A groove in Dm @ 104 bpm played on a mahogany guild parlour guitar with a figure overdubbed. A foundation on which to ground your energy for the long struggle ahead.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Disquiet0697 - First Third

Plastiq 1/3
More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/
https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838/3?u=kn00t

Plastiq (disquiet0697)

Solo ronroco, 2 microphones, a great sounding room, some convolution reverb added.

This is  a simple idea I've been practising today, recorded Thursday 8th may 2025 at noon, first and only take.


For this collaborative project:

https://llllllll.co/t/disquiet-junto-project-0697-first-third/

Ronroco Lulaby (disquiet0697)

The strangest things happen when walking down the stairs at Bolsover Castle in Derbyshire, UK ... and all the sounds you hear here are from that odd little trip downwards ... see the video at https://youtu.be/TH2gczMinQ8

Thanks to the little kid who provided the vocal snippet! 🙏

So, this is the first third of a trio for the Disquiet Junto ... It's deliberately incomplete - simply a beat track ... Want to add another layer? What does it need to your ear? Check out the Disquiet brief for the next two weeks ... ❤️ Download this audio and have a play! 🎶🎡

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

visuals (YouTube)

halF thirD [disquiet0697] 80 BPM

sound art for disquiet0697.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/



unmaking music (disquiet0697)

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

disquiet0697

NAVIARHAIKU 592
D'après le poème de Marc Sheridan

slanting sunlight rays 
a warm hazy afternoon
the forest to hear


Forest to hear

Created in response to:

slanting sunlight rays
a warm hazy afternoon
the forest to hear

Naviar haiku challenge 592, details here: https://www.naviarrecords.com/haiku-music-challenge

All assembled in virtual modular using VCV Rack. mixed and manipulated live in a single take using mapped physical controls.

Hazy Afternoon - (naviarhaiku - 592)

This piece was collaged out of recordings I made of @kate-gallaher playing her tenor recorder in the forest beside her home in Suffolk.

It's a response to this week's @naviar-records haiku music challenge. Here's the info on that:

slanting sunlight rays
a warm hazy afternoon
the forest to hear

Marc Sheridan is an ever-curious person who loves what is just around the corner: the unusual and the mysterious. Even everyday objects and scenes can always be viewed differently.

He is English but currently living in the US, and he always remembers what Ansel Adams once said, "You don't take a photograph, you make it." Marc believes that photography rewards him with a greater connection to everything around him.

Lately, Marc has been writing haiku, but he's not sure whether he illustrates his photos with haiku or reveals his haiku through photography.

He has been published in numerous magazines in the US and the UK and has exhibited up and down the West Coast of the US for the past 23 years.

Haiku and extract here if from a picture by: Marc Sheridan

Submission deadline: 14th May 2025

the forest (naviarhaiku592)

Parte di un progetto  per Musica Acusmatica multicanale. Suoni della natura, umani, meccanici. Campioni del Violino della Mutter.

Part of a project for Multichannel Acousmatic Music. Sounds of nature, human, mechanical. Sampled Mutter's violin.

A forest to hear (naviarhaiku592)

Recorded, mixed & mastered on 12/13 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, drum machine, effects.

This original version of "Undergo The Friction For Me” was submitted as part of Naviar Haiku 597: Orchids By Night.

orchids by night –
within their fragrance looms
their blossoms’ white!

by: Yosa Buson

One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

Photography/Art - Jim Lemanowicz, 26 Jun 2015, St. Patrick's Old Cathedral, Mulberry St, NYC, USA & 12 Jun 2025.

©2015, 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see [www.naviarrecords.com/haiku-music-challenge](https://gate.sc/?url=https%3A%2F%2Fwww.naviarrecords.com%2Fhaiku-music-challenge&token=b0f243-1-1747861126080)

Undergo The Friction For Me (naviarhaiku597)

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

Undergo The Friction For Me (naviarhaiku597)

Jimmy Lem

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