Further information: https://bleep.com/features/bleep-mix-230--keplrr

"I’ve been trying to move away from the idea that dance music has to be really impressive. Instead, focusing on progression and feel, rather than a preconceived idea I have of myself as an artist or DJ. I wanted to record this mix without too much planning, in the end it turned out quite dubby and sedated with a few nice key matches and some more experimental stuff dotted through. I hope you enjoy it." - @keplrr

Bleep Mix #230 - Keplrr

For the hundredth chapter of the Patterns of Perception mix series, we're delighted to feature the one and only @flxk1. To all of our listeners, we want to say a huge thank you for your support over the past 6+ years! We truly appreciate you all <3 

Read our interview with Felix here: https://www.patternsofperception.com/post/a-chat-with-felix-k

---

As a DJ, producer and label head, Felix K’s singular perspective and approach has been an ongoing source of inspiration across the scene since the early 00's. From seminal work on his own array of imprints to key performances at events around the world (including an unforgettable set at a Patterns of Perception party in 2019), Felix’s vision has been, and continues to be, both influential and indelible.

For Patterns of Perception 100, Felix drew upon his vast knowledge (and record collection) to compile an ambitious four-hour mix which traces the spirit and lineage of both fundamental and contemporary sounds across the wider breakbeat/UK scene.
Beginning the journey with foundational dub, Felix layers modern counterpoints of breaks, jungle and dnb, in the process highlighting connections, overlaps and inspirations that have taken place across years, generations and eras.
The result is almost encyclopaedic in its depth and scope, but with an approachable energy that channels the warmth of mixtape culture. It is a  fascinating and compelling undertaking from a true head, with a presence that feels both fresh and timeless.

Links:
https://soundcloud.com/flxk1
https://www.instagram.com/flxk1_/
https://www.facebook.com/flxk1/
https://twitter.com/flxk1_
https://ra.co/dj/felixk
https://flxk1.bandcamp.com/
https://nullpunkt-records.bandcamp.com/

Read our interview

Patterns of Perception 100 - Felix K

Here is Batu’s set from Tresor 313, the opening night of Return to the Source on Saturday May 28, 2022. This year was a legendary year in every way, so we celebrate the relaunch of our podcast series with this equally epic set from Batu, closing the main room directly after Underground Resistance’s world debut of their Wavejumpers project.

@batuuk

Interdimensional Transmissions Podcast

IT.podcast.s11e17: Batu at Tresor 313

a 2 hour psychedelic trip recorded live in minnesota

Live @ The Great Beyond 2022

In Sync - Jam Tape 1991 Edit 1 - The Bedroom Tape Cuts (Third Ear) 2014
In Sync - Suttees Comet (Irdial) 1993
Being - Sular Three [Insync vs Mysteron Remix] (Push) 1996
Insync vs Mysteron - Exit 9 (Peacefrog) 1995
Insync vs Mysteron - The Dark House - Tales From The Crypt (Fat Cat) 1997
Insync vs Mysteron - Auto Glide - Android Architect (10th Planet) 1997
Insync vs Mysteron - Trackdown (Plink Plonk) 1995
Insync vs Mysteron - These Four Walls (Irdial) 1995
Insync vs Mysteron - Science Fact - Android Architect (10th Planet) 1997
Wookey vs Insync - Log On (10th Planet) 1995
In Sync - Storm (Irdial) 1992
IVM2 - White Plains (10th Planet) 1996
Insync vs Mysteron - Dissolve (Plink Plonk) 1995
Insync vs Mysteron - Human Loop	- Android Architect (10th Planet) 1997
Being - Sular One [Insync vs Mysteron Remix] (Push) 1996
Insync vs Mysteron - Missing Link - Android Architect (10th Planet) 1997
Insync vs Mysteron - Glacius (Shield) 1996
In Sync - Pomping World (Irdial) 1994
Zee# - TV People (B12) 1991
Ordinary Folk - The Beyond (Beyond Music) 1997
Insync & IF - MASP (Plink Plonk) 1997
Insync vs Mysteron - Froglocker (10th Planet) 1994
In Sync - Warm (Irdial) 1992
In Sync + Pluto - Subway Route (Irdial) 1993
Insync vs Mysteron - Android Architect - Android Architect (10th Planet) 1997
Ordinary Folk - Minds Without Bodies (Fragmented) 1997
Insync vs Mysteron - Next World - Android Architect (10th Planet)  1997
Insync vs Mysteron - New Born Obie - These 4 Walls (10th Planet) 1995
IVM2 - "R" Future (10th Planet) 1996
Insync vs Mysteron - Redrain (10th Planet) 1994
Insync vs Mysteron - Landing Sight - Android Architect (10th Planet) 1997
Insync vs Mysteron - Transform (10th Planet) 1994
In Sync - Mirage (Fortune8) 2005
Jaime Read - Weird Science (Basement 282) 1997
Jaime Read - Touch Me (Relief) 1996
IVM2 - Planetarium (10th Planet) 1996
Insync vs Mysteron - Audiable Illusion (Peacefrog) 1995
In Sync - Jam Tape 1991 Edit 4 - The Bedroom Tape Cuts (Third Ear) 2014

Lee Purkis / In Sync tribute

Pensive, drifting ambient. 

