ICE 冰

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - SPL1T [HD08]
HIGH DIGITAL, 2022
𝓑𝓾𝔂 👉🏾 https://fanlink.to/hd08

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/lux18

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/high_digital
https://www.instagram.com/highdigitalrec/
https://highdigital.eu/

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#047 📢 Lux18 - I Want To Sing Like Bliss [HIGH DIGITAL]

souvenir d’un live au muséum d’histoire naturelle
@brocolijoli 
www.instagram.com/jjuliahenderson/

Herbier - Julia Henderson ~ 04.05.2022

IM099 - BOLT RUIN - EHKTA
Label: Infinite Machine
Release date: September 30th, 2022
Format: 12" / Digital

Infinite Machine is proving again it’s a label that refuses to sonically sit still. Having released everything from code-based compositions to bass-heavy techno in 2022, the imprint is readying the release of the black metal-tinged Ehkta by BOLT RUIN later this month. A musician whose work has been described as ‘apocalyptic’ more than once, on this new mini-album, the Belgian producer blends field recordings, twisted samples and rave signifiers with an eerie tonality born out of his nocturnal production sessions and time spent absorbing the silence of his studio garden.

Bridging the gap from his previous record to this one, ‘Sktone’ is a cinematic opener that unfolds like a bad dream in slow motion. Warped samples of Bulgarian choirs glide over synths wired in closed-circuit loops which feed back on themselves, degrading for infinity. Texture and space is added via field recordings of waves crashing over the ruins of ​​Brighton West Pier. This track exemplifies the unexpected influence BOLT RUIN took from the wildlife he witnessed in the garden of his urban studio when working on Ehkta. Adapting to the material at their disposal, weasels and blackbirds create nests from organic waste and human trash - an astute metaphor for the Belgian producer’s compositional approach.

Next up, BOLT RUIN drives up the tempo with the rave-ready ‘Nehng’, where a frenzy of trance arpeggios and frantic drum programming builds and intensifies over its 5-minute duration. Inspired by Yves Klein’s ‘Leap Into a Void’, ‘Nehng’ definitely evokes that bodily rush of freefalling into the unknown. ‘Nehng’’s driving rhythm is switched out for the brooding ‘Tzarhk’ - an ode to the soundtracks of B-movies composed on a vintage Roland SH-2 (a prominent character of the Stranger Things soundtrack). BOLT RUIN runs thick, syrupy synth slabs and punishing drum patterns through a rain-soaked limiter the producer found lying on the street by chance.

Another master-class in self-destructive arrangements comes in the form of ‘Rfohmdrá’ as delicate pianos and synth tones atrophy through daisy chained pedals which erode the signal. Valgeir Sigurðsson’s mastering skills shines through here, taking BOLT RUIN’s sci-fi-meets-metal sonics and amping them up to a scale on par with the Björk or Ben Frost records he’s previously worked on.

Conceived of as the mirror reflection of the LP’s opener, ‘Maevr’ pushes the approach of ‘Sktone’ to an even more nightmarish extreme. Embracing chance, the clattering layers of beats are sampled of a knocked mic on a window as BOLT RUIN attempted to capture a recording of rain from his studio. A happy and very effective accident for the foreboding mood of the track!

BOLT RUIN rounds off Ehkta with ‘Ekztamnh’; an ode to that specific sensation of entering through a corridor to a rave and hearing the rumble of a soundsystem from afar. Snarling melodies are run through a reverse granular delay effect which fragments the signal, reverses it and plays them back in irregular order; much like the shattered memories of a late night in a warehouse.

A musical magpie who finds inspiration in the most unlikely of sources, Ehkta is a restless exploration of salvage-punk aesthetics where doom-laden black metal melodies, amen breaks and an experimental approach to sound design sit in an irregular and uneven musical apocalypse. For fans of Blanck Mass or Caterina Barbieri - this is a must-listen material from a fresh producer establishing himself with a singular musical voice.

Rfohmdra

Collapsed Temple from Aeondelit's forthcoming Album Vestigios, which will release on the 14.10. via unguarded. Pre-order the album via our bandcamp!

Aeondelit - Collapsed Temple

In recent years, musicians from a range of countries once in the so-called Communist Bloc – including Central-Eastern Europe – have staked their identity on being ‘Eastern European’. Thirty years after the collapse of the Berlin Wall, this panel explores the parameters of the ‘Eastern European’ identity today. 

How do ideas of East and West fit alongside the notion of a North-South divide? How do Ukrainians perceive countries lying west of the EU border, and how does the Russian invasion of Ukraine further complicate the idea of a collective Eastern European identity? Might it be useful to think outside geopolitical bubbles, and if so, what might the new models of identity be? 

Moderated by Mariana Berezovska from @borshchmagazine, with @dogheadsurigeri from Oramics, Łukasz Warna-Wiesławski from @tancetancetance and @granko-agency, writer and music promoter Maya Baklanova and @gutameguti from eastbloc antifascist sound alliance, this discussion took place on October 10, 2022 in Cracow (PL) during the @unsound 2022 BUBBLES festival.

https://www.unsound.pl/en/bubbles-2022/events/discussion-eastern-promises

Discussion: Eastern Promises @ Unsound 2022 BUBBLES

#BKLA is my new project where I will release remixes, edits, and blends of classic #bakalao anthems.

Download available at blastto.bandcamp.com

Download

BKLA 5 - The Real Thing (Blastto Continuous Mix)

Nature Loves Courage Festival 2021: Abyss X

Free Download

Prospa - Motions (FILO Edit)

You are unique powerful in your way you express yourself

EINE EIGENE KREATION VON MIR HOFFE EUCH HÖRERN GEFÄLLTS 
💯

DEr EXoRZzIsT⛧ ~  HArM0NIEReNDE KlÄNGE 196 BpM

Booking / Contact: hi@blastto.com
Sonar 2018
 —  Bakalao and avant-garde

Blastto's life has always been linked to club culture and electronic music. In his case literally: his father was the manager of a club in Guadalajara, where, from very early on, Blastto could be found behind the decks. For the last five years he has lived in London, a city from where he curates the Total Trax platform, carefully labeled with the aesthetics of video games of the 90's and music heavily influenced by rave, gabber and trance, especially clear in his own productions. A producer and restless activist, Blastto has also released on other platforms of note such as Nightwaves' Heka Trax and is also co-founder of Brrrrrap, a collective that was born from the union of several blogs, resulting in an event that has hosted Mumdance, Teki Latex or L-Vis 1990, among others. His most recent EP Las Palomas has received the support of scene agitators such as Lorenzo Senni and Danny L Harle, and reflects the golden age of clubs in Spain in the 90's and 2000's - a moment that marked Blastto uniquely and which he has reinterpreted with a totally avant-garde and very personal style.

https://sonar.es/en/2018/artists/blastto

BKLA 5 - The Real Thing (Blastto Continuous Mix)

BLASTTO