Unlimited passion for Music genres and subgenres!
From classical to Jazz travelling by chill out, idm, electronic, techno, french house, pop, dance and so on! 
No way to stop researching, discovering and if possible dance on it!

Working hard to produce "something" tagged by

sounds melodic contents chords  live live live spread wide compress layering 
vocalizing fx intro acapella reverbs outro instruments bass up front 
daw-ing brass presets percussions send and return Ableton oscillators lyrics 
fm chorus verse I IV V la la la Waves Xfer Instruments Relative or 
Perfect Pitch ADSR Symphonic phantom power Monitor Voice Triad 
Drums always mono filter Ableton SeriousSerumAddicted clips lento 
hi-pass low-pass knob mix mixer Synth Major, Minor or Sus4 adagio
analog vs digital vs muzak spectrum frequency mastering session sequencer
arpeggio lp vinyl headphone song structure tuned  440hz popular progressions saw triangle modes sidechain abbey road studios group solo mute single dj 808 909 so call 911 

Soccer? Ronald = Dx-7

artist working and experimenting on the paradoxical relationship between creative destruction and destructive creation

Sound Poetry, Sonic Dérives, Found Sounds

Spycker came to Earth in the Dutch town of Zoeterwoude, famous for its beer brewery and its magnificent water tower. After finishing high school, he went to study physics. Frustrated at not discovering the smallest particle around, he decided to join a radical rural community in Northern Bulgaria. 

After 5 years his beard had grown too long and his toenails too soft. He left, but not without a newly-crafted plan: finding the Lord our God. Spycker did actually find God, but he discovered that God was a jealous God, and also very angry with the fact that our hero had neglected his duties at the bi-weekly grain offerings. 

Finally, Spycker decided that it was time to return to his homeland. In a small bordertown, he stumbled across the long-lost songs of the 16th century Flemish troubadour Armelius Klaasz Spycker. Adopting the name of his beloved musical ancestor, Spycker modernized these songs and went on to become another wannabe nobody.

Blauer Hase is a collective with the aim of proposing experimental forms of cultural production and experience.

James Webb is an artist, recognised for his site-specific interventions and installations. His practice often involves sound, found objects, and text, invoking references to literature, cinema, and the conceptualist traditions. By shifting objects, techniques, and forms beyond their original contexts and introducing them to different environments, Webb creates new spaces of tension. These spaces bind Webb’s background in religion, theatre, and advertising, offering poetic inquiries into the economies of belief and dynamics of communication in our contemporary world.

As Brandon LaBelle writes, “The works of James Webb circulate around a complex mixture of emotional and affective states; of longing and despair, of the ecstatic and of hopefulness, states of bodies and minds that move throughout his practice to raise questions of individuality and community, belonging and displacement, fragmentation and recuperation.” (Xenagogue, edited by Anthea Buys, published by the Hordaland Kunstsenter, 2015.)

Webb has had solo exhibitions at, amongst others, the Art Institute of Chicago, USA (2018); SPACES, Cleveland, USA (2018); Norrtälje Konsthall, Norrtälje, Sweden (2018); Yorkshire Sculpture Park, Wakefield, United Kingdom (2016); Hordaland Kunstsenter, Bergen, Norway (2015); CentroCentro, Madrid, Spain (2013); Johannesburg Art Gallery, Johannesburg, South Africa (2012); and mac, Birmingham, United Kingdom (2010).

Major group exhibitions include the 13th Biennial of Dakar (2018), 4th Prospect Triennial of New Orleans (2017), Documenta 14 (2017), 13th Biennial of Sharjah (2017), 12th Bienal de la Habana (2015), 55th Biennale di Venezia (2013), 3rd Marrakech Biennale (2009), Melbourne International Arts Festival (2009), and the 8th Biennale d’Art Contemporain de Lyon (2007). Other notable group shows include  those at spaces such as Wanås Konst and Historiska, Sweden; MAXXI Roma, Italy; Darat al Funun, Jordan; Théâtre Graslin, France; and the Tate Modern, London. 

Webb’s projects have been the subject of the two monographs, “. . .” (blank projects, 2020), and “Xenagogue” (Hordaland Kunstsenter, 2015). 

Impressum: All rights reserved. The copyright for these audio pieces and artworks  are reserved. Any replication or use of the content such as images, audio, and texts is not permitted without James Webb’s written consent.

Gallery representation: 
Galerie Imane Farès, Paris www.imanefares.com 
blank projects, Cape Town www.blankprojects.com

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