Further information: bleep.com/features/bleep-mix-187-FJAAK

"We did not only focus on music from Berlin, we put some focus on music that got played in Berlin lots as well - back then to nowadays!! We included some rare 90's tracks but lots of unreleased material as well :-)" - FJAAK

Bleep Mix #187 - FJAAK

Further information: bleep.com/features/bleep-mix-197-Cignol

A long-standing favourite of ours as well as countless electro labels like Further Electronix and Altered Sense, Paul Hammock aka Cignol has been in the business of refined machine funk for over a decade. But naturally, his exclusive Bleep mix is less about looking back and more about the future. Stacked with a bunch of brand new, forthcoming and unreleased tracks from across Cignol’s arsenal of contemporaneous releases, the mix delivers an hour-long journey in non-stop 4/4, from squelching acid textures to laser beamed bass sequencers.

"I’ve put together a mix of mostly new or forthcoming tracks.  All hardware jams made using x0x, Miami, rd-8, 707, Juno-60, jp-08, Juno-06 and Sh01a if you’re interested in that kind of thing. I hope you enjoy it as much as I enjoyed putting it together!" - Cignol

Bleep Mix #197 - Cignol

Further information: bleep.com/features/bleep-mix-205-Mike-Paradinas

It’s already been a killer 2021 for Mike Paradinas. Not only has he helped alert the ears and feet of listeners to some of footwork and juke’s finest (RP Boo, Ripatti, Jana Rush) through his Planet Mu imprint, he’s also found the time to produce some of his own stellar works under his Tusken Raiders moniker (as well as its subsidiaries). His exclusive Bleep mix is loaded with his own cuts, ranging from interstellar ambient techno to menacing D&B beatings. Much like his label, there’s a trove of sounds and tones on display here, each fuelled by Paradinas’ unmistakable musical abilities.

"The mix is a snapshot of my productions half way through the year." - @mikep

Bleep Mix #205 - Mike Paradinas

Further information: bleep.com/features/bleep-mix-200--mark-broom

For the 200th entry of our Bleep mix series, we bring you none other than Mark Broom, the British house and techno artist kicking up a storm under many guises since ‘89. As you can imagine, Broom’s gathered quite a collection since those heady days, from which he draws a selection of gems for this mix. 

“I've been digging through my vinyl collection recently & I've amassed quite a few classics over the years & this was the perfect excuse to showcase them in a mix. I've also included one track from my new album Fünfzig on Rekids & an exclusive edit of the Underground Resistance favourite 'Jupiter Jazz'” - @beardman

Bleep Mix #200 - Mark Broom

Further Information: bleep.com/features/bleep-mix-210-lone

“Loads of new modern rave tracks I properly rate to ease me back in to a life of DJing post-pandemic with a little unreleased VIP of mine and the odd classic thrown in for good measure… one take recorded in my front room on 2 CDJ’s and Technics 1210s” - @lone-1

Bleep Mix #210 - Lone

Further Information: https://bleep.com/features/bleep-mix-212-Eris-Drew

To celebrate the release of her album Quivering In Time, Eris Drew presents a 2hour club ready excursion taking in 32 tracks of influences, dancefloor go to's and several cuts from her own aforementioned full length. Get ready to sweat.

"My DJ mix for Bleep is over 2 hours and includes a lot of music from the test press of my new album, “Quivering in Time” mixed alongside records from my collection. The mix is equal parts soft and propulsive with each track blended, dropped, collaged and scratched for maximum resonance with the Motherbeat. Rollers from many genres are on the mix, including house, breaks, progressive, trip hop, techno, bass, dubstep, etc etc."
X - Eris

Bleep Mix #212 - Eris Drew

Further Information: bleep.com/features/bleep-mix-215-mmm

"A mix of tracks we think have a connection to our album 'On The Edge' because they share its spacious and restrained atmosphere. Some had a strong influence on us. Burials voice processing was a reference while working on 'So Nigh'. So was the ghost voice in Shriekback's 'Evaporation' for our track 'When Does Ghosting End'. The Wailers Band's 'Higher Field Marshall Dub' highlights the influence of reggae on some of the album tracks. We love the distorted sound and masterful minimalism of this track." - @mmm-berlin

