Further information: bleep.com/features/bleep-mix-187-FJAAK

"We did not only focus on music from Berlin, we put some focus on music that got played in Berlin lots as well - back then to nowadays!! We included some rare 90's tracks but lots of unreleased material as well :-)" - FJAAK

Bleep Mix #187 - FJAAK

Further information: bleep.com/features/bleep-mix-192-OTTO

Bleep Mix #192 - OTTO

Further information: bleep.com/features/bleep-mix-197-Cignol

A long-standing favourite of ours as well as countless electro labels like Further Electronix and Altered Sense, Paul Hammock aka Cignol has been in the business of refined machine funk for over a decade. But naturally, his exclusive Bleep mix is less about looking back and more about the future. Stacked with a bunch of brand new, forthcoming and unreleased tracks from across Cignol’s arsenal of contemporaneous releases, the mix delivers an hour-long journey in non-stop 4/4, from squelching acid textures to laser beamed bass sequencers.

"I’ve put together a mix of mostly new or forthcoming tracks.  All hardware jams made using x0x, Miami, rd-8, 707, Juno-60, jp-08, Juno-06 and Sh01a if you’re interested in that kind of thing. I hope you enjoy it as much as I enjoyed putting it together!" - Cignol

Bleep Mix #197 - Cignol

Further information: bleep.com/features/bleep-mix-205-Mike-Paradinas

It’s already been a killer 2021 for Mike Paradinas. Not only has he helped alert the ears and feet of listeners to some of footwork and juke’s finest (RP Boo, Ripatti, Jana Rush) through his Planet Mu imprint, he’s also found the time to produce some of his own stellar works under his Tusken Raiders moniker (as well as its subsidiaries). His exclusive Bleep mix is loaded with his own cuts, ranging from interstellar ambient techno to menacing D&B beatings. Much like his label, there’s a trove of sounds and tones on display here, each fuelled by Paradinas’ unmistakable musical abilities.

"The mix is a snapshot of my productions half way through the year." - @mikep

Bleep Mix #205 - Mike Paradinas

Further information: bleep.com/features/bleep-mix-200--mark-broom

For the 200th entry of our Bleep mix series, we bring you none other than Mark Broom, the British house and techno artist kicking up a storm under many guises since ‘89. As you can imagine, Broom’s gathered quite a collection since those heady days, from which he draws a selection of gems for this mix. 

“I've been digging through my vinyl collection recently & I've amassed quite a few classics over the years & this was the perfect excuse to showcase them in a mix. I've also included one track from my new album Fünfzig on Rekids & an exclusive edit of the Underground Resistance favourite 'Jupiter Jazz'” - @beardman

Bleep Mix #200 - Mark Broom

Further information: bleep.com/features/bleep-mix-209-proc-fiskal

“This mix is basically a collection of the extremes of what inspired the album” - Proc Fiskal

Photo Credit: Sophie Lunts

Bleep Mix #209 - Proc Fiskal

Further information: https://bleep.com/features/bleep-mix-207-ryan-james-ford

"It's a very special journey for Bleep, sound tracking a late-night highway drive or for an epic positive comedown journey at the afters. It's all unreleased and probably unheard tunes from me." - @ryanjamesford

Bleep Mix #207 - Ryan James Ford

Further Information: bleep.com/features/bleep-mix-210-lone

“Loads of new modern rave tracks I properly rate to ease me back in to a life of DJing post-pandemic with a little unreleased VIP of mine and the odd classic thrown in for good measure… one take recorded in my front room on 2 CDJ’s and Technics 1210s” - @lone-1

Bleep Mix #210 - Lone

Further Information: bleep.com/features/bleep-mix-211-kmru

To celebrate the release of the Tresor 30 box set we have a special mix from KMRU. 

"A contemplative dive into the sonic remembering, the mix to me evokes the sense or remembrance or trying to remember, featuring artists and musics that I've been listening and remembering in the past months. The mix was recorded on Ableton and a Push 2." - KMRU

Bleep Mix sound files

Bleep Mix #211 - KMRU

Further Information: https://bleep.com/features/bleep-mix-212-Eris-Drew

To celebrate the release of her album Quivering In Time, Eris Drew presents a 2hour club ready excursion taking in 32 tracks of influences, dancefloor go to's and several cuts from her own aforementioned full length. Get ready to sweat.

