experimental

This Sunday morning brings along with, a litany of autumn feelings. The ever present changing of the seasons makes its presence known. As a companion to these times, we look to the expert ears of Avsluta, and her selections for the morning. The multi-talented DJ, producer, promoter and many more skills shares a great taste for a cozy corner, here or there…

Track list:

Air Liquide - Things Happen
De Cos - Fog Chaser
Vallmo - Violent Tricks
Sacro Bosco Mediazioni - Enfasi
Terre Thaemlitz - Meditation Of The Mountain Oyster
swills & phil-mills - Since the Last Time
Jacob Dwyer & Sam Purcell - Hetty Brain
ben bondy - rave girl
Bas Dobbelaer - Afterglow
Conna Haraway - Fractals
Terre Thaemlitz - Hovering Glows
Sanguine - Day Ending In Y
Javier Salazar - Epaix
Ancestral Voices - Selva
Dycide - Front
Azu Tiwaline - Golden Dawn
Monika Subrtova - Ef Hve

@avsluta
www.instagram.com/avsluta_/

www.itsdelayed.com
www.instagram.com/_____delayed/
www.facebook.com/itsdelayed

Sundays are for... Avsluta

Đ.K. @ Rinse Fr 31.05.2024

// room 2 // 23:30-24:30 // july 6 2024 //

Much love to Steevio & Suzybee for inviting me to perform this live set and to all the dancers and beautiful people I met that weekend. Won't forget this one. °˖✧◜✧˖°

Live Club Set @ Freerotation 2024

This is a recording of Hiyoshi's morning opening set on the final day of The Labyrinth 2024, on October 24, at Hodaigi Camp Ground.

The Labyrinth 2024 - Hiyoshi

Wonky Forest 2025 (Recorded Live)

Recorded by @illuvia for The Memoir, 2025.
All tracks written and produced by @illuvia, except ‘Jalada (Illuvia Inversion)’, originally written by Daniel[i].
Artwork by Gabriella Holmström.
Curated by Hypnus Records.

Remixing and additional production on ‘Starlight Skin (Ayaavaaki’s Bionic Luminescence)’ and ‘Starlight Skin (Ayaavaaki’s Blue Gods Invocation)’ by Alexander Lux.

Remixing and additional production on ‘Starlight Skin (Ayna Kali’s Transmutation)’ by Ayna Kali.

00:00 Illuvia - Messenger (Epilogue) [self-released]
03:26 Illuvia - Starlight Skin (Ayaavaaki’s Bionic Luminescence) [LILA ली ला ]
10:32 Illuvia - Phobos [LILA ली ला ]
12:37 Illuvia - Vale of Shadows {fragment} [A Strangely Isolated Place]
15:38 Daniel[i] - Jalada (Illuvia Inversion) [Whispering Signals]
19:00 Illuvia - Veil of Mist [A Strangely Isolated Place]
25:00 Illuvia - Stellar Darkness [Hypnus Records]
26:41 Illuvia - Cirkula [Hypnus Records]
31:37 Illuvia - Chandra’s Mirror [LILA ली ला ]
36:49 Illuvia - Nereides [A Strangely Isolated Place]
43:35 Illuvia - Tundra (The Snow Walker) [Eternell]
49:07 Illuvia - Starlight Skin (Ayna Kali’s Transmutation) [LILA ली ला ]
55:40 Illuvia - The Night Beckons [Hypnus Records]
1:00:46 Illuvia - D’Arc (Xaltation) [Hypnus Records]
1:03:54 Illuvia - Starlight Skin (Ayaavaaki’s Blue Gods Invocation) {fragment} [LILA ली ला ]
1:06:11 Illuvia - The Wings Forgotten [Hypnus Records]
1:09:42 Illuvia - Illuvia (Exaltation) [Eternell]

Love and light

Page 158: Illuvia

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Making this track was really fun, please leave a comment and let me know what you think or how I can improve!

Color

Artist:
https://soundcloud.com/daddyyonqui
http://soundcloud.com/artikko

Se habita desde un no lugar, desde una disforia, desde una desmesura.
A lo largo de este compilado se ven distintos paisajes sonoros donde la intensidad se abre a un pulso vital pero también por momentos hay oscuridad, basura y ruido: ese lugar sin representación, al que solo llegan las criaturas más extrañas de este planeta.

releases October 25, 2025

Credits:

Mastering: CHLO beats
chlobeats.com
www.instagram.com/chlobeats/

Artwork: zqviel
www.instagram.com/zqviel/

DJ Daddy Yonqui (ft artikko)- hagiografia Inversa

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

Having recently stretched and squashed our wildest electronic imaginations on the Sort\Lave album for Timesig, Richard Devine reshapes a world of synthesis that to our ears sounds like what we imagine his studio would sound like if it were melting. By far the most wildly outer-reaching submission in the Bleep Mix series, Richard Devine creates an incredible soundworld that once you are pulled into, is increasingly hard to shake loose.

For @richarddevine's latest album 'Sort/Lave' click here: https://link.bleep.com/Richard-Devine-Mix

Bleep Mix #49 - Richard Devine

@forest-drive-west is from London, and he’s found a home on adventurous, bass-inclined labels like Livity Sound and Hidden Hawaii over the last few years. His music — a half-dozen mutant techno releases so far — speaks for itself. Here he presents an hour long mix ahead of his appearance at The Bunker at Market Hotel on Saturday April 13. More info: http://thebunkerny.com/events/2019-04-13-the-bunker-with-forest-drive-west-christina-chatfield-antenes

The Bunker Podcast 191

The Bunker Podcast 191: Forest Drive West

info: https://radio.syg.ma/episodes/guests-100-grischa-lichtenberger-manual-narration
http://grischa-lichtenberger.com
https://soundcloud.com/grischenka

Grischa Lichtenberger

GUESTS 100 – Grischa Lichtenberger: manual narration

Further Information: https://bleep.com/features/Bleep-Mix-142-Pole

Pole’s Stefan Betke journeys through dub-techno, ambient and an array of spiritual music styles on his wide-ranging Bleep mix. Those aforementioned genres have always been a clear influence on Pole’s deep, weighty electronic compositions, and as such it’s no surprise to find several Pole originals among the track listing here - indeed, Betke sets the tone by beginning with Pole’s grainy ambient-techno track ‘Modul’. With these Pole productions anchoring the blends we are then free to journey off into passages of mind-expanding spirituality - for instance in the mid-section, which features tracks from Lou Reed/John Cale and Sun Ra, or the contemplative roots reggae tunes which are included in the mix’s home straight.

"I should be standing in a venue talking shit after a live show but instead i am sitting at home on my sofa. I feel a bit lost at the moment, no chatting in bars, no live shows. But i am happy. Very happy and in a good situation. I can still make music, work in my studio in Berlin and I made this selection of tracks for our friends at Bleep. This mix includes some older music which is in my record shelf for ages already and some new music which will stay in my record shelf for ages. Inspiring music and music for the soul. I hope you will enjoy listening. Stay well." - Pole aka Stefan Betke

Bleep Mix #142 - Pole

http://bleep.com
High Quality Music and Media

Bleep Mix #49 - Richard Devine

Bleep

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