sessions techno 3

We are beyond excited to present you the next contribution to our mixtape series: @rodhad 🥁 
The berlin based DJ, producer & label owner Rødhåd has been a good friend of us for almost a decade now!🎚️🔊💥
He launched his party-series-turned-label Dystopian in 2009 which released his debut album "Anxious" in 2017. Just 1 year later he founded his label WSNWG where he just put out a 4-Track collaboration EP with our family member Fadi Mohem.

Listen to this mix to witness once again how he always looks out for the perfect balance of timeless and hypnotic techno, combined with fresh releases to lift the dancefloor and get everybody in the groove. ⚡💥📢

Enjoy!📶

@rodhad

SPND20 Mixtape by Rødhåd

Mama Snake is the reptilian alias of Sara Svanholm, a Copenhagen-based DJ/Producer whose slithering beats are every bit as cunning as the name suggests. She’s an integral part of her city’s scene and a card-carrying member of collaborative ‘mixed media channel’ Amniote Editions alongside names like Celestial Trax, Hadone and D.Dan. Her full-blooded sound leaves no room for misinterpretation, it is thrilling, primal and overwhelming in the vein of the most compelling main stage techno. There’s a raw practicality to the music too, perhaps a function of her second career as a medical surgeon; Mama Snake wants to create a communal feeling through her work, and there’s the human touch. These rumbling rhythms might sound formidable, but they’re there to bring people together and get both bodies and progressive ideas moving. Bassiani Podcast 163 is pure, unadulterated, percussive power, 80 minutes of coiling loops and white-hot basslines from the Denmark-based techno matriarch.

@mamasnake

Bassiani invites Mama Snake / Podcast #163

Tracklist: https://bleep.com/bleep-mix-261--dj-shufflemaster

Get ready to transport yourself back to the underground techno scene of the late 90s with DJ Shufflemaster's latest entry for the Bleep mix series. Recorded live on DAT tape at Maniac Love in Tokyo and previously unreleased until now, this mix is a raw and unfiltered experience that captures the energy and excitement of that unforgettable night, as DJ Shufflemaster himself attests:,*"It's the roughest mix in my archive, but I like it the most raw."* Don't miss out on this rare gem of experimental techno.

@shiki-kyokai

Bleep Mix #261 - DJ Shufflemaster - Live at Maniac Love, Tokyo (1997)

Norman Nodge is the 334th guest of our original HATE Podcast series.

Download available.

Follow #NormanNodge here:
https://soundcloud.com/norman-nodge
https://www.instagram.com/norman_nodge/
https://www.facebook.com/NormanNodge

Follow #HATE here:
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

HATE Podcast

HATE Podcast 334

Follow Norman Nodge

Norman Nodge - HATE Podcast 334

Tresor (German for safe or vault) is an underground techno nightclub in Berlin and a record label.

History:

The club was founded in March 1991 in the vaults of the former department store Wertheim at Leipziger Strasse 126-128 in Mitte, the central part of East Berlin, next to the Potsdamer Platz. The history of the club goes back to 1988 when the electronic music label Interfisch opened the Ufo Club in Berlin. Ufo was the original centre of Berlin house and techno, but due to financial problems that club closed in 1990.
After Ufo closed, Interfisch's head, Dimitri Hegemann, and some investors in the club found the new space in East Berlin. This was advantageous timing, as it was only a few months before Germany unified. The vaults under the Wertheim department store proved to be the perfect location for a club, and Tresor quickly became the place to be in Berlin. Tresor continued to be a popular club, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor. The Tresor floor in the basement was reserved specifically for hard techno, industrial and acid music, while Globus was featured mainly more mellow house sound. The record label Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Blake Baxter, Juan Atkins, Robert Hood, Drexciya, Stewart Walker, Joey Beltram, DJ Surgeon, Pacou, Cristian Vogel and many others.
In 2004 the documentary "Tresor Berlin: The Vault & the Electronic Frontier" was released. Directed by Mike Andrawis, it features interviews with Hegemann, Carola Stoiber, and DJs & artists associated with the club & label. The film covers the period from Hegemann's involvement with the Fishladen and UFO clubs in Berlin-Kreuzberg to the final months prior to Tresor's closure.
Tresor closed on 16 April 2005, after several years' prolonged short-term rent. The city sold the land to an investor group to build offices on the Leipziger Straße location. It was open for each night of April 2005, with the final event starting the Saturday night with queues stretching all the way down the road, and still going Monday morning.
Tresor reopened on 24 May 2007 in the decommissioned southern tract of the combined heat and power plant Heizkraftwerk Berlin-Mitte in Köpenicker Straße. 
Since November 2019 the club has a subsidiary in the city of Dortmund called Tresor.West. 
In September 2022, Tresor published a photobook, Tresor: True Stories, to document the past 30 years of its history.