"My DJ mix for Bleep is over 2 hours and includes a lot of music from the test press of my new album, “Quivering in Time” mixed alongside records from my collection. The mix is equal parts soft and propulsive with each track blended, dropped, collaged and scratched for maximum resonance with the Motherbeat. Rollers from many genres are on the mix, including house, breaks, progressive, trip hop, techno, bass, dubstep, etc etc."
X - Eris

Bleep Mix #212 - Eris Drew

Further Information: https://bleep.com/features/bleep-mix-213--mira-calix

Mira Calix provides a beguiling mix to celebrate her album a̶b̶s̶e̶n̶t̶ origin for Warp. Intertwining pioneering work from Stockhausen, Pierre Schaeffer and Harry Partch with contemporary artists, NY rap groups instrumental jams, shangaan electro, rapid footwork productions, spoken word freestyles and conceptual studies of modern sub/urban British life. Also featured is a poem performed by Rosie Middleton produced by Mira Calix and an exclusive track from the album a̶b̶s̶e̶n̶t̶ origin. It's a thrilling mix of far-reaching influence that rewards undivided attention... Enjoy!

Bleep Mix #213 - Mira Calix

Further Information: bleep.com/features/bleep-mix-214-pedro-vian

"The mix is a selection of recent favorite records, unreleased original tracks, edits, and upcoming releases on Modern Obscure Music. I work with a hybrid technique on the recording of mixes, I like to use parts of my DJ sets then edit them with strict coherence. I really enjoy playing at clubs and developing a curator role as I did with the PRSNT compilation, but also listening to all kinds of inspiring music so I tried to build a good balance showing at the same time devotion for experimental and dance music." - @pedro-vian

Bleep Mix #214 - Pedro Vian

Further Information: bleep.com/features/bleep-mix-215-mmm

"A mix of tracks we think have a connection to our album 'On The Edge' because they share its spacious and restrained atmosphere. Some had a strong influence on us. Burials voice processing was a reference while working on 'So Nigh'. So was the ghost voice in Shriekback's 'Evaporation' for our track 'When Does Ghosting End'. The Wailers Band's 'Higher Field Marshall Dub' highlights the influence of reggae on some of the album tracks. We love the distorted sound and masterful minimalism of this track." - @mmm-berlin

Bleep Mix #215 - MMM

Further Information: bleep.com/features/bleep-mix-216-richard-fearless

"The mix was recorded at my studio, Metal Box, which is situated on a peninsula where the River Lea meets the Thames. I recorded it late at night, looking over the river and the adjacent steel factory. I used two Technics 1210s, my trusty old Vestax PMC-46 mixer and a RE-20 Space Echo pedal.

I only DJ with vinyl, a habit I don’t think I’ll ever break. Some of these records, like the Shake’s Frictionlized and Florence, are 30 years old, so please excuse the scratches.

I didn’t plan this mix, just decided on an opening record and rolled from there, which is how I play out - searching for blends and that magical feeling when two records meet and form something new, channelling the feeling of unity and escape that occurs when you get lost in the music." - Richard Fearless

Bleep Mix #216 - Richard Fearless

Further Information: https://bleep.com/features/bleep-mix-217-yves-tomas

"Following the release of my Temper OST I wanted to travel the full colour spectrum of emotions through this mix, with a cinematic and emotive selection. From melancholic and apprehensive through to joyous and elated. Representing the creative development from my last release, an introspective and conceptual piece, to my upcoming release, an expression of excitement and fun.” - @yvestomas

Bleep Mix #217 - Yves Tomas

Recorded live at Nine Nights, July 2021

Further information: bleep.com/features/nine-nights-july-2021

Nine Nights is a new music initiative featuring thoughtfully curated Black artists across the world, spanning music, performance art, hardware and visual explorations. The name “Nine Nights” is rooted in Jamaican tradition that celebrates the life and safe passing of those deceased over nine nights. "This “dead yard” series is for those who have lost their lives at the hands of racism, police brutality and COVID, to celebrate their existence and push for change. We want a new system, one that helps develop Black lives in music, art and community."