Tracklisting and download: https://bit.ly/XLR8Rpodcast_KMRU

@kamarujoseph

XLR8R Podcast

Tracklist & Download

XLR8R Podcast 799: KMRU

You never know what you're going to get if you see the name Hieroglyphic Being on a record or a flyer, but there's a good chance it'll be some of the best, most jacking house you've ever heard. Jamal Moss embodies the the spirit—and the past, present and future—of Chicago's house music scene, but he also carries the torch for Afrofuturism, free jazz and avant-garde music. He follows in the footsteps of important figures like Sun Ra and Ron Hardy, his work blending these traditions with a healthy dose of post-punk, too. 

For over two decades, Moss's Mathematics Recordings label has been one of the premiere sources of raw, analogue house music, helping put producers like John Heckle on the map. He has a sprawling solo discography, encompassing projects like I.B.M., Members Only and The Sun God. He also put out one of our favourite albums last year with Thank U 4 The Tracks U Lost, released on Modern Love under his given name.

Live, Moss usually jams on a few pieces of gear, to fantastic and sometimes bewildering effect. This RA Podcast is a two-hour recording of a live set from public records in New York. It features all the raw, powerful house music you'd expect—made with two iPads and a MIDI controller—but it's also loaded with gorgeous, ghostly melodies and an opening section that touches on trance, trip-hop and '90s electronica. This is a rare live recording that captures a genius at work.

Read more at https://ra.co/podcast/888

RA podcast

RA.888 Hieroglyphic Being

Listen to Lena Willikens' set at Mutual Dreaming back in May + read a Q&A with resident Aurora Halal below.

How would you describe your music policy?

Mutual Dreaming has always been about obsessions of mine, the weirder music, and outlier artists. Its been all over the place from PPU boogie parties, DJ Stingray's NYC debut, Dr Rubinstein, etc, always with a similar spirit of playfulness. I'm never wanting anything standard or genre-abiding.  I saw the fliers and artist choices as a bat signal for people open to that.  Besides the guests, one of its goals has been giving local artists a proper stage, proper sound, and seeing that talent really flex & develop.

What makes a great party? 

A great party is a very elusive thing, only possible when all the details come together and form a collective unconscious that's bigger than any one element.  You can just feel it in the air, everything's churning deeper and feels unstoppable, and that's when personal transformation is possible. You can't always predict when it will happen. As an organizer I think you can help get it there by setting some things in motion, but after that it just unfolds on its own.

What does your party stand for, and how do you express that? 

I have a few half-joking mottos. 'Strictly for the freaks' is something my friend Max D said years ago. Coming from a very conformist city, DC, that has meant the music lovers & friends that you really had to work to find. In my dream world it would be full of people in crazy outfits, but to me freak means something more like a believer in underground culture, and that doesn't necessarily look cool.  The other motto is 'DIY the only way to fly.' Meaning: no sponsorship, nobody else producing it, no need for commercial success, all my projects are meant as a transmission from my imagination. This is really important to me.

 What’s the greatest problem facing club culture in your city? 

Dancing is technically illegal except for a few commercial clubs, so the nightlife I've been interested in has mostly been underground  in lofts and random spaces. There's always a risk of getting shut down, losing tons of money, and the safety and exits can be sketchy.  In recent years especially since the Oakland fire, I have been extra cautious and turned to more legal places, but I'm going back to the underground spots again.  Has to be that way if your tying to catch that feeling of a special space for one night only. Another problem is bros and finance people ruining the vibe, groping girls, etc. Occasionally I'll get discouraged, worrying it will never be the same, but you just have to keep pushing further into your zone and outrunning them.

What’s your favorite memory of the night?

After 7 years its difficult to pick a favorite but I guess I can think of a turning point. 2013, before Sustain-Release started, I had stepped back after a few unsuccessful nights and wondered the way forward if I would continue. I found an incredible loft with lots of strange rooms, and organized a party with new label at the time, White Material vs Vereker. The owner of the space was a weirdo, but as the hours got closer, it became apparent that he was never going to turn on the electricity. I googled him and realized he was an actual scam artist. The truck showed up with the soundsystem and it was now or never, so I called my old space 285 Kent which had ended its 4 year run the night before, so it was open and available for one last party. We roll up to find the toilets had exploded, and there's disgusting chunky brown water covering the entire floor.. we're mopping, and frantically setting up a huge parachute installation on the ceiling, and then the fog machine breaks. But after all that chaos, the result was absolutely pulsing with life force energy. It looked and sounded the best it ever had so far, the music felt new, and I glimpsed the power and potential of our scene, and since then the parties seemed more potent, focused and magic.

TASCAM DR-05

RA / Mutual Dreaming, New York: Lena Willikens (live 19.5.17)

Dekmantel Festival 2018

upsammy at Dekmantel Festival 2018

RobertAshley'sPrivateParts (LiveAtDeepBlueVancouverNov18)

Ostgut Ton's Barker welds together recent live performances for this special mix of exclusive material.

For more information head here: https://www.factmag.com/2019/08/07/barker-ostgut-ton-fact-mix/

FACT Mixes

FACT mix 720 - Barker (Aug '19)

http://bleep.com
High Quality Music and Media

Bleep Mix #230 - Keplrr

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Bleep Mix #230 - Keplrr

Bleep

Recent comments

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