BRP 248 - MIKE RISH

https://soundcloud.com/mikerish

Mike Rish is somewhat of a quiet achiever, with the Melbourne native having a string of releases under multiple aliases across numerous subgenres of electronic music. However, it’s under his own name where he lets his progressive-house imagination wander. His studio output is prolific, and has been embraced by progressive heavyweights, with support from the likes of Guy J, Hernan Cattaneo, Nick Warren, Jamie Stevens, Kasper Koman, Matter and GMJ, to name a few. His “progressive” and consistent rise is the result of a diligent and very selective output of music, opting to release music to keep people engaged, but also wanting more...

1. Schuttle - Home (Original Mix) [Panatype] 
2. Primal Code - Jikan (Interpreted by Luigi Tozzi) [Hypnus Records] 
3. Advanced Dreams - Absent Presence (Original Mix) [Biorecordings] 
4. Birds Ov Prey - Regrowth (Original Mix)  [Hypnus Records] 
5. Artfaq - Telephone Days (Original Mix)[Or Two Strangers] 
6. Petar Dundov - Nature of Nature (Jamie Stevens Deeper Version) [Proton] 
7. Christian Monique - Waiting For Us (Fabri Lopez Remix) [Balkan Connection] 
8. Mike Rish - ID 
9. Mike Rish - ID 
10. Mike Rish - ID 
11. Retza - Mhambi (Mike Rise Private Remix) [Lo-Fi 45] 
12. Miyagi - Mescal Lane (Speaking In Tongues Remix) [Motek Music] 
13. Forerunners - Off World (Original Mix)[Lowbit] 
14. D-Nox & Beckers - Polyacid (Navar Remix) [Beat Boutique] 
15. Liam Sieker - Good Intentions (Mike Rish Remix) [Serendeep]

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BRP 248 - MIKE RISH

We promote an interesting alternative music from around the world.Here are placed only original music for music connoisseurs!

UNDERGROUND ELECTRONIC MUSIC

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I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Here's the stuff that runs through my veins...


Alex Haw runs Fox&Badge, a community and artistic experiment in a collective utopia, yearning towards transcendence.
_____________________________________________________
Previously: Alex Haw is and artist/architect & director of atmos.

atmos is an award-winning multidisciplinary  art+architecture+design practice (est. 2007) that works internationally across scales and media - from small-scale product-design to large-scale master-plans, with core expertise in public installations and bespoke residential environments. 

Their work centres on innovative sculptural designs that often incorporate cutting-edge digital fabrication and data mapping. They creat work addressing all the senses, with projects that reward close inspection yet abide in the memory, merging meaning and sensuality.

They have exhibited widely and been widely published on TV (BBC, Channel 4), in national newspapers (Financial Times, Sunday Times, Telegraph, Guardian, Independent, etc.) and international design magazines (Icon, Dezeen, Wallpaper, WIRED, Blueprint etc.). 
Haw graduated with a Fulbright from Princeton and a 1st from the Bartlett.

Alex has taught Design Studios at the Architectural Association, Cambridge University, the Royal College of Art and TU Vienna. He graduated on a Fulbright from Princeton University and with a 1st from the Bartlett, UCL. He writes and lectures widely.

He played the lead psycho in Chris Nolan's 1st feature film, Following.
He runs a weekly social exploration of world food (Latitudinal Cuisine). 
http://www.atmosstudio.com

BRP 248 - MIKE RISH

Underground Bloom Records