SOLSTICES

SCHOOL DAZE

SHULGIN (PART II)

the saltire wave

SHULGIN

The final breath — fragile, cinematic, tender.
A post-trauma lullaby wrapped in silence.
The ending of the madness, the beginning of light.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

The Lodger Cycle (Venus in My Head)

I Am Still Inside

The goddess of the mind — beautiful, cruel, divine.
A dark cinematic prayer to the Venus flytrap within.
Art-pop meets gothic soul — fragile, terrifying, and holy.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Venus in My Head

The opening track of The Lodger Cycle — fragile, cinematic, intimate.
A slow descent into consciousness, where thoughts turn into voices and fear becomes form.
Dark trip-hop textures meet trembling soul — the beginning of the haunting.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

The Thing Inside My Head

Recorded, mixed & mastered on 29 Oct & 01 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, samples, effects.

This original version of "Go Ahead, Ernie” was submitted as part of Naviar Haiku 617: An Autumn Nightfall

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

Photography/Art - Jim Lemanowicz, 30 Oct 2025, Massapequa train station, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

Go Ahead, Ernie (naviarhaiku617)

Hypnosis (Official Video) by The Guez.
Song: Hypnosis©2024
Artist: The Guez.
Author: Cristian Rodríguez.
Vocal, Piano, Synthesizer programming: Cristian Guez.
Visual made by: Rachel Deines & Cristian Rodríguez.
Taken from the original Hypnosis Video released: 09/10/2021
New music video released: 14/12/2024
©Dynamik Sound Music Records
Copyright©️
All Copyright belong to the original artist.
About using the music:
You must include the full credits in your video description.
You can not claim the music as your own.
You can not sell the music anywhere.
You can not use the music as background music for your own musical work without our consent.

Hypnosis

Reimagining Enya's 'Boadicea' with a modern twist, this remix blends the mystical vibe of the original with a punchy hip-hop rock beat. The result is a track that keeps the haunting atmosphere intact, but adds a fresh groove and energy. A must-listen for fans of experimental remixes and genre-bending sounds.

Enya - Boadicea Hip-hop & Rock Mix 2025

The Dada-moment of the album — a surreal Radiohead-style glitch-pop fever dream.
Absurd, melodic, darkly humorous — the sound of a mind breaking and laughing at itself.
A spoon, a hedgehog, and divine nonsense.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Spoon the Squatte

The haunting centerpiece — Radiohead-style claustrophobia, dry mix, and cold beauty.
A hymn to the tenant of one’s own mind — the voice that never leaves.
It’s repetition. It’s survival. It’s surrender.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Lodger

Brutal breakbeats, glitch artifacts, and the echo of digital despair. This is the soundtrack for those who seek connection in The Wired but find only a void. A psychological cyberpunk journey, inspired by the atmosphere of Serial Experiments Lain and political decay.
https://www.youtube.com/watch?v=T3LwHyAlagQ

404 REALITY NOT FOUND

🔻 Song Insight



Project Concept — “Chaos Crashin: Variants”
A social experiment in sound and identity. Each version of Chaos Crashin tells the same story from a different emotional frequency — blues, alt-rock, hyper-trap, cinematic synth, whatever shape truth takes in that moment. It’s an exploration of creative relativity: the same heartbeat expressed through different bodies.

In a time when genres are dissolving, this project asks a simple question: if feeling is universal, why should sound have borders?

🔻 Lyrics

Intro:
chaos crashin’, toxic flashin’
learned reaction — shorty gassin’
streets feel like love — I’m gone
time’s my plug — I’m on
come on, beg me baby—beg me for a little more

Verse 1:
whispers in confession—what you need from me?
heat risin’ up—let the world see
pull up quick—it’s ’bout to pop off
neighbors knockin’—we can’t stop off
lie on lie—we play it right
life’s a gamble—bet it all tonight

Bridge 1:
pull me, push me—come on, baby
it’s cool—call me crazy
maybe, baby—it’s time we locked in
pull me close—don’t blink
wind me up—I’m tweakin’ slow
run it up—shorty, let it go
drive me wild—I’m goin’ numb
press play—rewind—give me some

Chorus:
we stay consistently inconsistent
two sides twistin’, never resistant
each step forward—I pay that price
won’t be long—roll the dice

Bridge 2:
when it’s day—you call it night
spark it up—let it burn bright
past is dead—don’t rewind
time moves on—we lose our mind

