Finally, a full song made by me with lyrics.
It is the first song ever I have wrote lyrics, so I have no previous experience doing that.
The lyrics are kinda repetitive to be honest...
Lyrics:
[Verse 1:Mark-Moon]
I don't want to go outside
I feel so damn insecure
I cannot forget that
No matter how hard I try

[Chorus]
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE

[Verse 2]
I used to go outside
It used to be really nice
But something tragic happened
I'm not the same anymore

[Chorus]
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE

[Refrain]
I am not the same
I am not the same
I am not the same
I am not the same

I am not the same
I am not the same
I am not the same
I am not the same

ANYMORE!!!

[Instrumental break]

[Chorus]
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE

[Outro]
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE
IT'S SO SCARY OUTSIDE!!!!!!!!!!!!!!!!!!!111

Mark-Moon - It's So Scary Outside!!!

this song has always been one of my favorites probably fighting for the top spot with Across The Sea. there’s something about the way it blends longing and vulnerability that stuck with me from the first listen.

within the Ongezellig community, this track is often linked to Maya, which adds another layer of meaning for me.

for now this is my “bitcrushed” version, with a synth carrying the vocal line. the real voice version might come later, beacuse i tried right now and it sounded too shitty fot you guys to hear it, you deserve better (yeah, i dont think my creep cover is that bad). fun fact: Pinkerton is the only Weezer album I truly enjoy (at least so far).

#Ongezellig #Pinkerton #Weezer #Cover

I Just Threw Out The Love Of My Dreams (Bitcrushed)

This one’s different. A chaotic, tongue-in-cheek rap experiment featuring Koos, Goof, Joe, and Yfke (yeah, you read that right). It’s full of Ongezellig references, Limp Bizkit nods, tripaloski madness, and classroom smoke clouds.
A bonus track that doesn’t take itself seriously, and neither do I. Just a fun release to break the tension.

#Ongezellig

lyrics:

Burn it slow, life heavy, mi keep it chill,
Desk full of papers, I roll, mi will.
From Rotterdam streets to the Ongezellig floor,
Knock pon the door, mi ask for more.
Coco laughin’, Maya cry, Kiki shoutin’ loud,
Zilvervloot echoes through the classroom crowd.
Mi blaze through stress, but mi don’t feel ill,
Pass the mic, mi nuh need no pill.

TRIPALOSKI veins burn, teeth grind, head cracked,
Calvo shadow in the back, whole brain hijacked.
Hard drugs, no hugs, break glass in my skull,
Static in my lungs make the universe dull.
Chalkboard screams, I carve it with a blade,
Every “lesson” feels like another raid.
Detention’s a coffin, homework’s a curse,
But I snort up the silence, it only gets worse.

Break between bells, and I’m scribblin’ still,
Life hit harder than a Three Dollar Bill.
Some call it stale pop, some say it’s trash,
But I’ve seen worlds burn for less in the ash.
Conozellig roots, static in my veins,
Bitcrushed dreams shackled by chains.
Flip the desk like Durst, that’s the deal,
No trend to follow, I just keep it real.


 “Life’s a smoke break, school just a game.”
 “Glass in my throat, tripaloski insane!”
 “I just write down the static, and carry the name.”

Eyes low, flame high, still vibin’ freely.
Ash on my sleeve, sky painted grey,
But in Ongezellig, we light up anyway.
Every drag’s a memory, every cough a song,
This class full of ghosts still drags me along.
From Coco to Cleo, I roll through the haze,
Stoner queen with a crown of purple blaze.
Smoke in band practice, but I’ll never choke
Yfke closes the chapter with a final smoke.

Smoke Break ft. Goof, Koos, Joe, Yfke

Hey Joe here.

second single from the upcoming Ongezellig album. This one dives into Running in the 60s -Coco’s band with Cleo, Zoey, and Yfke. Inspired by Weezer’s songs and themes of heartbreak, alienation, and escapism, but twisted into their world. garage-band energy with lyrics that hit close to home.

thanks for listening.

