A little over a year and a half ago, songwriter/composer Keegan DeWitt and multi-instrumentalist Jeremy Bullock stripped down a small Nashville row house to build a custom studio. In this space, and together with friend and drummer/producer Dabney Morris, they would record and eventually form a five-piece band around their debut album Youth. Initially shared digitally a little over a year ago, the album will now see a wide release through Mom+Pop on December 10th, 2013 as infectious debut single “Thunder Clatter” sits in rotation on SiriusXM’s AltNation.
Their vision was simple: to share songs akin to fleeting, auditory memories.  A collection of 13 captured moments, much like a found box of letters and photographs, Youth serves as a loose examination of how life refines us as we move through it, how the choices made along the way shape us in potentially unexpected ways. Mixing programmed sounds and live performances – and recorded in less than two months – each song was run through a TASCAM 4-track cassette tape recorder to maintain an intimate, diary-like feel. The lyrics scatter and focus, abstract and refine, encapsulating the elusive feelings of small moments cast aside, such as late night drives, the limitlessness of falling in love, and the freedom of finding a true friend or co-conspirator in an immense and sometimes empty world. The album transitions seamlessly between infectious electro-pop, tropical rhythms, and quiet washes of cinematic new wave reflection. It’s this evocative, cinematic quality that characterizes Wild Cub’s songs, influenced heavily by DeWitt’s extensive work in composing film scores (including 2013’s Academy Award-winning short documentary Inocente; 2013’s Sundance Audience Award for Best of NEXT winner This Is Martin Bonner; and 2010’s Cold Weather).
Since its initial small release, press and touring around Youth has mounted steadily and surely. Paste, Consequence Of Sound, MTV Hive, and The Wall Street Journal’s Speakeasy blog (’12 Acts to Watch at the 2012 CMJ Music Marathon’) all shortly took notice. Things began to take on a break-neck pace of their own in early 2013, with Wild Cub performing at designer Rebecca Minkoff’s Fall ’13 NY Fashion Week show, snagging NylonMag.com’s ‘Band Crush’ stamp and major support from influential station KEXP (“…[Wild Cub’s] brand of darkly-tinged new wave recalls elements of the youthful abandon of John Hughes soundtracks, the baleful allure of Greg Dulli, and the clockwork electronics of New Order’s middle period”), while “Thunder Clatter” was highlighted in Entertainment Weekly’s ‘Singles Swap’ feature. Youth gained notable UK press attention at this time from Clash Music, The Guardian, The Line Of Best Fit, and Top Shop, as Wild Cub’s tracks, remixes, and visually arresting videos continued to premiere in the States on sites including InterviewMagazine.com, RollingStone.com, Noisey, and SPIN.com, among others. The band completed its first two US tours and hit festivals like SXSW (playing eight shows), Hangout Fest, and Lollapalooza (including a sold-out afterparty with UK stand-outs Palma Violets), while Alt Nation began championing Wild Cub as DJ Jeff Regan independently added “Thunder Clatter” to heavy rotation. Roughly 18 months since recording the first rough sketches of Youth in that row house in Nashville, Wild Cub headlined a brimming crowd at New York’s Bowery Ballroom after selling out both the Mercury Lounge and Glasslands a few months prior.
In addition to fall festival dates that include a stop at Austin City Limits, Wild Cub will travel to the UK for two debut London shows in November, where “Thunder Clatter” has made waves on the Spotify Viral and iTunes Top Singles charts after soundtracking a Bose ad. Youth’s wide release through Mom+Pop will also include two bonus tracks, “Blacktide” and “Lies.”
Wild Cub is: Keegan DeWitt (vocals/guitar), Jeremy Bullock (guitar/synths), Dabney Morris (drums), Harry West (bass), and Eric Wilson (keys/synths).

New project 'Driftwood Choir' with Portair. Get more info here: https://driftwoodchoir.ffm.to/bio

Californian singer-songwriter Ed Prosek is an artist of striking talent. His intimate vocals and songs of honesty, introspection, and worldly observation set him apart from other songwriters, combining a musical beauty and individual sense of arrangement with powerful and emotive lyricism to create music that is truly undeniable in every sense of the word. 

The son of an opera composer, Ed Prosek’s songwriting is deeply influenced by the classical world, but not inextricably tied to it. Since the release of his debut EP, ‘California’, Ed has spent six years developing, changing, and demonstrating his ability to express his unique vision not only as a conventional songwriter but also as a masterful arranger. Mentored by the legendary producer Rupert Hine, Ed Prosek has firmly defined himself as an important and relevant voice in the modern independent music scene, having released 2 top 3 singles on Hype Machine, tours in the US, UK, and throughout Europe, and amassing 400,000 monthly listeners and over 12 million streams on Spotify alone.

Jared Lucas (stage name Kap Slap) is most notably known for his mashups, mixes and original music. He built his sizable following as a touring DJ while finishing an Honors Integrated Business and Engineering degree from Lehigh University. 

Performing at universities and clubs across the country, the multitalented college-student-turned-DJ broke through thanks to his mashups and mixes – infusing the energy and groove of electronic dance music with everything from current pop hits to Motown classics. Kap Slap has since performed at major festivals, including KAABOO, Hangout Music Festival, Snow Globe, Made in America, Firefly Music Festival, as well as countless top venues and nightclubs.

With a style similar to the likes of Elliott Smith, Nick Drake, and more, Hobler’s debut album, The Elusive Yes, is poised to be a masterpiece of powerfully moving songs that all listeners will be able to connect with intimately  - Earbuddy

Upbeat...catchy, well-crafted...with that early ’70′s Harry Nilsson/Gilbert O’Sullivan pop-ness about it.  It’s a good thing, especially in a time where “songwriters” are becoming scarce - Popdose

2014 NewSong Music Finalist 

Best of NYC Emerging Artists Americana/Folk Rock - Deli Magazine

Eclectic folk-pop singer and genre-jumping songwriter Ryan Hobler has been playing music in and around his native New York for nearly two decades. Performing in various bands and working as a professional audio engineer, Hobler developed a refined, lyric-driven style with a sound that combines intertwining layers of natural acoustic tones, transporting vocal harmonies and surprising arrangements. Thematically, his songs range from intimate personal stories to surreal allegorical explorations that have been praised for revealing a "love, defeat, and resilience in each track” (examiner.com).

Influenced by folk-rock heroes like Paul Simon, Elliott Smith, and Nick Drake, Hobler’s driving force is a desire to connect with others, inspire them, and create great art. In 2015, with the help of renowned producer Andy Baldwin (Bjork, St. Lucia, Wakey! Wakey!), Ryan released his debut album, The Elusive Yes.

alt-J are Joe Newman, Gus Unger-Hamilton and Thom Green. They returned in 2022 with their latest album, The Dream.  

alt-J are one of the most successful British bands of the millennium. Their 2012 Mercury Prize and Ivor Novello Award-winning debut An Awesome Wave, was followed two years later by their number one, GRAMMY and BRIT Award-nominated album This Is All Yours. Released in 2017, RELAXER flew straight into the top 10 of the UK album chart ahead of a summer of major international shows - including a headline show at London’s O2 Arena and headline performances at numerous festivals - and became their second album to be nominated for the Mercury Prize.

I make this stuff. sometimes people listen.

Christopher Blenkin is following