Bleep Mix #215 - MMM

Further Information: https://bleep.com/features/bleep-mix-221-Datassette

"This mix is all about that 160bpm+ energy that first inspired me to make music. Around 1996 — to me at least, with the advantages of teenage naïvety — it seemed like electronic music had burst into a whole new tempo range, where there were no rules and anything was possible - as long as it BELTS (which is still true). If you go beyond 200 BPM, you reach that zone where 16th notes start to dissolve into 32nds and your brain latches onto a whole new outer layer of rhythm, like a fractal or temporal shepard tone. There is still much to be discovered!" - @datashat

Bleep Mix #221 - Datassette

Further Information: https://bleep.com/features/bleep-mix-225-bss

"Recorded this mix in Doka, a beautiful well taken care of music space in the city of Amsterdam. It’s in the same basement as where my studio is located, pitch dark with only one very soothing light installation. Recorded the mix in one go and tried to get as many genres in there which shaped me as a producer. From unreleased sound design projects to beats by nostalgic dutch producers from the good old days. Big love to all the wonderous humans sending in new productions. Gave me so much inspiration." - @beesmunt-soundsystem

Set up: 3 CDJs and one SL1200, ARS 9900 and a Roland RE-201

Bleep Mix #225 - BSS

Further Information: https://bleep.com/features/bleep-mix-226--fort-romeau

"I think this might be the first mix I’ve ever made using only my own productions, some unreleased, some brand new and some not so new. Obviously, I think like most producers I’m always most excited by and pleased with the newest tracks, but It can be a fun exercise to see how they fit together and look at it from a more macro perspective, going from deeper cuts to more immediate club tracks." - @fortromeau

Bleep Mix #226 - Fort Romeau

Further information: https://bleep.com/features/bleep-mix-227--minor-science

"My taste at the moment seems to have gone to two extremes. At home, I mostly listen to jazz and Joni Mitchell. In clubs, I’ve pretty much been playing the most stupid, over the top stuff I can find. After the last couple of years, there doesn’t seem to be much point in holding back. This mix reflects the vibe of shows I’ve played since last autumn. It was planned at the tail end of my Covid isolation and recorded on CDJs and a Xone 92 in as few takes as possible." - @minor-science

Bleep Mix #227 - Minor Science

Further information: https://bleep.com/features/bleep-mix-231--brainwaltzera

“I don’t consider myself a DJ, though I’ve always loved the art form. Other than the very few occasions I have played records for an audience, I usually approach mixes like I would have private mixtapes back in the day: my tapes were always themed and included selections of music I was listening to, both old and new, as well as a few of my own tracks. I would often make a short track specifically for the mixtape, after I had already put most of the playlist together. I have done so for this mix too (as well as for my first mix I did for you guys by the way). Hope you enjoy and many thanks.” - @Brainwaltzera

Bleep Mix #231 - Brainwaltzera

Further information: bleep.com/features/bleep-mix-234-om-unit

"Here is a selection of favourites from the past year or so that have special memories attached in places and some are favourites from my SWU FM radio show. I've mixed in some of my more recent productions as well as some of the new Acid Dub Versions mixes as well.

Thank you to Bleep for having me on, and everyone for listening
<3" - Om Unit

Bleep Mix #234 - Om Unit

Further information: https://bleep.com/features/bleep-mix-235--fft

Ahead of the release of his debut album Clear on Numbers, London-based producer FFT provides a heavy and hazy mix, ranging from new-age flute washes and grasshopper dusk choruses to metallic electro with harsh machinic whirrs, to chopped and screwed edits full to the brim with molten bass. Cuts from Cypress Hill, The Bug, and Oneohtrix Point Never are mutated till they’re swimming in the dark depths of the sonic fog.