#Ongezellig #RunningInThe60s #Weezer

Letters in the Hall

this is my goodbye.

Well I'm afraid
I've fallen in this deep abyss again
I'm so sick
Pretending this is another game
I've been busy watching the sky
Instead of seeing what is right before of my eyes

I can barely watch my own step
Tripping over the same stone all over again
I want to go back to the moment I left
To believe I wasn't guilty of my own end

Is it my heart beating what I hear?
I'm getting out of breath again
What will be of me?
Is this a caprice, or an unsatisfied need?

I've been deceiving myself with what I've always known
I can't complain because no one knows
And surely, they don't want to be told
And surely, they don't want to be told

Please tell me when I'm supposed to catch the train
I don't want to miss it with all this rain

I've been busy asking to the stars
When I know I'm not going to depart
Depart
Oh whoah oh oh oh
Oh whoah oh oh oh, oh oh oh
Please tell me if I'm going to depart

Already Missing The Train

A reflection on Coco’s past in South Africa, where hate and discrimination tore her family apart in an instant. Now, surrounded by friends, her band, and a new life, it all feels like a dream she’s afraid to wake up from. In her sleep, she still sees her family as angels at her window - her heart says she’s alive, but she calls herself heartless.
A bittersweet track about memory, survival, and the fear of losing everything again.

#Ongezellig #Coco

I once called you my heart,
back in the heat of the southern sun,
but the hate cracked the walls,
and the house fell down in one.
Now I wake up in a safer bed,
with a band, with friends, with open skies,
yet the ghosts of your faces
still stare through my blinds.

It all feels too fragile,
like glass under my skin,
I breathe in this moment,
afraid it will all cave in.

Heartless — that’s what I’ve become,
since the day I lost the only ones.
If this is just a dream, don’t let me wake,
let the angels tap my window,
I’ll pretend it’s not too late.

Fields of hate, they swallowed us whole,
taught us how fast love corrodes.
One blink, one word,
and the family I knew was gone,
now I stitch new memories
to keep the nightmares calm.
Cleo’s chords, Yfke’s smoke,
Zoey’s quiet smile in the glow —
they’re my anchors in this storm,
my reason to still go.

But every night it comes back,
a shadowed choir sings,
I see you shining,
like angels without wings.

Heartless — that’s what I’ve become,
since the day I lost the only ones.
If this is just a dream, don’t let me wake,
let the angels tap my window,
I’ll pretend it’s not too late.

Behind the glass, you call to me,
with voices soft, impossibly sweet.
Am I forgiven, am I still yours?
Or just another exile, shut out the door?

I am heartless,
but your echo keeps me warm.
I am rootless,
yet I bloom where I’m torn.

Heartless — yet I’m still alive,
walking through a dream I don’t recognize.
And if the morning burns away these skies,
I’ll thank the dream for keeping me
breathing through the night.

Tap the glass,
call my name,
in heartless dreams
I’m yours again.

Angels

hey, Joe here. this is my reinterpretation of a original track by @mark-moon3822. I didn’t want it to be a karaoke cover, so I reimagined the lyrics and gave it my own voice and energy. It’s a bit heavier than what I usually do, but that’s the point.

the song is about paranoia, fear, and how even stepping outside can feel like the world is collapsing on you. I wanted the lyrics to reflect that creeping dread and self-doubt, while keeping the intensity high enough to match the chaos inside my head.

Shoutout to @mark-moon3822 the goat for the original track, go to his soundcloud to find more heat like this. his approach to rhythm and structure really pushed me to try something different.