"This mix features 3 of the 4 co-founders for Nine Nights coming together to create a new sonic journey influenced by 90's Black club music and experience. Sonically merging house vocals with Electro and Techno and live synth we take listeners on a 30-minute erratic journey of euphoria." - @glor1a

Nine Nights: Black Futures - Nine Nights - July 2021

Further Information: https://bleep.com/features/bleep-mix-218-nadia-struiwigh

"This is an Ambient focussed mix with some "Trancy Sci-Fi" vibes, basically because I love the feeling of getting lost in these kind of frequencies. It makes me paint pictures and recreate memories in my mind. As I released my Ambient album Pax Aurora on Nous'Klaer this year, I wanted to combine some own tracks with tracks of some legends I'm really inspired by. This mix will build up, so you can just ease into it. Enjoy the trip!" - @nadiastruiwigh

Bleep Mix #218 - Nadia Struiwigh

Further information: https://bleep.com/features/bleep-mix-219-tash-lc

Our first exclusive Bleep mix of 2022 contains nothing but high octane energy from London DJ and Club Yeke label head Tash LC. This comes as a precursor to our Skate Lates takeover on Friday 14th January at Somerset House where Tash LC will be our special guest selector for the evening.

"This is the first mix I've put out in a while and so I wanted to channel all my energy in. There's a lot of music I discovered over the past year from producers already established on my radar and new too. I love blending afro vocals and instrumentation with the percussion of techno and grime and finding the sweet spot that links it all together so there's a lot of unifying moments that capture the breadth of what I'm into and how it all connects. It's also a taste of the direction that I want my label Club Yeke and my sets on radio and in the club to continue to head towards - a place where club music joins with rap, drill and almost unclassifiable sounds that to me, sound like the future." - @tash-lc

Bleep Mix #219 - Tash LC

Further information: https://bleep.com/features/bleep-mix-220-lonelady-from-venue-to-van

"A gig is so much more than that one hour onstage performing - it's loading the van, travelling, setting up, soundcheck, getting ready, waiting for the show, the show, the post-show, selling merch, packing down, loading out and travelling to the hotel - each show day is like 4 days in one! From Venue To Van charts some of this emotional pre-and post-show cartography.

The first part reflects the kind of mixtape I always put on in the venue, filling the room with my murky post-punk and beat-driven favourites, LoneLady-fying the space…creating atmosphere and building anticipation. By showtime, we are jittery with adrenaline as we step onstage.

Some time later, fuelled by post-show buzz, gin, white wine, fatigue and a touch of hysteria, the second part of the mix takes an awry turn as the van turns into a mini post-show afterparty on wheels in which we tumble and laugh, playing tunes through a Bluetooth speaker. The mix winds down as we are lulled into half-sleep by the repetitive motorway thrum, until finally, as the fog creeps in, we stumble into the utilitarian but loving embrace of a Travelodge." - @lonelady

Bleep Mix #220 - LoneLady - From Venue To Van

Further Information: https://bleep.com/features/bleep-mix-221-Datassette

"This mix is all about that 160bpm+ energy that first inspired me to make music. Around 1996 — to me at least, with the advantages of teenage naïvety — it seemed like electronic music had burst into a whole new tempo range, where there were no rules and anything was possible - as long as it BELTS (which is still true). If you go beyond 200 BPM, you reach that zone where 16th notes start to dissolve into 32nds and your brain latches onto a whole new outer layer of rhythm, like a fractal or temporal shepard tone. There is still much to be discovered!" - @datashat

Bleep Mix #221 - Datassette

Further Information: bleep.com/features/bleep-mix-222-holodec

Alex Jieh’s Holodec project imagines a space of infinite human potential, where one can birth a new reality, inspired by your past, present and future. Each release is a chapter in this exploration—shifting soundtracks set to distinct memories, dreams and thoughts. Neither entirely connected nor completely disconnected.

"A collection of songs from friends and strangers, coexisting." - @holodecworld

Bleep Mix #222 - Holodec

Nathan Fake - Vanish North

as included in the forthcoming Bleep:10 compilation to be released on May 5th. Also featured on the compilation are exclusive tracks from Autechre, Fuck Buttons, Oneohtrix Point Never, Modeselektor, Lone, Gas, Untold, Shackleton, Machinedrum, Dabrye, Nosaj Thing, U-Ziq and Byetone.

