Name: The Grey Funnel Line by Walker G
Duration: 4 min 45 s
Description: Track from the ToneBoneMachine album "Fool's Fire". The alien track of this album, from the legends of the land to the legends of the sea.

Streets Of Tehran

من از عهد آدم تو را دوست دارم

Breaking through

🎙️ DOLLFACE – A Vintage Swing Noir Original by Johnny Punish 🎷
🕰️ Written in the spirit of the 1930s & '40s jazz clubs, smoky back rooms, and femme fatales.

Get ready for a cinematic journey back in time with “DOLLFACE”, a swinging, emotionally charged tale of love, betrayal, and redemption. With a sound straight from the golden age of jazz and big band, this original song by Johnny Punish tells the haunting story of a desperate man on the run—and the mysterious woman who may have set him up.

Featuring rich vintage instrumentation, noir-inspired storytelling, and a soulful male vocal that captures the essence of classic crooners, DOLLFACE unfolds like an old crime drama. In the shadows of a smoky bar, between last calls and final chances, one man seeks the truth… and calls out to the one woman who just might hold the key.

💋 “You don’t get it, buster… I am Dollface.”
💣 Suspense, swing, and a bittersweet kiss goodbye.

🎵 Written by: Johnny Punish
🎛️ Produced by: Punish Studios

👉 Don’t forget to LIKE, SUBSCRIBE, and SHARE if you dig the vibe.
🎧 Available now on all streaming platforms.

LYRICS

It’s the end of the year
I gotta get outta here
Before I turn to stone
Before I end up alone

It’s a quarter to two
Bars so thick I can’t see the truth
It’s so cold on the floor
Will I ever survive?

But the clouds break through
And I can really see you
And that sweet smile on your face
Shining through
whoa oh oh oh

It’s a brand new day
That’s what I’m tryin’ to say
So I call out to you
It was a set-up
So help me pull through

It’s the end of the year
I gotta get outta here
Before the hangman shows up
Before the jig is up

It’s a quarter to three
I’m in disguise so they can’t see me
It’s so cold on my face
They will never take me alive

But the clouds break through
And I can really see you
And that sweet smile on your face
Shining through
whoa oh oh oh

It’s a brand new day
That’s what I’m tryin’ to say
So I call out to you
It was a set-up
So help me pull through

Police and thieves
And big shot wiseguys
with dames in diamonds
You don’t get it buster
I am Dollface
The canary who sang
It was me who dropped
a dime on…
You don’t get it
For the dough I did it
So you’ll get 20 to life
And if you stay alive
I’ll be waiting for you
But if they hang you
Just know this Dollface
will always remember
you….

But the clouds break through
An I can really see you
really see you
And that sweet smile on your face
Shining through
whoa oh oh oh

It’s a brand new day
That’s what I’m tryin’ to say
So I call out to you
What else can I do
It’s a brand new day
That’s what I’m tryin’ to say
So I call out to you
No I’m not lying to you
It’s a brand new day
A brand new day
It’s a brand new day
A brand new day
I’m calling to you!

=====================
Written by Johnny Punish
Produced by Punish Studios

#Dollface #JohnnyPunish #SwingMusic #VintageJazz #1940sStyle #NoirSong #PunishStudios #BigBand #OriginalMusic

DOLLFACE

Track from the ToneBoneMachine album "Fool's Fire". The alien track of this album, from the legends of the land to the legends of the sea.

Fool's Fire

The Grey Funnel Line

Buy at Bandcamp

Songwriter : Sanam Marufkhani
Vocals : Alin Joharchi . Sanam Marufkhani

Smoky bird - Sanam Marufkhani, Alin Joharchi

Download Link: https://t.me/Hermeneutics_art/58

I set aboard ship from the port of newcastle
to roam the waters and run from the law
but soon forgot where I was, confusion surrounded so far from the shore,
how did I get there who, what, where, I when?
I awoke among rebels in an opium den,
the very next morning set my oars to the sea,
for I missed my love and I knew she missed me

the fireflies danced in the morning sun,
the pendulum of time stopped as dawn forgot to come
I'll hide in the twilight with my lips in the shadow,
and await for the star that will bring back tomorrow
so long, so long, so long, so long, so long my love so long,
65 years I have been now at sea
miss the smell of the land and the roofs of the city

1000 years I hear no sailors cries
and the lost souls below me they lie,
well I drink all the ocean, I'll drink it all up.
and erase this earth from its bitter cup
so long, so long, so long, so long, so long my love so long,
I drank half the oceans and erased half the seas,
but alas I feel them repeating on me.

Whiskey Moon Face - So Long

Crack of Doom

Select your favorite platform: https://ampl.ink/Tangible

"Minimal, elegant, graceful. The beautiful simplicity of ‘A Child Hugging The Tree’ is augmented by a sense of wonder and joy, stirring deep emotions; the sustained notes and elongated pauses allow the music to soak into every pore"

“The album Tangible was composed towards the end of the Covid lockdown. It’s inspired by personal reflection about real and virtual experiences; society has been forced to evolve in terms of how we relate to each other, and to spend a large amount of time staring at screens. However, as the poet Pedro Salinas reminds us: “You always live in your actions. With the tips of your fingers you press the world, you tear off auroras, triumphs, colors, joys: it's your music. Life is what you touch”. 
In this way, the album aims to evoke the strength and purity of the tangible – the experience of hugging, touching wet soil, or getting gently wet from a fine drizzle, arms open and looking up at the sky” B.S

“Right from the start, Bruno Sanfilippo’s Tangible is a blissful, serene dream. The record’s songs blossom gently, like an autumn sunrise, and convey a profound sense of joy and euphoria. Combining piano, strings, and minimalist electronica, there’s real beauty here too; fragile piano lines woven with soaring strings and soft synth washes. Yet Bruno doesn’t merely evoke deep emotions – his work is playful in places, imbued with a little mischief. It’s what gives Tangible its heart and humanity. Sinking into these twelve tracks is wondrously life-affirming, and confirms Sanfilippo as one of the best, most soulful pianists and composers in the world” Derek Robertson, freelance journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Recorded by Bruno at Onix II Studio · Barcelona · spring 2020
Analog Mastered by Ian Hawgood
Cover photo and layout CD by Ximena Contreras
Music Video by Aleix Font
Violin in ‘Amapola’ by Laura Masotto
Cello in ‘Amber Light’ by Antonio Cortesi
© ℗ ad21 · under exclusive license to Believe

www.bruno-sanfilippo.com

Tangible

A Child Hugging the Tree

Select your platform

A Child Hugging The Tree

Thanks for listening to my music. Hope you'll find something that makes you a better day. It's all about sharing some good vibes. All tracks are optimised for headphone listening, please avoid cheap speakers if possible.

The Grey Funnel Line

Walker G

Related tracks