[Verse 1]
I don’t want to go outside
The streets are whispering my name
Every shadow feels alive
And it drives me insane

[Chorus]
IT’S SO SCARY OUTSIDE
THE FEAR I TRY TO HIDE
IT’S SO SCARY OUTSIDE
AND I CAN’T CLOSE MY EYES

[Verse 2]
I used to walk outside
The sunlight felt like home
But now the colors fade away
And I feel so alone

[Chorus]
IT’S SO SCARY OUTSIDE
THE FEAR I TRY TO HIDE
IT’S SO SCARY OUTSIDE
CAN’T ESCAPE, CAN’T DENY

[Bridge / Refrain]
I am not the same
My reflection’s gone astray
I am not the same
I can’t wash the past away

I am not the same
Every breath’s a masquerade
I am not the same
And I won’t be saved

ANYMORE!!!

[Instrumental break]

[Final Chorus]
IT’S SO SCARY OUTSIDE
THE FEAR I TRY TO HIDE
IT’S SO SCARY OUTSIDE
AND I CAN’T CLOSE MY EYES

[Outro]
IT’S SO SCARY OUTSIDE
THE WALLS ARE CLOSING TIGHT
IT’S SO SCARY OUTSIDE
SCREAMING INTO THE NIGHT

#Punk #Rock #Hardcore

It's So Scary Outside

“How Do You?” by Radiohead, a track from their debut album Pablo Honey, which also happens to be my personal favorite from the band. I wanted to give it a different edge with a raw, bitcrushed sound, keeping that early 90s energy alive while twisting it into something more distorted and chaotic.

this single comes as a companion to my cover of Creep, so it doesn’t feel lonely anymore. Both songs are connected in spirit: one is iconic for its vulnerability, the other for its sheer intensity. Together they capture the restless, noisy beginnings of Radiohead in my own way.

#Radiohead #PabloHoney #Cover #Rock #Indie #Indierock #Alternative

How Do You?

my first fully self-made track, just me trying things out.
it means a lot to me because it’s the first time I handled everything on my own, from writing to producing every single instrument.

It’s messy, rough, maybe even a little awkward… but it’s real

lyrics:

Verse 1
The screen is dim and waiting,
Your number still remains,
I almost hit the button,
But fear still calls my name.

I'm stuck inside the dial tone,
Lost in the feedback’s hum,
The silence fills the airwaves,
And I just come undone.

Verse 2
Your voice still rings in static,
Through dreams I can’t erase,
I see you on the sidewalk,
But time won’t show your face.

I’m tired of second chances,
Tired of missed goodbyes,
When will you finally call me
Or am I still on hold tonight?


#incelcore #rock #alternativerock #indie #indierock

Should I Call You?

"You Moved On" is the moment where denial finally fades and acceptance hits, slowly, painfully. It’s not just about anger anymore, but also the quiet collapse that follows.
Built around deep, clean guitars and a low, moody synth, the song drifts between nostalgia and resentment until everything erupts in the bridge  a wall of distorted guitars, synths and pianos.

It’s one of the most emotional songs I’ve made. 

lyrics:

Your cherry hair still burns my eyes,
That scent still hides behind my lies.
I see your ghost in every glow,
Another face I’ll never know.

You left your shape inside my bed,
Now all I kiss is what you said.
The screen lights up, but its not your name in there
I hate this quiet, I hate this motherfucking game.

I’m ready now, I swear I am,
To hold you right, to be your man.
But someone else is touching you,
The thought alone cuts straight in two.

Their hands go where I used to dream to touch anyday,
My skin still burns, I want to scream i want to faint.
These new girls stare, but I just fade away from them
Their warmth feels cold, my love has decayed today.

Why did I waste all this time?
You could’ve stayed, I could’ve tried,
Now love just rots inside!
And I hate the way I feel,
So fake, so fucking unreal!
No one will ever be
Half of what you were to me!

#altrock #rock #alternativerock #indie #indierock #incelcore

You Moved On

just turned 16| Drummer & storyteller | Soundtrack to growing pains.
Discord: glenn69.69

¡AI! (sometimes)

Should I Call You?

Static & Silence