Techno Mixes

British Murder Boys Live @ Tresor, Berlin Germany 11-07-2003

Back to the magic during the anniversary with @efdemin 's 3hr closing set at 2 YEARS OF PAX-ROMANA. Special thanks to Efdemin for allowing us to share this recording. Enjoy this journey by one of the greats!

Efdemin @PAX-ROMANA | RADION AMSTERDAM 2023.07.01

Mari Sakurai at WOMB Tokyo 18th October 2024

Here is a set recording from one of my most valuable events, CODA by Ratherlost x Pax-Roama at Lofi. I put a massive effort into that night, thinking about the past and future of my DJ career. I communicated best with the dancers and could express myself in a way that only I could. Sometimes I feel insecure about my life as a DJ. CODA gave me all the answers.
Thank you, and I want to show love to all the dancers and friends who were there that night.

https://www.instagram.com/ratherlost_/
https://www.instagram.com/paxromana.xxi/

Mastered by Erik Luebs
Photo by Martijn Kuyvenhoven

DJ Nobu at Coda | Ratherlost x Pax-Romana ADE 2024

Taking over the RYC waves this week, Tokyo’s finest Mari Sakurai punches in with a helluva 2-hour treat by way of introduction. Working her way in the gap betwixt post-industrial opacity and heavy-duty brutalism, Mari has been slowly but surely making a name for herself with uncompromising sets spanning everything from cool-handed big room pound to mazy abstraction and other bursts of mind-altering sonics from way deep. Known for cutting a path of destruction with every of her mixes, her RYC offering doesn’t depart from such intentions, and we’re invited to a smorgasbord of claustrophobic hi-tech onslaughts and a string of purely exhilarating, apex-seeking momentums. Hi-voltage shockwave due for impact imminently. 

soundcloud.com/marisakurai


Reclaim Your City 641 | Mari Sakurai

@fadimohem is right at the heart of contemporary techno. He brings his own twist on the classic sound - deep, rhythmic and atmospheric. He's a Berghain resident whose first contact with the genre came at the hallowed club, and since then, he has blazed his own trail on the most influential labels in the scene, including his own Mohem imprint. This year, he plays twice at Dekmantel Festival, once as part of WSNWG Live and once on the Radar stage.

Ahead of that, he has put together an exclusive one-hour live set comprised only of unreleased music. It's a masterclass in control that embodies just what you get from Fadi in the club: deep techno planted firmly on the floor but always going somewhere. As dubbed out low ends, glitchy textures and more tripped out melodies come and go, the tension ramps up while both body and mind stay locked.

Dekmantel Mix 491 - Fadi Mohem

Wrapping up July with a ballistic transmission, Berghain and Khidi resident Hayden Payne aka Phase Fatale punches in with two hours of genre-busting material, ebbing and flowing between surgical rhythmic assault and shape-shifting oneirism. Responsible for a handful of memorable platters on the likes of OSTGUT TON, Jealous God and his own imprint, BITE, Payne delivers a masterclass in laser-like DJing and ambient-scaping, pushing back the limits of techno as a vessel for emotional introspection and wordless communication. Taking us on a captivating ride across slow-evolving, finessed sonic reliefs, mind-expanding grooves and machine-told musings of the soul, Phase Fatale dazzles and subjugates. True to his ever high-flying standards and impeccable touch, a mix that shall leave you gobsmacked. Don’t sleep.

soundcloud.com/phasefatale

Reclaim Your City 654 | Phase Fatale

➡️ ➡️ Listen & Download :  https://linktr.ee/raos_official
➡️ Spotify : https://open.spotify.com/artist/6JYUdEVFWmYeKuwkC8g33U
➡️ Music Apple : https://music.apple.com/es/artist/raos/466910336
➡️ Beatport  https://www.beatport.com/artist/raos/674329
➡️ Traxsource : https://www.traxsource.com/artist/434796/raos
➡️ Amazon Music : https://music.amazon.es/artists/B008TOXJ6G/raos
➡️ Junodownload : https://www.junodownload.com/artists/Raos/?order=date_down
➡️ Bandcamp : https://raos-official.bandcamp.com/
➡️ Soundcloud : https://soundcloud.com/raos-pro
👕 Store T Shirts : https://www.latostadora.com/raos_official/ 👕
🥇 Mescalina  Records 🥇

Listen & Download

Cursed Land ( Original Mix )

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

Recording 14-10-25, 11.49.07 am

Angel Molina will perform on Friday June 15th at the SonarPub stage by Thunder Bitch from 3.30 to 05.10.

Tickets: https://sonar.es/en/2018/tickets

29jul2017 @ LAUT

Sounds of Sónar by Ángel Molina

DJ Nobu 2012 September at UNIT

http://bleep.com
High Quality Music and Media

Vinil addict from Barcelona. Everything can be scratched, mixed or bitten
More sets coming soon...

Enjoy and destroy!

More Sets: http://www.mixcloud.com/Orius/

Bleep Mix #261 - DJ Shufflemaster - Live at Maniac Love, Tokyo (1997)

Bleep

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