Further information: bleep.com/features/bleep-mix-197-Cignol

A long-standing favourite of ours as well as countless electro labels like Further Electronix and Altered Sense, Paul Hammock aka Cignol has been in the business of refined machine funk for over a decade. But naturally, his exclusive Bleep mix is less about looking back and more about the future. Stacked with a bunch of brand new, forthcoming and unreleased tracks from across Cignol’s arsenal of contemporaneous releases, the mix delivers an hour-long journey in non-stop 4/4, from squelching acid textures to laser beamed bass sequencers.

"I’ve put together a mix of mostly new or forthcoming tracks.  All hardware jams made using x0x, Miami, rd-8, 707, Juno-60, jp-08, Juno-06 and Sh01a if you’re interested in that kind of thing. I hope you enjoy it as much as I enjoyed putting it together!" - Cignol

Bleep Mix #197 - Cignol

Further Information: bleep.com/features/bleep-mix-210-lone

“Loads of new modern rave tracks I properly rate to ease me back in to a life of DJing post-pandemic with a little unreleased VIP of mine and the odd classic thrown in for good measure… one take recorded in my front room on 2 CDJ’s and Technics 1210s” - @lone-1

Bleep Mix #210 - Lone

Further Information: https://bleep.com/features/bleep-mix-212-Eris-Drew

To celebrate the release of her album Quivering In Time, Eris Drew presents a 2hour club ready excursion taking in 32 tracks of influences, dancefloor go to's and several cuts from her own aforementioned full length. Get ready to sweat.

"My DJ mix for Bleep is over 2 hours and includes a lot of music from the test press of my new album, “Quivering in Time” mixed alongside records from my collection. The mix is equal parts soft and propulsive with each track blended, dropped, collaged and scratched for maximum resonance with the Motherbeat. Rollers from many genres are on the mix, including house, breaks, progressive, trip hop, techno, bass, dubstep, etc etc."
X - Eris

Bleep Mix #212 - Eris Drew

Machinedrum - aeolia 

as included in the forthcoming Bleep:10 compilation to be released on May 5th. Also featured on the compilation are exclusive tracks from Fuck Buttons, Oneohtrix Point Never, Autechre, Nathan Fake, Lone, Gas, Shackleton, Modeselektor, Untold, Dabrye, Nosaj Thing, U-Ziq and Byetone.

Pre-Order Bleep:10: http://link.bleep.com/Machinedrum

Artist: Various Artists
Title: Bleep:10
Label: Bleep

Release date: 5th May, 2014

Tracklist:
1) Gas - Die Wand
2) Lone - Lizard King
3) Machinedrum - aeolia
4) Oneohtrix Point Never - Need
5) Modeselektor - I'm not into Twerk, I'm into KrafTwerk
6) Untold - That Horn Track
7) Fuck Buttons - Brainfreeze (Alt mix)
8) Dabrye - Click Clack
9) Autechre - SYptixed
10) Shackleton - Ganda Rising
11) Nosaj Thing - Particles Aligned
12) µ-Ziq - Hedges
13) Byetone - Morning
14) Nathan Fake - Vanish North

Machinedrum - aeolia

Further information and tracklist: https://bleep.com/features/bleep-mix-255--red-axes

Bleep Mix #255 is a storming selection from eclectic Tel Aviv duo @redaxes built around a seamless club focused approach. Peppered by breakbeat vamps throughout and highlighted with various angles of electro from the year zero 2000s clash of Chicks On Speed to ROTCIV's recent worship of classic 80s claps and culminating in the one and only DMX Krew always keeping it frrressssh with their eternal take on the 808s - "Flipping and bleeping into this little trip inside a club."

Bleep Mix #255 - Red Axes

Tracklist: https://bleep.com/bleep-mix-261--dj-shufflemaster

Get ready to transport yourself back to the underground techno scene of the late 90s with DJ Shufflemaster's latest entry for the Bleep mix series. Recorded live on DAT tape at Maniac Love in Tokyo and previously unreleased until now, this mix is a raw and unfiltered experience that captures the energy and excitement of that unforgettable night, as DJ Shufflemaster himself attests:,*"It's the roughest mix in my archive, but I like it the most raw."* Don't miss out on this rare gem of experimental techno.

