Certainly gives the impression of an impossible type of media, which is at once a corrupted mp3 file, a distorted radio transmission, a hallucinating AI model and a battered shellac record. The latter section definitely evokes an unravelling quality to my ears and I really like the bell-like transients that materialise out of the grit, grime and general oddness.

Edited, mixed & mastered on 28 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

This piece uses a 1928 recording by the Capet String Quartet of Ravel’s string quartet (Col. D 15057-60).

The original source is the Internet Archive: 

https://archive.org/details/3-capet-sq-col-d-15057-60-ravel-1928-mov-3/

Photography - Jim Lemanowicz, 24 Apr 2009, Massapequa & NYC, NY, USA

©2025 Jim Lemanowicz

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This original version of “Chowder Spray” was submitted as part of Disquiet Junto Project 0691: Un-Ravel. The Assignment: Make a recording of a string quartet fall apart.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 691st weekly Disquiet Junto project, Un-Ravel — The 
Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

Chowder Spray (disquiet0691)

Prompt 701 of the Disquiet Junto had us break a piece of music into segments and fill the gaps with something new,

My contribution is an interpretation of Scelsi's "Quattro Pezzi su una nota sola", its four pieces interrupted by narrative interstitials. Features ebow on slide steel, piano, and organic vocals. The script was adapted from https://www.allmusic.com/composition/mc0002378353.

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

Scelsi's Piano (disquiet0701)

spring dream…
not becoming unhinged
is what’s unbearable
by: Konishi Raizan
https://www.naviarrecords.com/naviarhaiku596-spring-dream/
Komposition1072 Elektronik3a

spring dream… (naviarhaiku596)

This was my contribution for Disquiet Junto Project 0702: Chain of Applications. The Assignment: Make music by misusing a piece of music software. This project is the second of three that are being done by the Disquiet Junto in collaboration with the 2025 Musikfestival Bern, which will be held in Switzerland from September 3 through 7.

Here’s a copy of my post on the Disquiet Junto 0702 discussion thread on Lines:

I rarely use the metronome in Ableton Live, even when recording on top of a rhythm. Maybe it’s the lack of experience with it but I find the sound too distracting. For this project, decided to not use the metronome as a rhythm aid but as a sound source to be sampled and manipulated into an experimental composition.

First, recorded the sound with a Panasonic microcassette recorder. I then recorded it back into Ableton Live. The output connection on the recorder was picking up some static and noise but used the recording anyway, From there I used Audio Damage Circa to loop and mangle the audio. Used Imagiro Autochrome, SoundGhost Jumble and ValhallaRoom for effects. The result reminds me of a chorus of frogs, insects and other creatures in some wetland at night.

More on the 702nd weekly Disquiet Junto project, Chain of Applications — The Assignment: Make music by misusing a piece of music software — at https://disquiet.com/0702/

Metronomia Chorus [disquiet0702]

A track produced for the 600th Naviar Records Haiku Challenge; 7 days in which to write and record a piece in response to the haiku posted. The haiku, 'thinking of us, the sound of wind, among the pines' made me think of the 'us' as several voices carried in the wind through the forest, so I used solely voice samples for the track.

Us the Wind Among the Pines (naviarhaiku600)

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.

disquiet0705 - Lubadh

thinking of us
the sound of wind
among the pines

Andrea Cecon is a hearing aids technician, a traveler, and a haijin published all over the world. His first ebook won 3rd place in the Sharp Writ Book Awards contest in 2011 (category: poetry). Residing in Cividale, Italy, with his wife, Russian haijin Valeria Simonova-Cecon. He finds his inspiration in memories, travels, and everyday life…

Haiku by Andrea Cecon

Picture by Ali Kazal

600 among the pines_Navairhaiku600

2025-07-19

just a moment of melancholy

scent of plum
in a flash of rising sun!
the mountain path

This week's challenge features a poem by the greatest master of haiku, Matsuo Bashō.

Haiku by Matsuo Bashō

Picture by Michel Stockman
 

Submission deadline: 23rd July 2025
 
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

The Mountain Path (NaviarHaiku602)

In spring sunlight
the rows of tea bushes
ripple like waves

by: Tōge Morita

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

Haiku by Tōge Morita

Picture by Kyle Bushnell

Join The Naviar Haiku Music Challenge
This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

SONG 114 - NaviarHaiku604 - In Spring Sunlight

In spring sunlight
the rows of tea bushes
ripple like waves

by Tōge Morita


https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

wind through the tea bushes (naviarhaiku604)

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

Chowder Spray (disquiet0691)

Jimmy Lem

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