Pre-Order Bleep:10: link.bleep.com/bleep_10

Artist: Various Artists
Title: Bleep:10
Label: Bleep

Release date: 5th May, 2014

Tracklist:
1) Gas - Die Wand
2) Lone - Lizard King
3) Machinedrum - aeolia
4) Oneohtrix Point Never - Need
5) Modeselektor - I'm not into Twerk, I'm into KrafTwerk
6) Untold - That Horn Track
7) Fuck Buttons - Brainfreeze (Alt mix)
8) Dabrye - Click Clack
9) Autechre - SYptixed
10) Shackleton - Ganda Rising
11) Nosaj Thing - Particles Aligned
12) µ-Ziq - Hedges
13) Byetone - Morning
14) Nathan Fake - Vanish North


Nathan Fake - Vanish North

Bleep's NTS Radio Show Avril 14th / Aphex Twin Special: 
ntslive.co.uk

NTS: Bleep Avril 14th / Aphex Twin Special

Recorded live at the Bleep × store in Dalston 11th January 2019.

https://link.bleep.com/Bleep-x-Nathan-Fake

Back in January for the @ninja-tune Bleep × takeover, @nthnfk delivered a killer mix full of bitcrushed braindance, enjoy.

For more info on our pop-up shop: www.bleep.com/x

Bleep × Ninja Tune - Nathan Fake - 11th January 2019

Recorded live at the Bleep × store in Dalston 3rd February 2019.

https://bleep.com/bleep--warp-records--plaid--3rd-february-2019

The Warp Records Bleep × takeover marked the last event at our pop-up shop in Dalston. Mira Calix, Plaid and Special Request all delivered sets that were energetic, playful and ultimately; incredibly fun. This mix from Plaid starts from the off at 100% and stays there till the end. From the first kickdrum to the final squelch, this is a constant roller bursting with heart palpitating energy.  60 minutes of pure vibrancy with a breakbeat or two thrown in for good measure - fitting for a final big blow out!

No frills or faff about this set, just banger after glorious banger from Warp kingpins.

@warp-records

Bleep × Warp Records - Plaid - 3rd February 2019

For the full track listing and @Vegyn 's latest release on @PLZMakeItRuins click here: bleep.com/bleep-mix-83--vegyn

PLZ Make It Ruins boss Vegyn has just released his debut LP after a run of singles on his own label, as well as working with the likes of Frank Ocean and Travis Scott. Here we see him pull some of his favourite tracks and go-to selections when playing live. 

"Playing a DJ set is so temporary that there's not much room for analysis. However, the permanence of an online mix is to me more akin to that of a tattoo - It's gonna stay with you forever! With that in mind, I tried to step away from modernity and instead have chosen tracks I find myself still listening to even after all these years."

Bleep Mix #83 - Vegyn

For the full track listing and @clarointelecto's latest releases on @delsinrecords click here: https://bleep.com/bleep-mix-86--claro-intelecto

To celebrate the release of In Vitro on Delsin Records, Mark Stewart AKA Claro Intelecto has provided an exclusive Bleep Mix. 

“For this mix I wanted to cover a variety of tempo's & styles I've been writing over the years (that go beyond Peace of Mind!) & include a few things that people wouldn't ordinarily expect to hear from me. There's a mixture of older & more recent releases, along with some new unreleased tracks which are being played for the first time."

All tracks written & produced by Mark Stewart

Bleep Mix #86 - Claro Intelecto

For full track listing click here: https://bleep.com/features/bleep-mix-112--klone

K-LONE’s Cape Cira LP is one of the prettiest records you’ll hear all year in techno or any other genre. The Wisdom Teeth boss created a verdant sonic world on that album, one where rippling beats came drenched in sun-dappled atmospheres and melodies that evoked palm trees swaying in a breeze. On this exclusive mix, @k-lone93 lets us in on some of the music that inspired the record. The mix’s first half largely eschews dancefloor pulses in favour of dreamy flushes of sound - while there are some gently danceable numbers in here from the likes of DJ Python and Duckett, the entries around them emphasise new-age-inspired textures in a manner that draws a clear line to Cape Cira. We then enter a territory of coy techno and micro-house throbs, one where Jan Jelinek’s ‘Rock In The Video Age’ sets the tone, before blissing out with pure ambiences at the mix’s close. 

