Name: Richard Rose - Richard Rose by In The Red Records in p*dis sampler 2019.06
Duration: 5 min 13 s
Description: From the upcoming four song Richard Rose EP.

Can't wait to get my hands on that EP. Sick track

p*dis sampler 2019.06

Hookworms play ATP's End Of An Era Part 2 festival this November curated by Loop & ATP. The event is on sale now via http://www.atpfestival.com/events/endofanerapart2.php

Buy Tickets/Get Info

Hookworms - Radio Tokyo

GB 93 - USELESS EATERS - Linear Movement / Bloody Ripper - 7"

Side A : Linear Movement Recorded In Brunswik East , Australia
By Jack Petty And Seth Sutton November 2012.
Seth - Guitar/Vocals, Jack - Bass , Elias - Drums.

Side B : Bloody Ripper Recorded In Okland , USA
By Seth Sutton June 2013 All Instruments By Seth Sutton

!!!Punk/Lo-Fi/K.B.D./Wave!!!

(limited to 250) The 7" will be issued with two different covers

Black and white - 125 copies
Red and black - 125 copies 


USELESS EATERS - Linear Movement -

From the forthcoming album, Early Surf, out February 17, 2015, on God? Records. 

Fractal Ancestry

Vorynth – The Noise They Can’t Kill

The Noise They Can’t Kill is an anthem for the overlooked and the over-silenced — a record that claws through censorship, scapegoating, and control with defiance in every note. Across ten tracks, Vorynth builds a cathedral of sound out of static, distortion, and rebellion, reminding us: “Stop punching down, start looking up.”

From the digital fury of 404_Freedom Not Found to the sing-along bite of Scapegoat Season, the chaotic distortion of Signal Jammer, and the apocalyptic climax of The Final Algorithm, the album weaves protest and catharsis into one unstoppable surge. The title track, The Noise They Can’t Kill, stands as a manifesto — a reminder that voices raised together can outlast any machine.

This isn’t just noise. It’s survival. It’s rebellion. It’s the sound they can’t erase.

404_ Freedom Not Found

Daisy Tapes

Mind Dead

Recorded live at the BBC's 6Music studios in June of 2016.
Originally written and recorded by Crass for their 1979 album Stations of the Crass.

Shaved Women (Crass Cover)

Endless Night

Night Nurse

Labyrinths

Shark Toys - City Lights

video by Yuya Morimoto - https://www.youtube.com/watch?v=Jmuu0lbleOE

Cannonball! out 5/18/18 by Sooper Records + 88Rising. Purchase on vinyl, CD, and cassette at   http://hyperurl.co/Cannonball 
www.sooperrecords.com
www.88rising.com

Cannonball

From the upcoming four song Richard Rose EP.

Richard Rose - Richard Rose

Listen / Purchase: https://lnk.to/dcad

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence: Music For Film Volume I & II

Reshuffle the Deck

Buy Album

William Ryan Fritch - Reshuffle the Deck (from Deceptive Cadence: Music For Film Vol. I & II)

Listen/stream/download https://mr-bongo.lnk.to/kitsebastian-mantramoderne

Debut single from Kit Sebastian’s stunning, contemporary masterpiece, ‘Mantra Moderne’. A must for fans of Khruangbin, Portishead, Arthur Verocai, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

WATCH THE VIDEO https://www.youtube.com/watch?v=LS4s3KeV9Y4

PRE ORDER:

7” SINGLE

Mr Bongo https://www.mrbongo.com/products/kit-sebastian-mantra-moderne-kuytu-7-vinyl

Bandcamp https://mrbongo.bandcamp.com/album/mantra-moderne

ALBUM

Mr Bongo https://www.mrbongo.com/collections/best-sellers/products/kit-sebastian-mantra-moderne-vinyl-lp-cd-cassette

Mantra Moderne

Stream/download

Kit Sebastian – Mantra Moderne

Letra Rec a new label formed by Andrew Hargreaves and Craig Tattersall (of The Boats), to give artists space to create music for closer listening. The longer uninterrupted playing time of the CD format allows the listener to fully immerse themselves in the music. Each release will be limited to 250 copies.