"I made sure to mix the tracks all the way into each other, thanks for listening!" - @fft-music

Bleep Mix #235 - FFT

Further information: https://bleep.com/features/bleep-mix-236--stefan-goldmann

"Opposites. It’s quite astonishing to me how many things you can nudge into some mode of meaningful co-existence as soon as you beat-match them. The carefully crafted and the crude, the solemn and the silly. Far less practical occasions to compartmentalise over the past two years, anyway." - @stefangoldmann

Bleep Mix #236 - Stefan Goldmann

Further Information: https://bleep.com/features/bleep-mix-237--the-fear-ratio

Available on exclusive neon green cassette. Buy Now: bleep.com/release/312878

A collection of unreleased TFR music from the vaults

Long known for their killer releases on labels like Skam and Blueprint Records, this mix they've dubbed Ratio Sound Trials sees James Ruskin and Mark Broom collecting all sorts of fragments, sketches, and loops from the last few years that never bloomed into a coherent hour of head-spinning productions. Side A sees the first 30 minutes filled with intoxicating head-nod sonics, edging closer towards the skuffed hip hop beat tapes of the late 90s, flipping samples and wildstyle vocal cuts over programmed drum loops. On the flip the anti is upped with an increase in torque and tension over the following half hour, exploring the monolithic dystopian sound design they have mastered over the years, flitting between techno and electro influences with constantly shifting, tense rhythms. The Fear Ratio claim the material on these transmissions won’t be heard again, so listen in and grab one of the limited run cassettes while they’re still around.

Bleep Mix #237 - The Fear Ratio

Further Information: https://bleep.com/label-spotlight-editions-mego

Bleep Mix #238 - John Elliott

Further Information: https://bleep.com/label-spotlight-editions-mego

"No history of electronic music is complete without a reference to mego, editions mego or peter rehberg. since its inception in the mid 1990s mego was at the centre and forefront of new, independent, and vehemently uncompromising computer music. when Peter took over some ten years later, he transformed mego into editions mego: encompassing vastly divergent musical styles and practice, which he referred to as “spikey”. anyone interested in electronic music should carefully study its hugely influential back catalogue." - Mark Fell

Bleep Mix sound files

Bleep Mix #239 - Mark Fell

Further Information: bleep.com/features/bleep-mix-240-Galaxian

"So many songs I want to get in mixes but often they have to be dropped or replaced, due to time constraints or how they fit.  Determined as I am, I've took many of those songs and put them into this mix at last, some old, some new, covering many bases. All crackers in their own way. So happy to finally get some of these in a set. Thanks for asking me to do a mix for you. "

Bleep Mix #240 - Galaxian

Further information: bleep.com/features/bleep-mix-241-lynyn

"This mix is all about hard grooves, lots of bass, and crunchy textures. The tracklist spans old favorites and new finds alike. Hope you enjoy it!" - Lynyn

Bleep Mix #241 - Lynyn

Further information: bleep.com/features/bleep-mix-242-saoirse

"The concept for this mix was to recreate the types of sets that I've been playing recently in small intimate nightclubs from 5am onwards. The types of places where the only purpose is to get your head down and dance. It's kind of tripped out, deep and skippy. I feel as a DJ I have many avenues I go down but this is undoubtedly my absolute favourite flavour to play.

Our goal with Body Movements is that it is representative of the full – as much as possible – spectrum of the queer community within clubbing culture. We have a broad and diverse music policy and represent a wide range of sexual identities, cultures and ethnicities." - @saoirsemusic

Bleep Mix #242 - Saoirse

Further information: bleep.com/features/bleep-mix-243-loraine-james

A collection of tracks that inspired Loraine James' new Eastman homage album Building Something Beautiful For Me, including works sampled within Loraine's new productions.