Chorus 2:
I’m straight—you say I’m wrong
pull me back—still sing my song
rear-view love—I ain’t seein’ through
you let go—I’m stuck on you

Refrain:
pull me, push me—come on, baby
it’s cool—call me crazy
maybe, baby—it’s time we locked in
pull me close—hit the floor again
wind me up—I’m tweakin’ slow
run it up—shorty—let it go
drive me wild—got me goin’ dumb
press play—rewind—give me some

Verse 2:
you say you hate me—but love that fame
smack my ego—chant my name
read your chaos like a code
rubik’s heart—I still reload

Outro:
do what works—chaos reigns
addicted to the words—the games
loop it back—same refrain
pull me in before you fade
this crazy never stays—never stays—never stays

🔻 Personal Reflection
“I wrote Chaos Crashin when I realized that love and addiction can share the same pulse. It’s not just about a relationship—it’s about the high of intensity itself. I wanted the production to feel like a heartbeat running too fast, then slowing down just before it breaks. When Suno processed it, the AI gave me this dual-voice conversation that felt like two versions of me trying to stay sane in the noise.”

🔻 4Me2BeFree
For 4Me2BeFree, Chaos Crashin continues the mission of transforming raw emotion into cinematic storytelling. Each song becomes a mirror—reflecting identity, queerness, heartbreak, and rebirth through sound design that moves like film. The project blurs the line between digital distortion and human truth, proving that chaos itself can be harmony when you let it speak.

🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Chaos Crashin - Hyper-Trap

🔻 Song Insight
The Rap/R&B Hybrid Edition of Chaos Crashin takes the story into late-night territory—smooth, brooding, and cinematic. Eerie piano keys and ticking clocks open the space like time itself is running out. When the boom-bap drums hit, the confession turns rhythmic; every line swings between control and collapse.
Melodic hooks weave through heavy bass, pulling emotion out of chaos. Spoken-word layers bridge reality and memory before the final chorus erupts—a storm of strings, rhyme, and regret. This version feels like heartbreak caught in motion, the kind of pain you can dance to without realizing you’re crying inside.


🔻 Personal Reflection
“This one feels like standing in the middle of a storm, watching yourself move in slow motion. The R&B warmth gave it humanity, and the rap flow gave it edge. It’s that space where emotion meets rhythm—like trying to make peace with chaos by making it groove.”

🔻 4Me2BeFree
With Chaos Crashin (Rap/R&B Hybrid Edition), 4Me2BeFree continues to blur genre lines. Every reimagining of Chaos Crashin becomes a new emotional dialect—this one speaks in heartbeat tempo and whispered pain. The project isn’t about perfection; it’s about evolution. The chaos remains, but now it moves smoother, like resilience finding rhythm.

🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Chaos Crashin - Rap/R&B Hybrid

Skreezy E and his wacky gang of ruffians are at it another classic epic adventure! Join them this time as they try to secure a bag from behind the local quick trip! tonight at 7, on PHOX!

Kwik Dripp (WIP)

Joining the dots, documenting the finds. Standardly.

The Zone Outasphere MIX

This track mixes chemical beats, big beat, experimental, and electronic sounds.
It’s based on the idea of the Malthusian loop by Thomas Robert Malthus — people move to new places, use resources, live well, grow in number, then face hunger and decline, and move again. After the industrial revolution, this cycle stopped, but in a different way. Now we still use up the world, just calling it modern life, career, trends, or technology — like one big Malthusian Industry.
The track tells that story through sound. It’s mostly instrumental, but I also used AI vocals here for the first time — sorry for the rough quality.

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Here's the link to pre-save my next track, The Tough Dance: show.co/sNkrjEF

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Follow The Double Morphis
🌐 Website: thedoublemorphis.com
🎵 Spotify: open.spotify.com/artist/2yaQaCeXtcJHoEtRD27zE1
🍏 iTunes: music.apple.com/us/artist/the-dou…orphis/1672736120
🔊 SoundCloud: @thedoublemorphis
📸 Instagram: instagram.com/thedoublemorphis

Malthusian Industry

🎬 Song Insight
“Under The Bleachers” by 4Me2BeFree unspools like a reel of faded Super 8 footage—nostalgic, reckless, and painfully self-aware. It’s a confessional buried in the hum of lo-fi tape hiss, where adolescence and adulthood overlap in messy symmetry. The song plays with irony: the innocence of youth collides with the cynicism of growing older, while its musique concrète textures—field recordings, toy synths, detuned pianos—mirror the emotional static of a life replayed through distorted memory. It’s equal parts playground and purgatory, a portrait of someone who’s seen the loop of mistakes and still sings along.