"This mix is a selection of cuts from my favourite albums I was listening to around the time of writing Cape Cira, mostly the sort of stuff for listening to at home rather than the club. Featuring music from Leif, Steve Reich, Loidis, Duckett, Kelly Lee Owens, Pole, Jan Jenelik, Don't DJ & Visible Cloaks."

Bleep Mix #112 - K-LONE

Full tracklist: bleep.com/features/bleep-mix-130-Rival-Consoles

In the light of Articulation, his new album for Erased Tapes, Rival Consoles shares a selection of tracks that compliments the producer's latest electronic opus perfectly.
Opening with the seemingly weightless yet driving pulse of Ostgut Ton's Barker, the mix moves deftly through further immersive cuts from Four Tet, Stimming & Marcus and the blissful breaks of Skee Mask. Before culminating in the fluid contemporary orchestrations of Actress x LCO and closing with the amniotic drone of Alessandro Cortini and the arpeggiated modular ataraxia of Caterina Barbieri.
Heads down vibes and after hours euphoria in equal measure to be savoured.

Bleep Mix #130 - Rival Consoles

Full tracklist: bleep.com/features/bleep-mix-133-Vladimir-Ivkovic-Ivan-Smagghe

The duo of Vladimir Ivkovic and Ivan Smagghe deliver a feast of delights for lovers of far-out sonics and experimental electronics on their entry into Bleep’s mix series. Running close to three hours in length, the first third of their IDMEMO mix journeys into tripped-out drone, psychedelic reveries and outer-edges industrialism - tracks from seminal post-industrial outfits Nurse With Wound, Current 93 and Coil are all included. While this vibe is returned to throughout the subsequent tracks, Ivkovic and Smagghe also juxtapose it with some more beat-driven passages which veer between lush IDM and low-slung leftfield Balearicism/psychedelic house. The pair also find time to slip a couple of their own remixes into proceedings - indeed, the mix closes out with the ethereal, almost Arca-esque electro-balladry of Mickey van Seenus’s ‘What If (Smagghe & Cross Version)’.

Bleep Mix #133 - Vladimir Ivkovic & Ivan Smagghe

Further information: bleep.com/features/bleep-mix-159-vril

Vril spoils us on his Bleep mix. All of the tracks delivered by the German producer here are either Vril originals or remixed by him, and almost all of this material is unreleased at the time of writing. A generous offering indeed, but what’s more impressive still is how Vril knits together these broken-beat techno joints into a cinematic whole, one which maintains a propulsive forward thrust even as it explores dub-techno scientifics, dystopian synthscapes and the keys-led quirkiness of late-90s IDM. The fact that Vril bookends the mix with passages of weightless, widescreen ambience emphasises the evocative qualities of his music still further.

"The idea behind the mix was to focus on an IDM mix for more of a listening vibe rather than for the usual dancefloor live set. Also it includes lots new material and unreleased music from VRIL." - Vril

Bleep Mixes

Bleep Mix #159 - Vril

Further information: bleep.com/features/bleep-mix-162-Max-Cooper

Mesh; the name brings to mind an underlying foundation, a wire frame for a crafted piece of art to ensure structural integrity. It’s an apt name for multimedia artist Max Cooper’s electronic imprint, where the MO is clattering rhythms and voluminous ambient vistas; sound as a vehicle for big ideas. Cooper’s exclusive Bleep mix celebrates the achievements of Mesh with a collection of works from their discography, featuring the ambient swells of Rob Clouth and some especially crisp breakbeat re-alignments from the likes of Reid Willis and Synkro. To top it off, there’s a couple of unreleased Cooper numbers you won’t hear anywhere else.

"Hi Bleep and listeners, many thanks for getting me involved on your awesome mix series. I've been really excited about the music we've been releasing on Mesh recently, so I decided to combine a lot of Mesh content with Laurel Halo's beautiful new remix of the Glassforms EP with Bruce Brubaker on Infine, and a couple of unreleased bits fresh from the studio which I've been playing around with in recent weeks and which probably won't be heard in their Bleep mix form anywhere else as they're still actively evolving pieces. It's a wander through some of the music which I've been using for escapism in recent times, rich with narrative and imagery if you can spare me some time with headphones on and eyes closed." - Max Cooper

Bleep Mix 

Bleep Mix #162 - Max Cooper

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