One of the last songs we ever made together — and the one we chose to name the EP after. Dark and beautiful, it’s both a mission statement and a rallying cry. The lyrics tackle war, global warming, and humanity’s collapse, while also hinting at simulation theory and alternate realities. Always cinematic in scope, this track feels like the curtain call: the last word being “peace,” a deliberate play on master-peace.

This Is My Masterpiece.

Named after those happy accidents in the studio — the wrong button that sounds right, the lyric that comes out wrong but better — Accidental Genius celebrates the chaos of creativity. Reviewers call it a “chaotic collage,” but to us it was pure party vibes: Jock Jamz 2.0. The sound of us vibing, experimenting, and catching lightning in the mistakes.

Accidental Genius

At first listen, “Gravity” feels like a love ballad — but its heart is much darker and more personal. Written during a turbulent time when betrayal cut close to home, it’s a song to a younger brother who turned competitor, forcing a reckoning that ultimately sent Bleed Electric across the Atlantic. Wrapped in sleek pop production, it became the band’s most unexpected ballad — vibey, mellow, spacey, yet disarmingly honest. Rich harmonies and a Superman trilogy reference keep it rooted in the Bleed Electric mythology, but the track’s emotional core and clean, polished sound set it apart. Looking back, “Gravity” might be the finest moment in the Bleed Electric catalog: timeless, catchy, and raw in its vulnerability.

Gravity

“Cherry Bomb” channels the rebellious spirit of The Runaways and Joan Jett, refracting their raw energy through Bleed Electric’s lens of lust, love, and experimentation. Opening with feedback and gunfire-like drums, the track weaves between pop intention and chaotic noise, anchored by MUG5’s refrain: “Cherry bomb, you are my cherry bomb, you are my cherry mon cherie.” Siege slips in only briefly with a tiny rap, leaving most of the canvas painted with electric synths, shimmering hooks, and orchestral flourishes that foreshadow what would come on This Is My Masterpiece. Just when you think it’s over, Slik enters with a brutally honest moment of intent, grounding the song in reality. Upbeat, experimental, and unexpectedly heartfelt, “Cherry Bomb” is both fun and devastating — a journey that hits harder than it should.

Cherry Bomb

“I feel the blood running through my veins and it’s slowly turning me insane…” Written in 2009 from delay-drenched guitar experiments, “So Sick” fuses real riffs with hip hop lyrical honesty. The hooks — “Save me from this disco, let me take you to the electro heaven…” — became a Future Fresh mission statement. This is Bleed Electric fully realized: alternative, electronic, poetic, prophetic.

So Sick

Originally imagined for the unreleased concept album The Butterfly Effect, “IX Rapid Eye Movement” is a four-part dream sequence that drifts between reality and nightmare. Each sub-song — Better Than a Weekend in Spain, Hoobanging, Beverly Spilled Pop, and Wooden Shoes From Amsterdam — takes the listener deeper into the subconscious of the killer’s dreams. It’s experimental, cinematic, and pure Bleed Electric legacy. “Bleeding out blood like ketchup, I bet ya I catch up and get ya (I got ya)” shows off the crew’s wordplay, while “Hoobanging” delivers the hardest rap moment in the catalog, with Siege and Silk trading lines back and forth on their Blackberries in the booth, one-upping each other in real time. Surreal, ambitious, and dope as fuck — this is the essence of Future Fresh.

IX Rapid Eye Movement

The second act of The Butterfly Effect and one of Bleed Electric’s darkest creations. “III Chunks of Your Own Soul” soundtracks the moment the protagonist spirals into psychosis, turning a fight with a co-worker into a brutal murder. The middle of the song captures the fight itself, and the chilling shift afterwards marks the death. Its infamous hook — “I’m a psycho serial killa, got you trapped in a maniac thriller…” — is one of the hardest Bleed Electric ever wrote, merging alternative rock aggression with hip hop precision. Uncomfortable, violent, and unforgettable, this track is the sound of losing control.

III Chunks Of Your Own Soul

London Bens Brother stopped by Screamadelica Studios in Cardiff while on tour in 2008. I produced this stripped back version of "Let Me Out" and a couple of other tracks that day.

Bens Brother - Let Me Out

Bleed Electric stands at the intersection of technology and artistry, where every tool, every technique, and every talent is harnessed not just to meet the future, but to design it. Since 2005 we’ve called our sound Future Fresh — music made for tomorrow, music that never expires.

The studio is our lab, but also our mothership — a place where visions become realities, where neon dreams collide with raw emotion, and where sound is sculpted like prophecy. Our music is both experiment and revelation: electronic, hip hop, alternative, metal, and something beyond all of them. A symphony of divergent thoughts, a tapestry woven from daring ideas, a beacon that shines brighter when minds collide.

Bleed Electric is not just a band. It’s destiny, manifested in sound.

III Chunks Of Your Own Soul

Bleed Electric

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