DRONE ONE

OMEPRAZOLO

FLAT FUCK

CHI CRESCE NEL SALE SA' COSA VUOL DIRE AMARO

TSUKUYOMI INFINITO

IL GUARDIANO DELLE FOGLIE

NUTKRAKEN

CLICKBAIT

EPILOGO

y'all just ever? 3

Iteration_0

Conrad Tao's September 2025 performance of "One Hundred Thousand Billion Pieces for Piano & Computer" on Nova Linea Musica’s “Echoes and Algorithms” concert in Chicago. Recorded by Aphorism Studios.

One Hundred Thousand Billion Pieces for Piano & Computer (2025)

rattle_&_scream

⛈️ Resonance of Drifting Monsoon ⛈️ A slow-motion stormfront of ambient sounds.

The ambient foundation is a locally recorded rain loop, which is then patched back into the modular to drive a resonant filter sweep. Hear the drone—a massive Sine/Supersaw blend—drift in and out of phase.

Listen closely for the polymetric pulse: a long-cycle Turing Machine sequence that periodically adjusts the bassline, while Halo wind chimes and slow sympathetic strums weave through the relentless rain. It’s the sound of complexity resolving into stillness.
The patch slowly modulates itself over time, ever moving and ever changing.


Resonance of Drifting Monsoon

Prima cosa, un doveroso ringraziamento a Remo De Vico, che ha offerto gratutamente diversi AMXD di sua progettazione.  Grazie soprattutto per i 4 progetti di Ableton riguardanti varie tecniche di Musica Generativa.

https://www.remodevicocomposer.eu/maxforlive/generative-music-techniques/

Per questo pezzo ho usato il primo progetto, che ha pilotato vari strumenti, tra cui i soliti piani preparati, 3 contrabbassi e un clarinetto.
IL tutto filtrato da reverberi, delays e altri FX.


First, a heartfelt "thank you" to Remo De Vico, who freely offered several AMXDs of his designs.
Thanks especially for the four Ableton projects covering various Generative Music techniques.

https://www.remodevicocomposer.eu/maxforlive/generative-music-techniques/

For this track I used the first project, which drove various instruments, including the usual prepared pianos, three double basses (with different settings), and a clarinet.
All filtered with reverbs, delays, and other FX.

De Vico's Theorem - disquiet0724

Dawless Live Session with eurorack . Recorded in Ableton 12. The atmosphere of the song reminds me of the stop in the apparent void. Here, too, we are carried. Let yourself go

Feeling Void

Generative patch created with Sugar Bytes' Nest, using a shift register and some randomisation to output MIDI to a couple of samplers.
--
More on the 725th weekly Disquiet Junto project, Rack It — The Assignment: Change the “focus” of a track as it plays — at https://disquiet.com/0725/

shift (disquiet0725)

Undertow

ambient #16 “Windchimes Through a Broken Radio”
A detuned radio drifting in and out of consciousness.
Fragments of East-Asian percussion and distant windchimes flicker through the static,
while a reversed electric piano melts the boundaries between memory and hallucination.
This piece captures the feeling of sitting alone in a warm night breeze,
tuning into a station that might not exist—
an ambient space where broken signals become fragile melodies.

Windchimes Through a Broken Radio

ambient #16 “Windchimes Through a Broken Radio”

Sean Ocean is a DJ, Producer, Live Act, Promoter, Sound System Owner Operator, Pianist, blogger, and music reviewer based out of the San Francisco Bay Area. Sean's main focus has been a profound love for techno and electro music stemming from the SF Rave Scene in the 90s, and since then techno has been a driving force in his life. 

For some people techno is a part time love, for Sean it is a lifestyle choice and his love for it is rooted in the very core of his being. It is Sean's goal as an artist to help synthesize his own knowledge and experience to help advance the world of techno in creative and interesting ways.. from body punishing soundsystem workouts, to artistic creative explorations, to solid grooving jackin’ tracks, his voice is the continuation and culmination of 30 years of techno music and hopes to help confirm the positive creative direction in techno music for 30 years more.

Kollektiv Schwarzer Bär are two electronic music lovers who have lived for years at the Schwarzer Bär in beautiful Linden and have been influenced by the electro scene in Hannover.

We grew up with electronic sounds and have been familiar with them for 30 years. Now, with this project, we want to bring people closer to this wonderful music and its different styles. Short mix sets will be presented here on a regular basis to give even the not so expert an overview for any mood . We are very happy about comments and feedback to get this small project more and more to flourish .


Many thanks

Marcus & Andy

SELF-DIAGNOSED FUNKY WITH GLITTERING GROWLS // SEAWATER SEWAGE AND PROJECTED AIRWAVES COMING AT YOU LIVE OVER THE INTERWEB

ambient and electronic music,
sound design, drone, generative music.

Hi, welcome! Freelancing as music designer on a few indie video games. Focus on analogue synthesizer hardware. Please enjoy.

Composer of acoustic & electronic music.  Sometimes I combine the two.  Also music faculty & co-director of The Emergence Lab at Duke University.

New tracks tagged #Generative