This is a song I wrote in an attempt to do a straight up old skool Soul song (in the style of Al Green, or Jacksoul's 'Still Believe In Love'). It's one of the few songs of my own where I wrote and sing the lyrics, in addition to doing all the music. 

But I also was very interested to hear how it could sound with the talents of the Eclectic Collective doing their own interpretation of the music, so after I completed this Soul version, they had at it, and in their typically innovative style, they came away with a totally new more upbeat remix version featuring some Caribbean influences. The one common thread between the two versions is the soulful guitar playing by TexMex Shaman, which seemed to fit both styles seamlessly. Thanks for listening, and hope you enjoy them!
(P.S. "Rex" in the lyrics is a sabre-toothed tiger)

All instruments played by mistermark on keyboard, except lead guitar by TexMex Shaman: 
drums, bass, rhythm guitar, organs, horns (trumpet, sax, bone), percussion, lead & backing vocals

art created using ChatGPT 4o
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Check out the Eclectic Collective remix, played by:

Mistermark-- @user-432503709
TexMex Shaman– @texmex-shaman
K2 and the Three [and the Four]--@k2andthe3, @k2-kara
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1
J.J. Terrell-- @j-j-terrell
Llanpsych-- @llanpsych

https://soundcloud.com/user-432503709/caveman-the-eclectic-collective-mix

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Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
I cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break 
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be some kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman (original 'Soul’ version - with TexMex Shaman)

You miss those days when you were young, carefree and single
And if you wanted to meet people
you could just go to a bar, drink beer and mingle.
Now you’re constantly busy trying to tie up all the loose ends.  
You have so many domestic chores to do on your weekends. 

Somewhere along the way it became hard make new friends
That’s not the way it used to be. 
The world’s a crowded place, full of so many people.
But sometimes you feel like the only fish in the sea.

People without kids who have dogs, they think it’s the same thing
You can leave you dog home alone
 but you can’t do that with your offspring
You miss those days when you could tear up your plans and act spontaneously
Now you have to juggle so many things simultaneously

You used to strut around like a free-range rooster 
Now you’re laying eggs in a cramped cage
Your life’s an unwritten book 
But every day you’re stuck on the same page 

You pick up a half empty glass of milk and you try to tell yourself it’s half full
You catch a glimpse of your pear-shaped dad bod in the mirror and you tell yourself you’re still cool

They say there’s an epidemic of loneliness. 
You think about all those old friends that you really miss.
It used to be that you could just pick up your phone and call somebody out of the blue
But times have changed and now that’s not something that people do.
When you stood in line at a public place you could initiate a conversation
But now people have their faces buried in their phones for the entire duration

Somewhere along the way it became hard make new friends
That’s not the way it used to be. 
The world’s a crowded place, full of so many people.
But sometimes you feel like the only fish in the sea.
The world’s a crowded place, full of so many people.
But sometimes you feel like the only fish in the sea.

Hard To Make New Friends

The moment when remembering something changes everything

190125（思い出）

Recorded, mixed & mastered on 06 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, reverb, echo. 

Artwork/Photography - Jim Lemanowicz, 12 Mar 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “Decaying A Little More Each Day” was submitted as part of Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

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Decaying A Little More Each Day (disquiet0684)

This was my contribution for Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

Here’s a copy of my post on the Disquiet Junto 0684 discussion thread on Lines:

I had a small 48hp modular system setup for a project I did last week, so decided to use the same modules with different parameters for this week’s assignment. Pamela’s Pro Workout was used for master clock, random sample & hold, and quantization. This was then patched into Calsynth Ornament and Crime with Phazerville suite, running the sequential switch applet in both hemispheres. That in turn helped to sequence a Make Noise STO and Calsynth uRings. Desmodus Versio provided in rack reverb. The modules were manually modulated. Some Valhalla Delay and Supermassive were added in Ableton Live.

After a few listens, the overall vibe, and the ending using a dawn chorus sample, seemed a little too new agey to me, but I'm mostly fine with how it turned out. Here’s to restful sleep and positive awakenings to all in the days ahead.

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

Dawn Salutation [disquiet0684]

The track starts off with simulated bird sounds, courtesy of the Wing Pinger. Gradually, a C+ chord emerges, which is then joined by a bouncy sequence and eventually a rather standard techno beat, which will hopefully get one out of bed and onto the sidewalk for a good morning run. 

disquiet0684

Synthesis  # 22

sionghutomu_02

Rain cloud

An electronic composition, original sounds created using Pure Data and Audacity.

Autumn Starscape (naviarhaiku606)

The "Wasteland Survivors" is an atmospheric and immersive audio journey consisting of 8 meticulously crafted tracks. Each piece is designed to capture the essence of survival in desolate, post-apocalyptic settings. This collection is an ideal resource for game developers and content creators seeking to infuse their survival game environments with a soundscape that intensifies the experience of navigating through a barren and unforgiving wasteland.

Features of the "Wasteland Survivors" include:

    Post-Apocalyptic Ambiance: The tracks are imbued with a sense of desolation and resilience, mirroring the harsh conditions and the relentless spirit of survival in wasteland scenarios.

    Varied Musical Themes: From eerie, suspenseful melodies that reflect the uncertainty of a desolate world, to more intense rhythms that accompany moments of danger and combat, the collection offers a broad emotional range.

    Atmospheric Depth: Each composition is layered with textures that enhance the sense of immersion, whether it’s through haunting minimalistic tones or more dynamic, rhythmic patterns.

    Seamless Looping Capability: With gaming environments in mind, the tracks are designed to loop smoothly, allowing for a continuous and unobtrusive audio backdrop that enhances gameplay.

    High-Quality Production: The tracks are produced with high fidelity, ensuring clear and vibrant sound that complements the visual elements of the game.

    Adaptability for Various Game Phases: The music is versatile, fitting seamlessly into different phases of gameplay, from exploration and resource gathering to tense encounters with threats.

The "Wasteland Survivors" is not just a compilation of background tracks; it's an essential component for creating a compelling and immersive post-apocalyptic world. Its evocative soundscapes are designed to elevate the player's experience, making their journey through the wasteland not only a challenge of survival but a deeply atmospheric adventure.

1 - Phat Phrog Studio - Wasteland Survivors - Desperate Hour

Making music is about being surprised.
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