Omg, that's so fucking beautiful and scary at one moment! You have completely deconstructed sound *_*

Wonderful sonic construction. Engaging textures melting into one another.

ııIııIıı  •_• ııIııIıı ~~~~~ amazing!

excellent reverse reverb that seems to put the sound inside one's head, rather than on the usual horizon

Electronics

Music, mixing, & production arrangement by @p-e-n-i-n-s-o-l-a-r
Sonopoetry & vocal effects by @ilaria_boffa
Cover art/photography
by P è n i n ș o l a r 

The short poem 'Things & their substance' is a stanza taken from a longer poem called 'Matter mater madre'.

'Things and their substance
The unambiguous certainty of proximity

Le cose e la loro sostanza
L’inequivocabile certezza della prossimità'

Things And Their Substance

Purchase from Bandcamp

P è n i n ș o l a r Ilaria Boffa - Things And Their Substance

Birdoswald

music by Night Note and Marco Lucchi

for the Naviar Haiku project
https://www.naviarrecords.com/2021/04/07/naviarhaiku379-rain-rituals/

aprile 2021

***


松明に雨乞行やよるの嶺
taimatsu ni amagoi-gyoo ya yoru no mine

Tan Taigi

***

rain rituals
in the light of torches -
mountain peaks at night

(tr. Gabi Greve)

Night Note & Marco Lucchi - Amagoi-Gyoo [Naviar Haiku # 379]

Ich Mache Mein Kino

Produced  by  P è n i n s o l a r 



https://peninsolar.bandcamp.com/track/everything-on-an-even-keel

Buy on Bandcamp

Everything On An Even Keel

Collaborative sound design by Berlin artist Wilfried Hanrath 
& P è n i n ș o l a r for the Disquiet Junto Project 0352 : Layering Permutations where both Wilfried and I worked along side to angulate layering permutations w' allocated counter-melodies along the outer parameters  onto its final core by atopic & hovering variations in the confines of three "static" stacks of fathomage that seemed to align the outline of the assignment consummately.

The Assignment : Play something melodic atop two variations.

Step 1 : The idea is to have a simple melody of some sort, and to then have two variations on that melody play simultaneous with it. The key word here is “melody.” 

Step 2 : Come up with a melody, and then come up with means to create variations on it. Think of the variations as permutations of the melody. Try to have the variations not veer too far from the original. As you develop the variations, think about relative balance between the three layers.

Step 3 : Record a short piece of music in which the three layers are stacked atop each other. You might perform the layers separately and then combine them, or you might have a means for them to play simultaneously. You might have the balance between the tracks remain static throughout, or you may change relative volume at times.

Wilfried Hanrath / P è n i n ș o l a r - Floot Aboot the Chordal Wisp - Disquiet0352

Produced by
P è n i n ș o l a r
Sono-Poetry by
@ilaria_boffa
Deconstruct Permanence
https://soundcloud.com/ilaria_boffa/deconstruct-permanence

Permanence is an illusion
and not because it does not exist
it is the utmost, superior, sublime act
of experiencing love
simply (there is no devotion)
amongst humans

©️IlariaBoffa2018

Essaouira Muezzin
https://soundcloud.com/ilaria_boffa/essaouira-muezzin

It took 10 hours and a few stops.
Then the desert, into the red.
Nomads, Bedouin, Tuareg and Berbers
they populate a land of clay and kings
on the move.
Visible, 'the plateau', flat and linear
natural border that beats back.

In remote camps, the noise 
of electric pumps, wi-fi. Berber women
sit alone, rinsing dishes in the tents.
They laugh and wave at me to join.
I record their voices, fixing the hijab
on my parka.
Are we all post-humans?

©️IlariaBoffa2019

"Four-Shadows" photography 
  by P è n i n ș o l a r

P è n i n s o l a r & Ilaria Boffa - Deconstruct Permanence - Extended V.3

Music by https://soundcloud.com/graindrop 
&  https://soundcloud.com/p-e-n-i-n-s-o-l-a-r

Grain Drop P è n i n s o l a r - The Kinmen Etching

short surf

Music written, produced, & mixed 
by P è n i n ș o l a r
Guitars, synthesizers, & subtle bass, cover photography 
by P è n i n ș o l a r
Percussion by Josh Green
https://www.instagram.com/permanentrecorddrums/

Yayoi

Recorded live at Senso220 / CSW Solvay / Kraków 
Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

TransMission 1

Klagovisa

In my spaceship I need a google-maps-version for the milky way. Othertwise I don´t know how to find home ...

Confused And Get Lost

doll

(Conley | Sharbaugh)
Prof.  Oddfellow [ https://soundcloud.com/prof-oddfellow ]: spiritual radio and haunted grandfather clock
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizers and sequencer programming, drums and drum machine programming, and 'found sounds'
Composed and Recorded ca. October 16, 2015 to March 2, 2021.
___.

What a blessing to have Professor Oddfellow [ https://soundcloud.com/prof-oddfellow ] and His Crew run My mix of "Closer" through Their spirit radio connected to Their haunted grandfather clock! You can see the video episode of Prof. Oddfellow's "Penetralia" that features His performance along Our tune here:

https://www.youtube.com/watch?v=6U0aHaPrx0U

You can follow and subscribe to Professor Oddfellow on You Tube here:

https://www.youtube.com/channel/UCda8pJTvzwH3-Towb1AHhEw

-

"Closer" - Michael Ash Sharbaugh + Prof. Oddfellow [Neons Gone Mad's 'Clockwork Remix']

amateur|experimenter

music for me is like a confession. I fix my psychological states in melodies. then I mix them.

evolution of name glitcheetah > cybart

short surf

bleiweiz

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