@shiki-kyokai

Bleep Mix #261 - DJ Shufflemaster - Live at Maniac Love, Tokyo (1997)

Tracklist: https://bleep.com/bleep-mix-262--asc

"The Depths Of Space is my debut album for Over/Shadow. This mix is a selection of my own tracks (including one remix) that showcase the 8 tracks from the album, a track from each of my previous Over/Shadow releases, plus a healthy mix of tracks from my own label, Spatial. I've gone for key blends where possible, and I wanted to feature a selection that encompasses everything to me that makes atmospheric jungle/d&b the special genre that it's always been, with a 2023 twist on production techniques. Enjoy" - ASC

Bleep Mix #262 - ASC

Further information and tracklist: https://bleep.com/bleep-mix-272-nightmares-on-wax-presents-club-ease

"When it comes to me doing pre-recorded DJ mixes it's always about capturing the groove that I’m feeling at this time, which is why many of my DJ mixes differ from each other. Because DJing for me is all about tapping into what you feel right now. So please enjoy this CLUB E.A.S.E. mix #1 made possible by all of this amazing music." - @nightmares-on-wax

Bleep Mix #272 - Nightmares on Wax presents CLUB E.A.S.E.

Further information and tracklist: https://bleep.com/bleep-mix-278-ufo95

Leading up to his debut Tresor release Backward Improvement, @ufo95ufo95 has prepared a mix of ultra forward motion and cavernous four to the floor thumps. Starting with tense dissonant chords and sparse hits reverberating in a sci-fi atmosphere, the mix launches us into an hour of hefty techno shuffles, and rebounding rhythms and rumbles. Alongside the unreleased cuts are select tracks from the Sandwell District crew, like ‘Hunting Lodge’ with icy grains flowing between synth stabs while heaving kicks pulsate and implode. “I made this mix on Ableton and added some 909 jams. The major part of the mix contains my unreleased tracks mixed with techno classics from Sandwell District, Silent Servant, Shifted & more. I went through deep, hypnotic, dub and club oriented techno during these 60 minutes.”

Bleep Mix #278 - UFO95

Further information and tracklist: https://bleep.com/bleep-mix-279--airhead

Coming off the back of performing on and producing tracks for James Blake’s new album Playing Robots Into Heaven, @Airhead is back with his first proper release since 2018 returning to Untold's Hemlock imprint. A more than welcome return, Lightness is Rob McAndrew's atmospheric and crisp take on drum & bass, celebrated by a selection for Bleep, “a mix of some beautiful music at 170bpm”. It features an array of adjacent productions and inspirations kicking off with masters of the form, Sam KDC and ASC setting the tone perfectly for the following hour of oneiric breaks.

Bleep Mix #279 - Airhead

Further information and tracklist: https://bleep.com/bleep-mix-280--nexcyia

Fresh from releasing his debut album Endless Path of Memory, sound artist and experimental musician Nexcyia sends a mix for Bleep that is equally mystical and varied. Spiralling piano keys flurry into rich, lush folk and classical arrangement, then the serenity breaks for whirring, portal jumping electronics. Shoegazing walls of strums, blurred vocals, and soft acoustic lullabies rub against abstract percussive clusters and eruptions of stream, with ethereal sonics bursting into murky club rhythms. 

"I recorded this mix at home on Ableton, it's the stuff I listen to on a daily basis. There are a lot of collaborations here that I admire. Some new music here by Kevin, a duo comprised of Ben Bondy and Mister Water Wet and unreleased music by NUG, a music project by Florian T M Zeisig and PVAS. We also have some Shinetiac - (shiner, Ben Bondy & Pontiac Streator)." - Nexcyia

Bleep Mix #280 - Nexcyia

Further information and tracklist: https://bleep.com/bleep-mix-281-raji-rags-aphex-twin-mix

"This is a live DJ mix of AFX classics, a few edits, some material of his lesser known aliases and a bunch of unreleased tracks from his Soundcloud dump. Aphex Twin has been a big influence on my whole musical journey and career as a DJ and now a big influence on my journey into my first steps into production and my debut EP - Congratulations. This feels like a full circle moment to have my debut record sold on Bleep considering I used to work there..." - @rajirags

Bleep Mix #281 - Raji Rags - Aphex Twin Mix

Further information and tracklist: https://bleep.com/bleep-mix-282--chanel-beads

Celebrating the recent release of his debut album Your Day Will Come on Jagjaguwar, our Bleep Mix this week is from Chanel Beads, the project of New York-based musician Shane Lavers currently on tour supporting Mount Kimbie in their early summer run of US dates.

A welcome accompaniment to the warmer climes breathing through at the moment, @chanel-beads' selections draw from the same R&B laced lo-fi indie ambience Lavers has carved out for himself with a host of seemingly disparate yet ultimately cohesive selection taking in Van Morrison, ML Buch, his own edit of Caroline Polachek, Blawan, Tirzah and John T. Gast. Recommend listening whilst in the shade from the midday sun with Negroni in hand.

