I’ve lived in Brazil and visited Maputo several times. I really love this cultural vibe in your music

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// But Hey, There Is Hope—Not Just Endlessly / Anniversary 10 Mix
/
What keeps the story going… the miraculous cycles that define our existence
/
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/ 0I00II /././ But Hey, There Is Hope—For Something Fresh /./
/././ Anniversary 10 Mix /./
/./ from the 'World is One Damn Recycling Machine" series /././ 0I00II ././
/
lyrics written by fictionalive /./ narration provided as well /./
music, carefully used, is written, produced and 
provided by mobygratis, licensed /./
/
/
fusion of it all 
fictionalive with the popoems series and the hyper media reports /. ./ /.
/
/
fair use only. - written June, 2025
/
/
/ new mix dropped
Thursday, July 31st 2025
/ time 04:14 am 
/ Central European hot Summer Time
/ today, not so so much so
/.
/
/ keep shining *
/.
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*

But Hey, There Is Hope—Not Just Endlessly: Spin Again! // Anniversary 10 Mix

Original Lyrics by Tony Harris that inspired Mike.
Vocals, instrumentation and mix by Mike Fox.

HE GREW UP BACK IN THE DAY
WITH TWO GUITARS IN THE HOUSE
ONE WAS SPECIAL TO HIS MOM
NOBODY KNEW HOW TO PLAY

IT BELONGED TO HIS UNCLE
THEY CALLED THE GUITAR MAN
THAT WAS KILLED IN THE BIG WAR
NEVER GOT TO PLAY IN A BAND

(CHORUS)
HE WROTE THIS SONG
ABOUT THE GUITAR MAN
HE NEVER GOT TO MEET HIM
OR WRITE A SONG WITH HIM
PRAY HE'S UP IN HEAVEN
PLAYING IN A BAND

HE CARRIED HIS GUITAR 
EVERYWHERE HE WENT
ALWAYS HAPPY TO PLAY
HIS PLAYING WAS HEAVEN SENT

(GUITAR SOLO)

THEY ALWAYS SAID HIS UNCLE A. J.
WOULD BE A STAR SOMEDAY
BUT LIKE SO MANY OTHERS
HE HAD A BIGER PRICE TO PAY

HIS MAMA GAVE THE GUITAR AWAY
CAUSE NOBODY KNEW HOW TO PLAY
IT WAS JUST COLLECTING DUST
WISHES HE HAD THAT FLAT TOP TODAY

(REPEAT CHORUS)

2025 (C) Lyric by Tony Harris

Playing in a Band - Collaboration by Tony Harris and Mike Fox

G-Into Chaos

When an unknown wind gently caresses my cheek, I feel glad to be alive.

Ordinary happiness is a gentle breath. (358)

Inspiré par « Dans les brumes » de Leoš Janáček
Le brouillard descend des montagnes, enveloppant le paysage et couvrant les arbres de leurs couleurs automnales.
Compare:  https://youtu.be/1AvLRurOviw?t=83
Dédicace à ma chère amie et collaboratrice, Miranda !  https://soundcloud.com/mirandanat

Crawling Mists

Komposition988 SchalgzeugKlavierStreicher

Wanting And Not Wanting

Hoping you enjoy this latest song  , Gary has  added all  of the beautiful vocals , harmonies and lyrics too! 
Thank you for all of your kind plays reposts and  playlists!

Vocals  :- Gary Scott
Lyrics  :- Gary Scott
Music and arrangements : Annette Scott
(C) 2025



Cast Away (Ft Gary Scott)

perfect journey

from the EP "Funny Days" by Imre Lodbrog et Sa Petite Amie
available on
open.spotify.com/intl-fr/album/10…3Ds20LZwmXCscjae
music.apple.com/us/album/funny-days-ep/1822802207
www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg
recorded in Area 52 Studio, Saugerties New York
Steve Rust on Bass, Harvey Sorgen on Drums, Imre L. Vocals, Guitars, Hammond organ


TIMOTHY LEARY  LONG TIME
YOU AND I NO SEE
FROM THE OUTSIDE LOOKING IN
SHINE ON CRAZY STRAWBERRY
BLURRY IS THE OPEN SEA
CLOSE YOUR EYES AND YOU WILL SEE

EMOTION IN MOTION
THAT’S THE WAY TO FUNCTION
COOLNESS IN A POTION
SPIRITUAL ACTION
TUNE IN TURN ON DROP OUT

TIMOTHY DEARIE OH BABY
IT IS CLEAR TO SEE
FROM THE INSIDE LOOKING OUT
A HORSEMAN WITH NO HORSE
A HORSE WITH NO NAME
LEARN TO BE AND NOT TO BE

EMOTION IN MOTION
CAN YOU FEEL THE SUCCION
CHOCOLATE EXPLOSION
MARTIAN REVELATION
TUNE ON TURN OUT DROP IN

TIMOTHY LEARY (Lyrics + notes)

In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

The Calling (feat. Fr. Harris)

Started out with a straight rhumba, and decided to add berimbau, running through a pedalboard. I am big into crossing musical continents. The berimbau, borrowed from Kimbundu mbirimbau is a traditional Angolan musical bow that is commonly used in Brazil. It is also known as sekitulege among the Baganda and Busoga.

It consists of a single-stringed bow attached to a gourd resonator and is played with a stick and a coin or stone to create different tones and rhythms.

The berimbau was used in many parts of Africa and Brazil during the 19th century to accompany chants and storytelling. It is part of the candomblé tradition, later incorporated into the Afro-Brazilian art capoeira.

Rhumba Berimbau

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