|| x el aire que quema || ¿Qué músicas se escuchaban en noviembre del 95? ¿qué pasó con los pájaros?
-un ensayo poético sonovisual como dispositivo de memoria- 
A 30 años de las Explosiones de Río Tercero, Córdoba, Argentina  
(1995-2025)

QUEMA19

QUEMA20

QUEMA21

QUEMA22

Monsoon Mirage

Oasis

Download & Support

Rebirth

Coyote Madness

Exploring acoustic ecology through soundscape analysis, active listening and eclectic music.

DDR | Being & Timbre | Ep.2. Acoustic Ecology

ritual_2_ambiente

sound art for disquiet0725.

More on the 725th weekly Disquiet Junto project, Rack It — The Assignment: Change the “focus” of a track as it plays — at https://disquiet.com/0725/.

dandelion (disquiet0725)

14 Rumblings || November 2025

Recorded, mixed & mastered on 26 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synth, effects.

This original version of "Head Inoperative” was submitted as part of Naviar Haiku 621: Deutzia In Full White.

Deutzia in full white -
deep in the night,
the Milky Way.

by: Ikenishi Gonsui

Ikenishi Gonsui (1650–1722) was a haiku poet from Nara who settled permanently in Kyoto in 1684. A collection of his works, entitled *Ikenishi Gonsui no kenkyū,* was published in 2003.

Photography/Art - Jim Lemanowicz, 25 Oct 2025, Grand Central Station, NYC, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

Patreon - patreon.com/blisterpop
Soundcloud - @blisterpop
YouTube - www.youtube.com/@JimmyLem
TikTok - www.tiktok.com/@jimmlem
Bluesky - jimmylem.bsky.social
Linktree - linktr.ee/blisterpop

Head Inoperative (naviarhaiku621)

Recorded, edited, mixed & mastered in 27 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Sample instrument & effects

Photography/Art - Jim Lemanowicz, 25 Oct 2025, Grand Central Station, NYC, NY, USA

Music & art © 2025 Jim Lemanowicz

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This original version of “To The Restricted Limits Of Some Regular Pursuit” was submitted as part of Disquiet Junto Project 0726: Work It The Assignment: Chord of Omnis. The Assignment: Make music with a browser-based Omnichord as your sole sound source.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/.

Discussion at https://llllllll.co/t/disquiet-junto-project-0726-chord-of-omnis/ 

Patreon - patreon.com/blisterpop
Soundcloud - @blisterpop
YouTube - www.youtube.com/@JimmyLem
TikTok - www.tiktok.com/@jimmlem
Bluesky - jimmylem.bsky.social
Linktree - linktr.ee/blisterpop

To The Restricted Limits Of Some Regular Pursuit (disquiet0726)

This electroacoustic piece reimagines speech as compositional mechanism—spoken text becomes pitch, friction, and tone rather than narrative delivery. Three live voices (2 female, 1 male) operate as sonic characters in a mechanical yet expressive ensemble, shaped through spatial resonance, modulation and multi-effects processing. The “reading hall” serves as a phantom instrument, where architectural presence performs alongside the voices. Originally conceived in a 2020–2021 sonic art exploration, the work embodies an early pursuit of structure through vocal dramaturgy and spectral distance from language narration. Vocal contributors include long-term artistic collaborators, two of whom later intersected with the Chinese production of The Phantom of the Opera—reflecting meaningful creative crossings rooted in voice, space and sound architecture.

Phantom of the Reading Hall

sound art for disquiet0726.

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/.

a soft OM (disquiet0726)

A sound art work that invites you onto the water, and into the river’s world. Weaving music, field sound and spoken word, science and imagination, Tonal crafts a distinctive vision of the River Tone from human and otter perspectives.

With original music by Welsh composer and otter fan Timothy Johnston


Tonal Ears on the River Event_FINAL

IDA Folder: Sonic Memories w/ Ricardo Baltazar & alice 01.12.25

During the CENSE Beyond Listening Symposium in 2025 I presented "Vltava – The Talk". I compared two approaches to the river Vltava – one from 1824 and one from 2024, one by Bedřich Smetana and one by my dog and me, one in the shape of a programmatic score for a classical orchestra, one in the shape of an extended field recordings ambisonics composition. The talk explores what happened in music/ sound art and explores three turns: the experimental or performative turn in the 1950s, the other-than-human turn in the 1960s, and a suggested narrative turn to combine the two.

Carina Pesch (La Pesch): Vltava
paper
Wednesday, 24 Sept,2025 14.00
Cukrarna, conference room
recordings by CONA

Vltava – The Talk

Artist and non-musician making sound art with found objects.

La Pesch does radio, acoustic narratives, sound and voice art.
She chooses a subjective approach, sets in scene encounters and creates contact points in dialogue. She relies on techniques of collage and a structure that reflects the core message. Her focus are boundaries, transcending and blurring them, the confrontation and meeting of different horizons of experience in a given environment.

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

Electronic Music Composer and Producer
Hardware Live Act 
Field Recorder and Ambient Composer
Acid touch music with feelings & emotions
Founder of Chapiteau Records
Founder of The Butter Project DJ collective

Fiona MacDonald works collectively as Feral Practice to create art projects that deepen and expand our connection beyond the human. Often people set up a divide between human and nonhuman being and between different categories of knowledge and understanding. Feral Practice works across these barriers.

todo es música nada es música
   siempre       la              poesía

Silvia Angles 
artista sonora, pianista, experimentadora 
Río Tercero, Córdoba, Argentina

Junto a @juliokaegi en trompeta y accesorios somos AK, un dúo experimental de libre improvisación y poesía sonora
https://soundcloud.com/ak_angles-kaegi?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Internet radio based in Tallinn, Estonia and Helsinki, Finland.
Stream us live here: www.idaidaida.net

New tracks tagged #Soundart