📝 Lyrics
[Intro]
When I was young I was dumb
And now I’m all grown out
In the end it’s all one party foul
So f**k it let’s get blitz before we get kicked out

[Bridge]
My kids used to scream
Lectures fade with breeze
Should have listened to the teacher
I was under the bleachers

[Chorus]
I found a way that went wrong
Kept singing the same damn song
And all along I knew the truth
But who’s listening to who

[Bridge]
Should’ve cleared my f**king head
Should have heard what I said

[Pre-Chorus]
Too busy with the birds and the bees
Now look at these I’m on my knees
Not giving a f**k unless you got a buck
So excuse my harsh news unless you’re writing me a review

[Chorus]
I warned the kids we’re one step away
Make good choices or it’s a sh*t-eaten day

[Bridge]
The kettle burned black—
I who was under the attack—
Should have stayed young and dumb
Things we worried about was having fun

[Outro]
I found a way that went wrong
Kept singing the same damn song
And all along I knew the truth
But who’s listening to who

💬 Personal Reflection
This one came from that surreal space between regret and humor—the kind of reflection that makes you smirk and wince at the same time. I wrote it thinking about how we repeat ourselves, how “growing up” doesn’t always mean learning the lesson. It’s messy, like a Polaroid you find years later: flawed, overexposed, but real. That’s where the soul of Under The Bleachers lives—somewhere between memory and mockery.

🔥 4Me2BeFree Signature
4Me2BeFree isn’t just about sound—it’s about self-reckoning through distortion. Every track is a confession refracted through art noise and emotional honesty. “Under The Bleachers” embodies that ethos: it takes something universally human—nostalgia, shame, laughter—and turns it into sonic collage. It’s raw therapy wrapped in glitch, a soundtrack for those who’ve made peace with their imperfections and still dance anyway.

🛡️ Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Under The Bleachers

A fictional character producing real music. And loves BIG BEAT


The Double Morphis, a music creator who, as a child, didn't fancy traditional piano lessons, preferring to make up his tunes. He later fell in love with crafting music on the computer, steering clear of playing instruments.
 His music combines big beat, experimental, and elements of 90's techno, acid, breakbeat, and the occasional rap fusion. He is struggling with feeling and daemons in his head and the tracks are result of the war or a way to run from life and the feelings.
With a commitment to anonymity, The Double Morphis keeps their full details hidden, letting the beats take the spotlight.

Cristian Guez - Musical Artist.
Cristian Rodríguez better known by his stage name (Cristian Guez) is a Spanish Singer-Songwriter and Producer.
©Dynamik Sound Music Records.

Cristian Guez - Artista Musical.
Cristian Rodríguez conocido artísticamente como (Cristian Guez) es un cantautor y productor Español.
©Dynamik Sound Music Records.

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

"🎧 TorGio Records • Leya & AI • Ambient, Psychedelic, Soul • Mindful music for every mood • SoundCloud-first".

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

I make "Duke Music", especially for you.
No Ai - ALL 100% Original Handcrafted Tracks.

BLOODLINE BEATS COLLECTIVE:
Breaking into the Castle, Taking the Crown, Forcing your Ascension, and F****** your mom on the Throne. -(CHECKPOINT SAVED)

Now Installing: [NEW AUDIO AUTHORITY]

Please wait....

Congratulations, your [SONIC KINGDOM] has been updated.  Hail the fucking crown, bitches.

UPGRADES INCLUDE:
→Now Primarily ​[D.O.T.S.M.O.A.T.] Influenced.  
→ Direct acknowledgement of the Ancient Lineage of shadowy Sonic Manipulation Masters / WaveformWizards / SoundSorcerers /SonicShamans that directly influence your precieved reality, that now own your ass and that you must answer to.
→ Free access to the new and improved Opinion Portal (garbage can)

-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_

It's a new era of sound 🔊

We won't exclude your town 🏠

Now bow down to the ground 👇🏻

AND HAIL THE FUCKING CROWN 👑

bloodlinebeats.com


micro sello * macro musica

Vinyl Pleasures Records, is the house of  Fratempo, Contrøverse, The Saltire Wave, La Cuerpa, Balez, Ritmos Desenfadados.

Immersed in music since as far back as I can remember. Vinyl only, Will travel.

New tracks tagged #experimentalmusic