Bleep Mix #282 - Chanel Beads

Further information and tracklist: https://bleep.com/bleep-mix-283--multiples-live--fuse-2023

Speedy J and Surgeon present Bleep with a three hour live mix of their FUSE 2023 set, following their debut album as Multiples entitled Two Hours Or Something. With no tracklist to go by, it’s just the pounding techno to guide us through, relentlessly driving with extended acid workouts and industrial flavours. Past the first hour, things get warped and otherworldly with celestial synth stabs, before descending into hardcore rhythms. All this is surely a taste of what’s to come at their Sónar by Day set in Barcelona, 14th June, which the duo’s comments on their FUSE set further hint at: “I remember it being one of the most punishing Multiples sets, but as is always the way, it was still really odd and alien,” recalls Surgeon. “I agree with Tony,” adds Speedy J, “we got away with diverting from the usual club show path.”

Bleep Mix #283 - Multiples: Live @ FUSE 2023

Further information and tracklist: https://bleep.com/bleep-mix-284--janus-rasmussen-kiasmos

Celebrating their second album after ten years, Kiasmos’ Janus Rasmussen offers a veritable who’s who of kindred spirits in the global club scene with his mix for Bleep. From soft piano led compositions to four to the floor techno, orchestral whispers and gliding synths, and emotive club action are the name of the game here, evidenced in the smooth flows and bright, crackling garage rhythms of Gryr’s ‘Letter’, or the moody sonics of Gidge’s ‘The Fells’ reverberating into lush, crisp Nordic air. Peppered with entrancing vocal cuts and raging bass-centred tracks, this mix strobes with epic highs and ghostly passages.

"For this mix, I aimed to create a laid-back vibe that gradually builds towards a dynamic finish, featuring energetic grooves from artists like Nox Vahn and O’Flynn. These tracks are a blend of my go-to selections for DJ sets, alongside some new discoveries that have been on repeat while working from home. I hope you find some inspiration in this selection and enjoy the journey." - Janus

Bleep Mix #284 - Janus Rasmussen (Kiasmos)

Tracklist: https://bleep.com/bleep-mix-285-taka

"This group of songs are from my 'everyday music' kind of playlist. A playlist that I listen to whenever I'm cooking, cleaning, building a synth or reading a book. Any time, any day, any task kind of music." - TAKA

Bleep Mix #285 - TAKA

Tracklist: https://bleep.com/bleep-mix-286-hekt

Hekt, AKA Jesper Nørbæk, is a Danish multimedia artist and electronic musician working across sound and visual art. An active member of Copenhagen’s intimate but thriving experimental melectronic music scene since 2012, he has mixed releases for the Norwegian duo Smerz, and as part of the duo Code Walk alongside Søren Stenbjerg Gregersen, Nørbæk has released five EPs, the most recent three as a trilogy for the label Peder Mannerfelt Produktion.

Lens, Nørbæk's first release as Hekt, came out via Numbers, reflecting an immersion in sound as material and nightclubs as vital social and political spaces, merging computer music and club music to expand the possibilities of both.

"The mix is a reflection of the different modes of production I am working with in the studio at the moment. I try to optimize for having fun." - @hektttt

Bleep Mix #286 - Hekt

Tracklist: https://bleep.com/bleep-mix-287-sarah-davachi

Coinciding with her tenth Late Music LP, Sarah Davachi sends us a centuries-spanning selection of music with her mix for Bleep. As with her similarly eclectic NTS show Le Jardin, these tracks feed into Davachi’s wide repertoire of compositions and performances, be the long-form explorations of enchanting lute plucks and bleeding string drones, or enrapturing opera and lush, intertwining braids of baroque-styled folk-rock melodies. Highlights include the mesmerising vortex of swirling brass and electronics from Terry Riley, the “ancient church singing” of Ukrainian Sretenye Ensemble that completely stops you in your tracks, and the labyrinthine guitar licks of Frank Zappa. 