Bleep Mix #243 - Loraine James

Further information: bleep.com/features/bleep-mix-244--james-vella-phantom-limb-label-mix

Phantom Limb founder James Vella curates a journey through the label's five year history. The mix covers works by Phantom Limb's newest signing Loraine James and her breathtaking homage to modern classical great Julius Eastman, Baltimore experimental hip-hop duo Infinity Knives & Brian Ennals, acclaimed UK producer Kevin Martin (aka The Bug), Japanese minyo-footwork duo WaqWaq Kingdom (DJ Scotch Egg and Kiki Hitomi) and ambient master Richard Skelton among plenty more gems.

Bleep Mix #244 - James Vella - Phantom Limb Label Mix

Machinedrum - aeolia 

as included in the forthcoming Bleep:10 compilation to be released on May 5th. Also featured on the compilation are exclusive tracks from Fuck Buttons, Oneohtrix Point Never, Autechre, Nathan Fake, Lone, Gas, Shackleton, Modeselektor, Untold, Dabrye, Nosaj Thing, U-Ziq and Byetone.

Pre-Order Bleep:10: http://link.bleep.com/Machinedrum

Artist: Various Artists
Title: Bleep:10
Label: Bleep

Release date: 5th May, 2014

Tracklist:
1) Gas - Die Wand
2) Lone - Lizard King
3) Machinedrum - aeolia
4) Oneohtrix Point Never - Need
5) Modeselektor - I'm not into Twerk, I'm into KrafTwerk
6) Untold - That Horn Track
7) Fuck Buttons - Brainfreeze (Alt mix)
8) Dabrye - Click Clack
9) Autechre - SYptixed
10) Shackleton - Ganda Rising
11) Nosaj Thing - Particles Aligned
12) µ-Ziq - Hedges
13) Byetone - Morning
14) Nathan Fake - Vanish North

Machinedrum - aeolia

Nathan Fake - Vanish North

as included in the forthcoming Bleep:10 compilation to be released on May 5th. Also featured on the compilation are exclusive tracks from Autechre, Fuck Buttons, Oneohtrix Point Never, Modeselektor, Lone, Gas, Untold, Shackleton, Machinedrum, Dabrye, Nosaj Thing, U-Ziq and Byetone.

Pre-Order Bleep:10: link.bleep.com/bleep_10

Artist: Various Artists
Title: Bleep:10
Label: Bleep

Release date: 5th May, 2014

Tracklist:
1) Gas - Die Wand
2) Lone - Lizard King
3) Machinedrum - aeolia
4) Oneohtrix Point Never - Need
5) Modeselektor - I'm not into Twerk, I'm into KrafTwerk
6) Untold - That Horn Track
7) Fuck Buttons - Brainfreeze (Alt mix)
8) Dabrye - Click Clack
9) Autechre - SYptixed
10) Shackleton - Ganda Rising
11) Nosaj Thing - Particles Aligned
12) µ-Ziq - Hedges
13) Byetone - Morning
14) Nathan Fake - Vanish North


Nathan Fake - Vanish North

Bleep's NTS Radio Show Avril 14th / Aphex Twin Special: 
ntslive.co.uk

NTS: Bleep Avril 14th / Aphex Twin Special

Recorded live at the Bleep × store in Dalston 11th January 2019.

https://link.bleep.com/Bleep-x-Nathan-Fake

Back in January for the @ninja-tune Bleep × takeover, @nthnfk delivered a killer mix full of bitcrushed braindance, enjoy.

For more info on our pop-up shop: www.bleep.com/x

Bleep × Ninja Tune - Nathan Fake - 11th January 2019

Recorded live at the Bleep × store in Dalston 3rd February 2019.

https://bleep.com/bleep--warp-records--plaid--3rd-february-2019

The Warp Records Bleep × takeover marked the last event at our pop-up shop in Dalston. Mira Calix, Plaid and Special Request all delivered sets that were energetic, playful and ultimately; incredibly fun. This mix from Plaid starts from the off at 100% and stays there till the end. From the first kickdrum to the final squelch, this is a constant roller bursting with heart palpitating energy.  60 minutes of pure vibrancy with a breakbeat or two thrown in for good measure - fitting for a final big blow out!

