Galactica  (CASA)

Kit: Animoog Z, iVCS3, uKorg, Noise Maschine, Sector, PO16, DrumComputer, Logic Pro X
Acknowledgments: Cover Art - still from, "from darkness into darkness" (2021) by SERAFINE1369.

I Seem What You Mean To See In Me

Fay(tr)/fault; A fault is a fracture or zone of fractures between two blocks of rock. Faults allow the blocks to move relative to each other. This movement may occur rapidly, in the form of an earthquake - or may occur slowly, in the form of creep. Most faults produce repeated displacements over geologic time.
The aim of this piece is mainly create polyphonic texture with a solo instrument. The main material has explored in the piece with it’s inharmonicity and the textural and rhythmical aspect of it’s granular quality.

performed by Gregory Chalier (2022)

fay, for amplified solo bass flute (2022)

fade out.mp3

Created using Virtual ANS and normalized in Audacity for Disquiet Junto 0554, Cage Chord. Any piece submitted was intended to be loopable.

Used pulses in close drone, not only according to chord notes, but in upper registers, within notes to play with additive heterodying/intermodulation, as notes were synthetic, not inherently full of overtones etc. Also to take some cue from the chromatically adjacent notes in the chord notes.

None of it done with fine resolution to encourage any idiomatic lo-fi glitchyness in the program.

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

End Hold

Conceived, recorded 06 May 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, NY. 

Two tracks of Piano V3, Ableton Live & native device/effects.

This has been recorded for Brian Funk's MPC (Music Production Club), in response to the following prompt by Brian - "Try to make a piece of music each day from May 1-7." 

Photo taken 11 Sep 2017, Massapequa, NY

©2023 Jim Lemanowicz

This track was originally released under the artist name "Our Quiet Fog."

All-Night Octopus

Sund fantasy on:

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks

Naviarrecords haiku challenge

Deep Shaft

Deep Shaft_Naviarhaiku508

https://disquiet.com/2023/11/09/disquiet-junto-project-0619-beat-accrual/
Komposition988 SchalgzeugKlavier

Risse (Disquiet0619)

water

recorded on 2010/07/26 near Chandler, gulf of St-Laurent river

using a Zoom H4n

Baisés de Mer 2

Wordless
all day long
the shadow of a butterfly
 

Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Wordless (naviarhaiku532)

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

---

Track notes: "Lucky Link Village" from Creatures_Once/@miraclemiles (via @SinnySounds) jumped out at me straight away and got me thinking about a guitar accompaniment along the lines of Ry Cooder, Haruomi Hosono and Makoto Kubota. I recorded a simple fingerpicked acoustic guitar pattern which found its way around G tonic of the tuned percussion. I then added some slide guitar around this and affected both guitars with some phasing and flanging to give it a dreamy feeling. Then a field recording of the ocean lapping at the shore seemed entirely fitting.

[Disquiet_Junto_0638] Lucky Link Village Connect (feat. Sinny Sounds & August_Miles) (Centre 3 of 3)

Sound artist.
Freedom from being unknown.
Support me at https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

All-Night Octopus

Jimmy Lem

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