I would like to thank the user: josecruz98 of the Freesound.org site; 
for the excellent sample. 
which certainly gives an extra touch to the song making it even more suggestive.
below his link on the site: https://freesound.org/people/josecruz98/

Waiting Room_03

Fennec Fox

From the album Exo
Buy: https://scapeone.bandcamp.com/album/exo
Stream: https://share.amuse.io/SxhBXDiR8JS9

Eridani

Ho lavorato principalmente sul pianoforte e la sua timbrica.
Con EQs e Compressori vari ho "schiacciato" il timbro sulle frequenze medioalte/alte.
Ho usato le prime battute del pianoforte per creare un loop, dove velocità e timbro vengono modificati.
Il loop si alterna tra i canali ed è l'elemento portante e caratterizzante del pezzo.
 Dopo circa un minuto appare una fascia con funzione di bordone.
Altri elementi percussivi e di disturbo.

Dimenticavo.... remake/remix del brano dell'illustrissimo Marco Lucchi.

La Confessione (R/R "Soliloquy" by Marco Lucchi)

P.C.The Game - 10:29:24, 7.11 AM

Made only using Attic Grand from CrowHill Vaults, for the October composer challenge. Could do with editing midi as some notes are too harsh and were supposed to be played softer, may post an updated version later.
Instrument: Attic Grand piano, FX such as Crowhill Piano Rack, other FX from Logic and Reason 11.

A Box From The Attic

Recorded, mixed & mastered 11 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used 3 instances of VCV Rack running Voxglitch ArpSeq within Ableton Live. In Live, I was running FL Studio with Sytrus loaded, Live's Wavetable and Arturia's Arp 2600. From about 23 minutes, I used this small section towards the end and did a bit of editing.

This original version of "So Glad To See You Again" was submitted as part of Naviar Haiku 571, Stillness.  

stillness:
the sound of petals
sifting down together.
by: Miura Chora

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Photography/visual editing by Jim Lemanowicz, 30 Nov 2018, Whitney Museum Of American Art, NYC, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

So Glad To See You Again (naviarhaiku571)

This track is my interpretation of: 

Curve of time -
a thought takes flight,
scent of a rose.

Naviar Haiku challenge 577, details here: https://www.naviarrecords.com/haiku-music-challenge

All done with Voltage Modular (Virtual modular environment) from Cherry audio making heavy use of the modules from Dome Music Technologies.  There were too many elements to record this in one go, I neither have enough physical controls of hands. so split it into sections; each recorded as a live, one take performance, following on from and adding to each other.  

I think I hit all the elements for this one.
Curve of Time: A bit of obvious vintage synth, cheesy but who doesn't enjoy a bit of quality Gouda? 
One thought takes flight from the rest.
And I can scent a rose.
But beyond the obvious dairy products placing the element is up to you.

Curve Of Time - (naviarhaiku - 577)

deprescient

Cephalopods

Be Part Of Your Own Machine

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

So Glad To See You Again (naviarhaiku571)

Jimmy Lem

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