Infectious indie rock and roll for every occasion

JK FLESH is the pseudonym employed by Justin K Broadrick for his work within heavy techno/electronica - a form of mutant techno that is informed by industrial, dub, 90's drum and bass & power electronics. Justin initially used this pseudonym in Techno-Animal with co-conspirator Kevin Martin (The Bug)
Justin is known for his history as GODFLESH, JESU, FINAL, ZONAL (formerly Techno-Animal), etc, and for writing the music/guitar on Side A of the legendary 'Scum' album by Napalm Death)

We are a record label based in the UK. All our releases are downloadable in a variety of formats with high quality artwork. You can download many of our releases for free with the option to donate. Alternatively we have CDs and T-Shirts on offer at very fair prices.

Voodoo Sci-Fi Blues 


DEBUT ALBUM OUT 12th June 2015

“Like Portishead doing a Tarantino soundtrack… this is great!!” Huw Stephens, Radio 1
"Sexy pop noir" - The Daily Sport
“Fantastically dirty… one of the catchiest choruses l’ve ever heard… made me want to dance round my bedroom with my hairbrush” Esther Press, The Fly Magazine
“With Smoky-voiced femme fatale Hatty Taylor on vocals, London-based three piece Vienna Ditto mix wild-eyed rockabilly riffs with sparse, atmospheric electronica.”
Q Magazine: Net Big Things: The best music online
“... a gorgeous, shimmering slice of film noir soundtrack pop... it reeks of tragically failed romance, dark Parisian backstreets and claustrophobic regret, Beth Gibbons mentored by John Barry by way of Twin Peaks. It’s not so much dreampop as fog-pop; seedily exotic tripped-out pop heard through late-night mist. This is fucking great.” Nightshift (Demo of the Month)

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Charlie Cunningham has emerged as a truly under-the-radar success story. He has headlined London’s iconic Queen Elizabeth Hall and has become a regular fixture in Europe’s most prestigious concert halls. Splitting his time between piano and nylon string guitar, Charlie creates melancholic yet rhythmically driven songs. When expressed with his warm voice and characteristic restraint, something timeless takes shape.

Despite his dyslexia making it near impossible for him to read music, Charlie earned a music degree and by his mid-20s worked a variety of odd jobs and wrote songs in his free time. Eventually, he moved to Seville, immersed himself in Flamenco music and focussed intensely on his guitar playing. Planning to stay for 3 months, he stayed for 3 years. Once home, Charlie found work playing in bars across London and Oxford ¬—eventually returning to songwriting. Charlie has subsequently released 2 albums and 4 eps which have garnered over half a billion streams.

Next on the horizon is his third album Frame. A collection of lush, delicate pop songs brimming with references to art rock, golden era jazz, and neo-classical composition—all the while maintaining the pared-back and clear-eyed musicality for which he is so well recognised. Throughout the album, Charlie and long-time producer, Sam Hudson Scott, create the fragility, power and tension found in timeless songwriting, reanimated through a modern lens.

Blindsight Records is following