“This mix represents my current listening space, and a lot of the music that informed The Head as Form'd in the Crier's Choir. Longform minimalist explorations take the forefront alongside an array of choral music, both early and modern.” - @sarahdavachi

Bleep Mix #287 - Sarah Davachi

Tracklist: https://bleep.com/bleep-mix-288-clark-ost-special

In celebration of his latest soundtrack for Naqqash Khalid's directorial debut, In Camera, Warp alumni and celebrated producer Clark presents a cinematic soundscape in his Bleep mix selection, an aural long panning shot moving across films and composers both legendary and modern classic in status. Featuring Popol Vuh (Heart Of Glass), Howard Shore (Videodrome) alongside Disasterpiece (It Follows) and Cristobal Tapia de Veer (Utopia) to name a few, while further highlighting the juxtaposition in a bold move cutting the themes for both Solaris films next to each other.

“Really enjoyed compiling this mix of OST stuff I'm rather fond of. Yes it starts with an 8 minute track. But it's Popol Vuh and it has one of the most gorgeous end sections ever. It was interesting hearing the two Solaris themes next to each other. It's obvs more trendy to be all "oh I prefer the original Solaris score- and all the deleted stuff that only 3 people on Earth have heard" but I actually really like the Martinez version as well. It was interesting to me hearing the complete shift in timbre that 30 years of evolved music making tools bring-The slick slightly airlocked, clean layers of Martinez contrasting with the Artymev glowing, encrusted analogue 70's organs burnt to tape. But the emotional space feels similar.” - Clark

Bleep Mix #288 - Clark: OST Special

Tracklist: https://bleep.com/bleep-mix-289-adam-f

“This is a mix of some of the new tracks I have been working on and released along with some tracks that I am feeling right now. Great music that will both work in a club but also in the car when you are driving down the M25. When I was putting this mix together I was feeling more of a street vibe and that guided my ears somewhat while also keeping the variety.” - Adam F

Bleep Mix #289 - Adam F

Tracklist: https://bleep.com/bleep-mix-290-cs-kreme

From baroque splendour and drama to roiling abstract club propulsions and right back to the beginning again, CS + Kreme’s mix for Bleep is a journey paralleling the swirling sonic diversity of their latest album The Butterfly Drinks The Tears Of The Tortoise. As with the Naarm duo’s wide repertoire of abstract structures, acoustic melanges, and twitchy beats across the bass spectrum, this mix melts choral operatics and esoteric ambience into leftfield dancefloor punches. Breakbeats spewing in stop-start rhythms are spliced with the quivering experiments of Japanese band Boredoms, SOPHIE’s slippery elastic sound design, and a sprawling, flourishing harpsichord suite.

“This mix is possibly for that moment when you have to get in your car with a good sound system, a coffee at 6.30am and embark on a commute into life for the day. Or perhaps that moment when you're cooking a soup in the evening with a glass of wine listening with a reasonable pair of headphones.” - @cs-kreme

Bleep Mix #290 - CS + Kreme

Bleep's NTS Radio Show Avril 14th / Aphex Twin Special: 
ntslive.co.uk

NTS: Bleep Avril 14th / Aphex Twin Special

We have been a fan of John Maus (@john-maus-official) for a long time, loved 'Love is Real' and listened to 'We Must Become The Pitiless Censors Of Ourselves' on @upset-the-rhythm on repeat,  so we are super excited for his new record out on @dominorecordco imprint @ribbonmusic and this mix that he has made especially for you.

Check the album here >>> http://link.bleep.com/John-Maus-Screen-Memories-LP

Armed with a keyboard loaded to the brim with melodies so catchy you will have to be admitted to quarantine to escape them, and more sing-along choruses than a karaoke machine on a Friday night, John Maus returns with his first new long player in six years - Screen Memories. A joyful return that further investigates the quasi-synth-pop and electrocuted soul that has made him a legend in our and many others' eyes and ears.

And yes, we Saw John Maus Live. 

(so should you)

For full tracklisting and his new album on @ribbonmusic click here: https://link.bleep.com/BleepMix16

Bleep Mix #16 - John Maus

Recorded live at the Bleep × store in Dalston 11th January 2019.

https://link.bleep.com/Bleep-x-Nathan-Fake

Back in January for the @ninja-tune Bleep × takeover, @nthnfk delivered a killer mix full of bitcrushed braindance, enjoy.

For more info on our pop-up shop: www.bleep.com/x

Bleep × Ninja Tune - Nathan Fake - 11th January 2019

Recorded live at the Bleep × store in Dalston 3rd February 2019.

https://bleep.com/bleep--warp-records--plaid--3rd-february-2019

The Warp Records Bleep × takeover marked the last event at our pop-up shop in Dalston. Mira Calix, Plaid and Special Request all delivered sets that were energetic, playful and ultimately; incredibly fun. This mix from Plaid starts from the off at 100% and stays there till the end. From the first kickdrum to the final squelch, this is a constant roller bursting with heart palpitating energy.  60 minutes of pure vibrancy with a breakbeat or two thrown in for good measure - fitting for a final big blow out!

