A transmission from the threshold: Feedback From Heaven drifts through coldwave static and haunted resonance, echoing the ache of memory as signal. This instrumental descent conjures the feeling of a forgotten broadcast—half elegy, half invocation—where every reverb pulse feels like a message from the beyond. Recorded in the final days of August, this demo marks a quiet turning point in the Bleak Cathedral archive. No vocals, no closure—just the hum of something sacred trying to reach you.

Bleak Cathedral - Feedback From Heaven (Instrumental Demo)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

After successfully participating in a PXD Musicsoft competition, I gained my first experiences with composing and arranging electronic music in the late 90s. But then I concentrated on playing the bass in various bands from different musical genres. At the same time, I started my electronic-metal-solo-project BLUTWURST BREATH (1999 - 2010), which was featured on numerous samplers (https://blutwurstbreath.bandcamp.com). In 2011 it was succeeded by the new, more focused electronic-grindcore-project TUNNELBOHRER (https://tunnelbohrer.bandcamp.com), which is still active today. In autumn 2021, my bands, in which I had been working as a bassist since 2006, unfortunately broke up. This was the occasion to revive my old passion for electronic music: KASTROPODUX was born. KASTROPODUX is devoted to the synthwave-sound of the 80s and the techno-style of the early 90s, sometimes combined with rock-guitars.

Via Kosmische launched as a netlabel in January 2018. In 2020 we started working with Herby Records on select lathe-cut vinyl releases. We ceased operations on September 5 2025.

No subtitles are available for these sounds.
I do not have the correct change for the machine.
Thats not a queue, Its a procession,
https://fagashrecords.bandcamp.com/

Bleak Cathedral is sad music for sad people.

All tracks are Originals Written/Composed/Played/Produced by Martin Jackson...email - marti369000@hotmail.com
(c) Martin Jackson Thank you

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Experimental Elektronik 
Meine eigenwillige Interpretation von elektronischer Musik. Ich bin beeinflusst von meinen alten Helden- alle aufzuzählen würde den Rahmen sprengen. Nur einige: DJ Hell, Dave Clarke, Laurent Garnier, Surgeon, Dopplereffekt, Drexciya, Arpanet, die ganzen Detroit Leute, Aphex Twin und eigentlich alle die den Sound der 90er geprägt haben.  Das waren so viele. Verdammt gute Musiker.
Vielen Dank für,s Folgen.
Ich schaffe es momentan arbeitsmäßig nicht alles gegenzuhören. Ich hoffe Ihr verzeiht mir das. Keine KI in den Tracks..

In deepest connection:
Child of Nature: https://soundcloud.com/childofnature
The Forest Army: https://soundcloud.com/theforestarmy
Amanitalinda: https://soundcloud.com/amanitalinda
Heidi K: https://soundcloud.com/heidijks
Jeamland & Bolt: https://soundcloud.com/jeamland-bolt
The Earth Love: https://soundcloud.com/theearthlove
Jörg: https://soundcloud.com/joerxworx
Martin: https://soundcloud.com/m_ja