Broken Grammar calls its own digitally prepared piano an indeterminate piano. It understands the piano as a grammatical machine, a dataset that produces the grammatical possibilities and its shadow. An attempt to assemble pieces of a puzzle, disparate fragments made from the remains of musical instruments digitally processed. The use of indeterminacy in musical grammar can be a way of breaking restrictions and expanding cognitive possibilities, freeing one's thoughts and feelings.

In the album Crack the Code [BRR0074], the grammar falls apart. There is no longer a reference code. Scattered elements establish unusual connections and take paradoxical directions.

While digging in between the keys of the piano, Broken Grammar discovers different possibilities. Worlds and modes of existence are lost between the piano's keys. Ways of being not considered by Western reason.

The magical thinking is addressed in this album as a way to resist monocultural massacres. What cannot be said is what constitutes the shattered grammar of the album Crack the Code [BRR0074] released by Bloody Resilient Records.

Broken Grammar writes music as a soundtrack for the last days of extractivism and exploitation, maybe the last days of capitalism as we know it.

The album Crack the Code [BRR0074] envelopes both sides of the Moebius strip into a derivative, bringing up the latent future that is hidden in the present. A survival manual for these grim times. 

0008 Broken Grammar - Hundred Letter Word 126

Savage Noise Quartet claims to have been inspired by the noises on a computer found in a landfill. The desktop computer belonged to a reporter of ecological disasters, but only the recordings of the mechanical noises of the hard drives reached the Savage Noise Quartet ears.
A long time ago, walking in the Atlantic forest, looking for a place to rest and have the meal of that day, a soft sound that seemed to come from the imagination became clear. Someone was approaching... This was the first encounter in the jungle between Savage Noise Quartet and an unknown creature who claimed to be the last of the Incas.
The last Inca also had, under his arm, an original copy of the book Wild Thought by Levi Strauss with autographs.
Often the Savage Noise Quartet would sit for hours on end just watching the unknown and making incomprehensible sounds.
Thirty years later, Savage Noise Quartet decided to embark on the sonic translation of this experience. The album Inca [BRR0075] is the last trace of this adventure.
Savage Noise Quartet declares that the process of translation began five years ago: - it comprehends the translation of the language of trees, stones, rivers, birds, insects, snakes and jaguars into oscillators, filters and all kinds of sound manufacture of a wav file.

Last Inca

Left No Trace

Atlantic Forest

Wild Thought

Machine of The World is a bold and visionary post-digital electropunk producer that emerged in the wake of the digital revolution. Formed in 2022, the producer combines aggressive, cutting-edge electronic beats with distorted punk influences, creating a soundscape that is both dystopian and exhilarating.
Drawing inspiration from the rapid rise of artificial intelligence, cyberpunk aesthetics, and the collapse of traditional music industry structures, Machine of The World crafts tracks that feel like sonic snapshots of a fragile future. The music is a mix of glitchy electronics, industrial noise, and rebellious punk ethics, often pairing chaotic, deconstructed rhythms with politically charged lyrics.
Machine of The World’s music resonates with anyone disillusioned by the wilderness of the digital age, offering a soundtrack to those overtaken by algorithms and automated systems. Through her electrifying sound, she is carving a path toward a new, post-digital punk aesthetic.
Machine of The World’s debut EP, Resources of the Earth [BRR0076], explores themes of the loss of trans-individuality in a hyperconnected world and the existential dread of living in a future that feels actionable from the present. The album’s title itself reflects the band’s critique of unseen forces that control and shape modern life from the shadows. Their live shows are a high-energy, immersive experience, often integrating interactive digital elements that blur the lines between performer and audience.
The EP Resources of the Earth was produced during the summer mornings of 2022 in the city of Rome. 

Material Modulation

Resources

Age of Reason

Machine of the World

Zephyr

One of my absolute favourites from AFX Analord series. Recorded via Vinyl by my DandyPanty/Digitalblasphemy1100. Uploaded in a .WAV format like all my other uploads. Enjoy!

AFX- W32.Deadcode.A (Vinyl)

When the machines go to sleep, the wild soul of the world rises. Bloody Resilient Records (former Bleeder Resistor) is an independent record label displaced in a jungle of digital methods. It is a shelter for artists who do not fit into any genre or algorithm—wild noises released by an electronic forest of subjectivity. Resistance to determinations and refusal of what we are told we are.