal-lt 
Release date: 25th of July 2019 (Bandcamp), 1st of September 2019 (elsewhere). 
Design: Romanas Orlovas (www.orlovas.com) 
Mastering: Pranas Gudaitis (www.audiomastering.lt) 
Sūpynės Festival: www.supynesfestival.lt


@user-137355385, @auren1, @konsistent, @jaroska, @pindrops, @musicateatre, @djdiesoon, @forgottenplants, @lakesideculture, @channel37, @jonlt, @undveld

DJ DIE SOON - Call It

Final track on 'Mechanosphere', Cam Deas' debut album for The Death of Rave

Available on CD and download from Boomkat.com 31/10/19
https://soundcloud.com/camdeas

Mechanosphere

Solitude

Cam Deas - Solitude [RAVE029]

Buy it here:
https://jalbert.bandcamp.com/album/my-rave-ended-yours-just-began

A Future - J. Albert "my rave ended yours just began"

Isolation Loops

Bandcamp

hope

"Customer’s Copy" is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s "Sing Me a Song of Songmy," and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin - Canis Minor

BYRON WESTBROOK - Electric Blued

Non-profit curatorial platform for ⏳-based art.

Exotic Sin - Canis Minor

Blank Forms