No frills or faff about this set, just banger after glorious banger from Warp kingpins.

@warp-records

Bleep × Warp Records - Plaid - 3rd February 2019

For the full track listing and @Vegyn 's latest release on @PLZMakeItRuins click here: bleep.com/bleep-mix-83--vegyn

PLZ Make It Ruins boss Vegyn has just released his debut LP after a run of singles on his own label, as well as working with the likes of Frank Ocean and Travis Scott. Here we see him pull some of his favourite tracks and go-to selections when playing live. 

"Playing a DJ set is so temporary that there's not much room for analysis. However, the permanence of an online mix is to me more akin to that of a tattoo - It's gonna stay with you forever! With that in mind, I tried to step away from modernity and instead have chosen tracks I find myself still listening to even after all these years."

Bleep Mix #83 - Vegyn

Further Information: bleep.com/features/bleep-mix-145-verraco

Verraco delivers a set of ultra-futurist club productions sitting at the intersection between 'industrial perreo + jungle revivalism x mental drum&bass' on his Bleep mix. In a first half which maintains around 100 bpm, the Colombian producer/DJ swirls together industrial-strength perreo, technoid dembow rhythms, soundsystem techno wallops and twisted breaks. The effects are searing, with recent favourites from the likes of Slikback, Lurka and Low Jack all rubbing shoulders in this section. Verraco subsequently ratchets up the tempo significantly for the mix’s latter stages - breakneck junglism and IDM are the order of the day here, though the indefinable, highwire percussion innovations of Rian Treanor and Donato Dozzy also get a look in. It all combines for a thrilling and unpredictable mix expertly put together.

Bleep Mixes

Bleep Mix #145 - Verraco

Further information: bleep.com/features/bleep-mix-159-vril

Vril spoils us on his Bleep mix. All of the tracks delivered by the German producer here are either Vril originals or remixed by him, and almost all of this material is unreleased at the time of writing. A generous offering indeed, but what’s more impressive still is how Vril knits together these broken-beat techno joints into a cinematic whole, one which maintains a propulsive forward thrust even as it explores dub-techno scientifics, dystopian synthscapes and the keys-led quirkiness of late-90s IDM. The fact that Vril bookends the mix with passages of weightless, widescreen ambience emphasises the evocative qualities of his music still further.

"The idea behind the mix was to focus on an IDM mix for more of a listening vibe rather than for the usual dancefloor live set. Also it includes lots new material and unreleased music from VRIL." - Vril

Bleep Mix #159 - Vril

Further information: bleep.com/features/bleep-mix-162-Max-Cooper

Mesh; the name brings to mind an underlying foundation, a wire frame for a crafted piece of art to ensure structural integrity. It’s an apt name for multimedia artist Max Cooper’s electronic imprint, where the MO is clattering rhythms and voluminous ambient vistas; sound as a vehicle for big ideas. Cooper’s exclusive Bleep mix celebrates the achievements of Mesh with a collection of works from their discography, featuring the ambient swells of Rob Clouth and some especially crisp breakbeat re-alignments from the likes of Reid Willis and Synkro. To top it off, there’s a couple of unreleased Cooper numbers you won’t hear anywhere else.

"Hi Bleep and listeners, many thanks for getting me involved on your awesome mix series. I've been really excited about the music we've been releasing on Mesh recently, so I decided to combine a lot of Mesh content with Laurel Halo's beautiful new remix of the Glassforms EP with Bruce Brubaker on Infine, and a couple of unreleased bits fresh from the studio which I've been playing around with in recent weeks and which probably won't be heard in their Bleep mix form anywhere else as they're still actively evolving pieces. It's a wander through some of the music which I've been using for escapism in recent times, rich with narrative and imagery if you can spare me some time with headphones on and eyes closed." - Max Cooper

Bleep Mix 

Bleep Mix #162 - Max Cooper

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