“Music has always been a place of refuge for me. My first memory of an epiphany is of realising that I could contribute to this transformative sanctuary in my own way.

Una happened in less than a year. It’s a collection of playful and meditative situations, improvised with friends and lovers, mostly recorded in my home studio in Reykjavík with very little production but all the more heart and raw soul through space echo and tape loop orchestras.”

Kira Kira - Holding Space For The Unimaginable

By The Fire

Cantaloupe

Los Angeles-based group The Spyrals are gearing up to release their new album ‘Same Old Line’ on October 30th. Taking cues from The Velvet Underground, 13th Floor Elevators and The Stooges by way of Neil Young, Bob Dylan and Muddy Waters, the record sees the band carve out eight songs of raw, back-to-basics rock’n’roll that marries white-knuckle garage-blues, psychedelic repetition and sun-baked alt-country to create “something new with an old soul”. The record is their fourth full-length to date and their first since signing to London-based label Fuzz Club.  

Armed with a guitar, harmonica and fuzz pedal, band-leader Jeff Lewis formed The Spyrals when he was living in San Francisco in the early 2010s. Now, though, he’s based in Los Angeles and finds himself backed by a new line-up of musicians. ‘Same Old Line’ was cooked up in new drummer Dash’s garage and recorded over the course of a few days and nights straight to a Tascam tape machine. Jeff recalls: “This is the first album recorded with a new lineup after I moved from San Francisco to Los Angeles. At the time of recording we werenʼt sure if this would be a Spyrals album or something under a different name. At some point during the mixing process I decided to keep moving on under the Spyrals name, so to me this album is a real turning point in the band’s history.”

The result is a record that’s just as rooted in the sounds of Nashville and the Mississippi Delta as it is the band’s West Coast garage-rock forebears. “I was heavy into listening to a lot of Neil Young and Crazy Horse during this period too which I can hear in some of the song structures. We actually all took a road trip to Bakersfield, CA to see Neil with Crazy Horse in concert around the time of working on the album.” Lyrically, Jeff says, “it feels like the most raw record so far and the most open and down to earth. Less psychedelic sounds and more real life emotions and situations.” The opening title-track ‘Same Old Line’, for example, is a song about “life’s ups and downs and how some people seem to have it easier than others. We’re all tied together whether we know it or not and in the end we all have our different struggles to get by and keep living.”

Elsewhere, ‘Don’t Turn Me Down’ is a defiant, overdriven ode to “trying to stay positive when obstacles seem to keep coming in the way” and ‘In Your Room’ is a piece of psychedelic alt-country about a “new romance, maybe a short fling, and wanting something to work out that you know won’t be possible”. Charting similar themes, ‘There’s A Feeling’ is about love and travelling (“two things that can be hard to do at the same time”) and ’Goodbye’ is an observation that “life is short and even the stars fade away eventually”, both delivered through the medium of stomping, blues-inflected garage-rock. ‘Just Won’t Break’, on the other hand, is a song about the American Dream and it's hopeless shortcomings, Jeff offering the following advice for his fellow country-men and -women: “Don’t let it get you down. Most of us are still waiting for it to come true.”

Arriving off the back of their 2012 self-titled debut, 2013’s ‘Out of Sight’ and last year’s ‘The Curse’, ‘Same Old Line’ marks a new chapter for the band who have spent the last decade picking up a growing international reputation for their fuzzed-out, driving rock’n’roll. They’ve played with the likes of Spectrum/Sonic Boom, Moon Duo, Fuzz, The Warlocks and Spindrift and performed at such festivals as SXSW, Desert Stars Festival, LA Psych Fest and in 2015 they even headlined a festival in Southern Russia (‘Spring Beat Festival’), one of the first US bands to play in the area. Right before the Covid-19 lockdown set in this year they’d also wrapped up a headline European tour just in the knick of time.

Same Old Line

The Spyrals - There's A Feeling

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Richard Rose - Richard Rose

In The Red Records

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