Nice! I like your choice to hold those long notes at the beginning. It brings the right and left side together.

https://soundcloud.com/noodletwister/bassline-collab-disquiet0636
More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

BND (Duet with Noodle Twister).disquiet0637

Based on 
https://soundcloud.com/tunelight/disquiet0636-1of3-implexus
by @tunelight

My soft R panned synth track (a soloist impro using a mono lead on AAS Ultra Analog) over his L panned original.

I improvised over 6 tracks from last week to see what happened on "first take" , decided to keep 3 for the second week.
Today, while choosing just 2 to share here, I decided to keep this one, even if I didn't develop nor edit my take I thinks it's nice to have a pure 2 synth duet and I like his basic track (reminds me of Penguin Cafe Orchestra's "...Found Harmonium" track) and my impro as as good as I can get, it is rambling  but I am  really happy with of it.

I interpreted his title as "I'm Plexus" before realizing that  implexus was a thing...
Too late, my track was already titled "We'r Plexus"...


The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

WERPLEXUS - disquiet0637 w/tunelight

I improvised on the track of Daniel Diaz https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636.
release date:14/03/2024

Semantic Field- Daniel Diaz - Euclidean~~~ (disquiet0637)

sound art for disquiet0637

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

idiophones (disquiet0637) w/ xhg

Original by encym https://soundcloud.com/encym 

Dubbed & mixed 15 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. This was also Day 1338 of the 100 Day Project.

Music distributed under CC BY-NC-SA 3.0 DEED

Process notes
Last week, encym(https://soundcloud.com/encym) recorded & uploaded “Neat Disorder” and I downloaded it on 3/13 

His original post and notes -
https://soundcloud.com/encym/neat_disorder_disquiet0636

“This week’s Junto project has always been one of my favourites – so I recorded the first third of what will eventually become a trio. I played it on my Tele through a simple, straightforward signal chain of Chase Bliss Mood (the main sound), fed through a Dark Star and a Polymoon to add space and variations in terms of timbre. No further editing in the DAW. I went for as sparse a track as I could, to provide as much space as possible for my potential collaborators. My hope is that you feel inspired by my “almost crumbling to pieces” vibe, and I look forward to hearing what you will be adding over the coming weeks for it to become a trio recording.”

My own additional process notes - 
On 3/15, I recorded about 9 minutes of prepared cuatro and picked some bits I liked for this piece. I used a few native Ableton Live effects, panned to right.

Artwork: Edit and additions to encym’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

------

This original version of “Ataxophobia, Right?” was submitted as part of Disquiet Junto Project 0637: Right (2 of 3). The Assignment: Record the second third of an eventual trio.

More on the Disquiet Junto at: disquiet.com/junto

Subscribe to project announcements here: tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/ 

#DisquietJunto #AtaxophobiaRight #Encym #JimmyLem #MusicProject #Collaboration #Tele #ChaseBlissMood #DarkStar #Polymoon #AbletonLive #PreparedCuatro #Bowed #Struck #AbletonLive12 #disquiet0637

Ataxophobia, Right? by encym & Jimmy Lem (disquiet0367)

It’s been a rough and exhausting week, so the soothing guitar chords from Torsten Goerke (https://soundcloud.com/torstengoerke) instantly hit my sweet spot (Gruß nach Dresden!).

I extracted the MIDI notes via Ableton, added a granular reverb to it, and played a bit with the pitches. As the guitar line was a bit short, I doubled the part. Also, I added a shortwave radio segment to it.

***
Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). 

To select a track, you can listen through all those and choose one, or simply look around and select, or you can come up with a random approach to sifting through them.

It is strongly encouraged that you look through the discussion thread for the previous project on the Lines forum because many tracks include additional contextual information there:
https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. 

To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track you selected in Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. In normal circumstances, Junto projects have a one-track-per-participant limit. You can do two this time. For the second, it’s appreciated if you try to work with a solo that no one else has used yet. I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 18, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s required for this sequence of projects to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right Beside You (with Torsten Goehrke) [disquiet0637]

The Assignment: Record the second third of an eventual trio.

These instructions are fairly lengthy. Please read carefully.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). All but one are in this playlist:

Is still on the line (duet with Andreas Kitzmann) - disquiet0637

I added some beats and bass to the ethereal drone by @blaaroed (@tt16tt). There should be enough space for someone to add to it. 70 bpm, C minor.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Part 2 - Disquiet0637

Original posted for #disquiet0637 by John Wright 
https://soundcloud.com/thgirwnhoj 
https://soundcloud.com/thgirwnhoj/dissolve-left-no-right-feat-torpid-scorpion-disquiet0637

This in turn used an original posted for #disquiet0636 by Torpid Scorpion 
https://soundcloud.com/torpidscorpion 
https://soundcloud.com/torpidscorpion/dissolve-left-disquiet0636

Dubbed & mixed 23 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

For my (center) part here, I used my voice, Ableton Live 12, iZotope Nectar 3, Ableton effects - Delay, Filter Delay, Color Limiter, Pedal, Corpus, Redux, Echo & Limiter

Music distributed under CC BY-NC-SA 3.0 DEED

Artwork: Edit and additions to disquiet’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

------

This original version of "The Dissolved Embrace" was submitted as part of Disquiet Junto Project 0638: Center (3 of 3). The Assignment: Complete a trio begun by two other musicians.

More on the Disquiet Junto at: http://disquiet.com/junto/

Subscribe to project announcements here: http://tinyletter.com/disquiet-junto

More on the 638th weekly Disquiet Junto project at https://disquiet.com/2024/03/21/disquiet-junto-project-0638-right-3-of-3/

The Dissolved Embrace  (disquiet0638) by Torpid Scorpion, John Wright & Jimmy Lem

sound art for disquiet0636

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

For more about this weeks junto challenge:
llllllll.co/t/disquiet-junto-pr…0638-center-3-of-3/

third epoch (disquiet0638) w/ Tristan Louth-Robins & ECHINACEA PURPUREA

revisited a longer recording from my modular system, made a few weeks back - and picked a ~5min segment to focus on

addition - recorded a repeating loop with some granular processing from my modular system to sit in the background (low end)

arranged in ableton live - some automation (mainly filter cutoff)

added a stereo pair of field recordings (referenced in title)

--

More on the 641st weekly Disquiet Junto project, Re-re-re-re-revise — The Assignment: Take an old track and make it better — at https://disquiet.com/0641/

disquiet0641 - cais do sodré

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

The Dissolved Embrace (disquiet0638) by Torpid Scorpion, John Wright & Jimmy Lem

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