No frills or faff about this set, just banger after glorious banger from Warp kingpins.

@warp-records

Bleep × Warp Records - Plaid - 3rd February 2019

For the full track listing and @Vegyn 's latest release on @PLZMakeItRuins click here: bleep.com/bleep-mix-83--vegyn

PLZ Make It Ruins boss Vegyn has just released his debut LP after a run of singles on his own label, as well as working with the likes of Frank Ocean and Travis Scott. Here we see him pull some of his favourite tracks and go-to selections when playing live. 

"Playing a DJ set is so temporary that there's not much room for analysis. However, the permanence of an online mix is to me more akin to that of a tattoo - It's gonna stay with you forever! With that in mind, I tried to step away from modernity and instead have chosen tracks I find myself still listening to even after all these years."

Bleep Mix #83 - Vegyn

For the full track listing and @clarointelecto's latest releases on @delsinrecords click here: https://bleep.com/bleep-mix-86--claro-intelecto

To celebrate the release of In Vitro on Delsin Records, Mark Stewart AKA Claro Intelecto has provided an exclusive Bleep Mix. 

“For this mix I wanted to cover a variety of tempo's & styles I've been writing over the years (that go beyond Peace of Mind!) & include a few things that people wouldn't ordinarily expect to hear from me. There's a mixture of older & more recent releases, along with some new unreleased tracks which are being played for the first time."

All tracks written & produced by Mark Stewart

Bleep Mix #86 - Claro Intelecto

Full tracklist: bleep.com/features/bleep-mix-130-Rival-Consoles

In the light of Articulation, his new album for Erased Tapes, Rival Consoles shares a selection of tracks that compliments the producer's latest electronic opus perfectly.
Opening with the seemingly weightless yet driving pulse of Ostgut Ton's Barker, the mix moves deftly through further immersive cuts from Four Tet, Stimming & Marcus and the blissful breaks of Skee Mask. Before culminating in the fluid contemporary orchestrations of Actress x LCO and closing with the amniotic drone of Alessandro Cortini and the arpeggiated modular ataraxia of Caterina Barbieri.
Heads down vibes and after hours euphoria in equal measure to be savoured.

Bleep Mix #130 - Rival Consoles

Further information: bleep.com/features/bleep-mix-159-vril

Vril spoils us on his Bleep mix. All of the tracks delivered by the German producer here are either Vril originals or remixed by him, and almost all of this material is unreleased at the time of writing. A generous offering indeed, but what’s more impressive still is how Vril knits together these broken-beat techno joints into a cinematic whole, one which maintains a propulsive forward thrust even as it explores dub-techno scientifics, dystopian synthscapes and the keys-led quirkiness of late-90s IDM. The fact that Vril bookends the mix with passages of weightless, widescreen ambience emphasises the evocative qualities of his music still further.

"The idea behind the mix was to focus on an IDM mix for more of a listening vibe rather than for the usual dancefloor live set. Also it includes lots new material and unreleased music from VRIL." - Vril

Bleep Mixes

Bleep Mix #159 - Vril

Further information: bleep.com/features/bleep-mix-162-Max-Cooper

Mesh; the name brings to mind an underlying foundation, a wire frame for a crafted piece of art to ensure structural integrity. It’s an apt name for multimedia artist Max Cooper’s electronic imprint, where the MO is clattering rhythms and voluminous ambient vistas; sound as a vehicle for big ideas. Cooper’s exclusive Bleep mix celebrates the achievements of Mesh with a collection of works from their discography, featuring the ambient swells of Rob Clouth and some especially crisp breakbeat re-alignments from the likes of Reid Willis and Synkro. To top it off, there’s a couple of unreleased Cooper numbers you won’t hear anywhere else.

"Hi Bleep and listeners, many thanks for getting me involved on your awesome mix series. I've been really excited about the music we've been releasing on Mesh recently, so I decided to combine a lot of Mesh content with Laurel Halo's beautiful new remix of the Glassforms EP with Bruce Brubaker on Infine, and a couple of unreleased bits fresh from the studio which I've been playing around with in recent weeks and which probably won't be heard in their Bleep mix form anywhere else as they're still actively evolving pieces. It's a wander through some of the music which I've been using for escapism in recent times, rich with narrative and imagery if you can spare me some time with headphones on and eyes closed." - Max Cooper

Bleep Mix 

Bleep Mix #162 - Max Cooper

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