Scheiba - 120-160 bpm & handgemacht
https://www.instagram.com/scheiba.band/

Sub Swara creates, constructs, produces and plays genre-bending bass music that parallels the diversity of their home town of Brooklyn, NY.  Consisting of Dhruva Ganesan and Dave Sharma, Sub Swara’s musical genome brings together a wide assortment of DNA – from dub to hip-hop, dancehall to punk rock, and all the global sounds in between.  Meticulously crafted for both dancefloor intensity and cerebral curiosity, Sub Swara’s music and live sets bridge the gaps that divide, uniting all tribes.  Sub Swara combines electronic production, live instrumentation, and 3000% of recommended energy levels to bring to life an inclusive, human experience that creates an inviting space for anyone and everyone.

Before this current evolution, Sub Swara was originally imagined and executed as a club night of the same name.  The monthly event focused on bringing together bass music of all creeds and cultures, becoming one of the most highly respected and popular club nights in NYC over its 3-year span.  Guests included luminaries like Mary Ann Hobbs, The Glitch Mob, The Bug, Bassnectar, Poirier and many others.  Sub Swara, together with peer events like Trouble & Bass and Dub War, catalyzed critical new directions in New York electronic music.

Sub Swara’s debut album, Coup d’Yah was met with widespread acclaim upon its release in June of 2008. Critics and tastemakers from Pitchfork, to XLR8R, to BBC Radio 1 and FADER all lauded its seamless melding of varied beats, intricate live instrumentation from around the world and electronic production both deep and dancefloor-centric. The group toured extensively after its release, put out three volumes of remixes (remixers included Eskmo, Poirier and Mochipet), produced a dozen remixes for artists like The Glitch Mob, Balkan Beatbox and Bassnectar and released several popular white label remixes of tracks by the likes of Stephen Marley, Mos Def, Big Boi and Cee-Lo Green. Sub Swara’s remix of Balkan Beatbox’s Balcumbia was featured by the FADER and Nike in their world cup mixtape series, Pitch Perfect.

Sub Swara’s second album, Triggers (released in November 2010 on Low Motion Records), continues the group’s exploration and blending of different spaces in bass music and draws from a completely unique sound pallet that marries both live (much of the percussion is actually played by the group in addition to other instruments by guest artists) and electronic elements. The aesthetic is not tied to any single genre. It traverses through dubstep, hip hop, and sounds yet to be classified, binding these elements together with a strong melodic center, dancefloor energy and inventive production. Triggers was written as Sub Swara became increasingly live with their performances, having moved away from the traditional DJ set (without losing the intensity and dancefloor weight) and incorporating live drumming, re-composition and improvised sequences throughout their shows.

Whereas the vocal elements in Coup d’Yah were largely ragga-dancehall focused, the vocal collaborations on Triggers live in the realms of hip hop and soul. The album features collaborations with Dead Prez Lyrics Born, Kendra Foster of Parliament Funkadelic and the up and coming hip hop act, Freddie Mills. The instrumental collaborations feature the Afrobeat horns of Antibalas and a host of master session musicians from around the world.

The album was again met with extensive critical acclaim from The FADER, XLR8R, RCRD LBL, The Village Voice, NPR, KEXP and a host of other media tastemakers. It also hit the top 10 in both RPM and Hip Hop charts for CMJ and tracks routinely charted on the Hype Machine.

Sub Swara is currently working a on a slew of new original material and remixes. Look out for remixes for Matisyahu, MNDR, CREEP, Beats Antique and more  in the fall of 2011.

Find out more and grab free music and podcasts at subswara.com

radio@hirschmilch.de

Hirschmilch Radio is a none commercial internet radio station. Our main focus is alternative electronic music ranging from ambient, dub, downtempo over techno, minimal, tech house & truly progressive house to the psychedelic sounds of goa, psytrance and progressive trance.

🕉️--Strahlemann Sänger--🕉️--Nadalut--🕉️
Open for bookings 
around the world.@Nephilim Records
DJ Strahlemann Sänger--Nadalut-- has been a pillar of the underground in Hessen, Germany since 1998.
Freethinker DJ / Strahlemann Sänger is under contract with Crystallin Music and Nephilim Records and Acidmath.com.
He is open for bookings worldwide and he is always increasing his circle of influence. 
With his honest and authentic embrace of the true Goa Spirit, he sends people on a meditation trip of trance and dance- one of the most beautiful moments in life…
You should try to open your mind to this unforgettable experience, because we are all able to feel it.
In that respect, 
Namaste!
https://www.mixcloud.com/lutz-sänger/
https://www.facebook.com/lutz.sanger.35
https://www.youtube.com/channel/UC7Rb5ub4Wu586cHknI6TToA?view_as=subscriber
https://www.facebook.com/StrahlemannCo-897472553764885/
https://soundcloud.com/lutz-saenger
https://www.facebook.com/lutz.sanger.35/videos…NOW OPEN FOR BOOKING 2019
Live Sequencer
Live Act Black Edition
Strahlemann Sänger
https://www.facebook.com/lutz.sanger.35/videos?lst=100004962421114%3A100004962421114%3A1546987450

Super Sexy Cat （＾ω＾）
doobydouglas90@gmail.com

Friendly Labels:
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https://soundcloud.com/heroin_boutique

I'm an electronic music producer, vocalist, and songwriter from Poland.
I also beatbox, scat, play mouth-saxophone and some drums and guitar.
I'm a synthesizer freak: making all sounds from scratch by myself.
I'm also using only free and open software, and I work under GNU/Linux based systems.
I also do graphic design - all images for my tracks are my own work.
Actually I do graphic design for living right now. Using open source software and Linux.

Artist and animator for a living 
I do music on the side



Featured on
@ArtzieMusic
@Business-Casual
@Elemental95
@pariscirclerecords
@Sunrise-Collective

When the first Beat Bizarre vinyl is released in 1999, it turns the established paradigm of Psychedelic Trance upside down: Powerful and impelling, yet at a moderate tempo. Minimal and repetitive, yet everything but monotonous. Catchy and with a high recognition factor, yet without any prominent melodies or hook lines. Dark and mysterious, yet funky and uplifting. Back then, the sound of the Danish project is the epitome of a movement that has just begun: Progressive Trance.

 The sound of Beat Bizarre is embraced by the scene with such great enthusiasm because it features an entirely new approach towards psychedelic dance music. Instead of using the ecstatic melodies of classic Trance productions, its hypnotic power evolves from booming basses and tight percussions, from subliminal rhythmic buildups, and from a multitude of grinding and jangling sounds that merge into a perfectly sleek groove. When this formula finds expression on the album “Lewd” in 2001 it doesn’t take long before Beat Bizarre are invited to play at all relevant parties and festivals around the world. Among many successful tracks the “Brain Drain RMX” gains probably the biggest popularity, a true milestone of the Progressive Trance genre.

 Originally Beat Bizarre starts as a duo, but in 2005 it becomes the solo project of Martin Spanner Zimmermann. Some might also remember his monumental “Liquid Structure”, the opening track of 2001’s VuuV Experience festival which he produced under the name Martian. His successful albums “MUHKARV” (2012), “Riot” (2013) and "Maunder Minimum" (2015) take the typical sound of Beat Bizarre to a contemporary level without giving away its organic soul. Operating from a studio full of analogue hardware, Martin is eager for action as ever before – so it surely won’t get boring for all the Trippy-Tech heads out there!

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