@alex-downey
www.residentadvisor.net/dj/alexdowney
www.facebook.com/AlicksDowney
www.instagram.com/alyxdowney
Interview: www.untitled909.com/alex-downey
www.soundcloud.com/alex-downey

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Voyage De Lux w/ Alex Downey - 25.09.25

Bloomcast 013: Mitch Smith

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.Freq with Mike Servito and Alissa Brianna @ The Lot Radio 10-21-2025

Truancy Sessions S03 E02: Ally Tropical (@allytropical)

Artwork by Lolo (@lolo-lolo-lolo-96)

Access the download on our Patreon (patreon.com/truants). If you need any track IDs leave us a nice comment here with @allytropical tagged and either of us will get back to you with an ID! Your support helps cover all our costs allows Truants to continue running as a non-profit and ad-free platform.

Ally Tropical

Truancy Sessions S03 E02: Ally Tropical

Up next in the series is Johnny Sais Quoi (@johnny_sait_quoi) who just released his dancefloor-focused pop debut album 'Love On Ice' with us last month. Interview (excerpt) below.

www.musicfrommemory.com

MFM: So, who is Johnny Sais Quoi and where does he (and it's name) come from?

JSQ: Johnny Sais Quoi is my new French identity, I felt that France needed another Johnny after the passing of Hallyday. I live in Marseille now, but I’m from the UK.

MFM: Your debut LP 'Love On Ice' just got released a few weeks ago. Do you remember the first
steps or moment that eventually led to it becoming a full record?

JSQ: Not so much.. I write quite consistently, so they were made over a long period of time. During that period I was trying to find my ‘sound’ and trying lots of new ideas, so I suppose it was when I had enough tracks that I could make a selection that felt good to me.

MFM: The music on the LP somewhat reminds to the sound of the '80s, like New Wave, Pop and Italo but with it's own new identity. Would you agree? In what way did the '80s have an influence on you as an artist?

JSQ: Yeah I love 80s music. I love the production, emotion and romance of it, it’s always been such an inspiration for me musically and culturally. I love how the production seemed to go a bit crazy and people were really pushing the way music, even pop music, could sound. Also the advent of home recording and the seemingly endless supply of people at home who were trying to be their own variation of Wham! or Depeche Mode. These days I’m really interested in finding ways to borrow from this epoch but still sound contemporary. I find that hard sometimes, but always more rewarding.

MFM: Although the music is all yours, it's easy to imagine a full band on stage. Do you have a
background in playing in bands? And do you have any desire to bring it out on stage at one point, alone or with band?

JSQ: I started playing bass when I was 12 and then in bands from around 18. My history in bands was short and I miss it - I would love to join a band to play bass or synths or drums. Then I was part of a duo with my brother, we had a band for a while but now it’s just me. I’m beginning to work on the live show for this project which I’ll do alone to begin with, then maybe bring in some other instruments as I go, we’ll see.

MFM: Does writing new music come easy to you or...? What comes first, the instrumental part or the lyrics?

JSQ: I say that I’m working on the live show but in reality every time I try to work on it I end up making new songs. Making the music often comes very easy and is normally first. I’ve realised recently that writing lyrics is a very different process for me - the instrumental often comes very fast and I work fast, but I often forget that I need to slow down and work in a different way for the lyrics. I’m still learning how I work.

MFM: Tell us about your mix!

JSQ: I made it in Bretagne whilst I was doing some work there this summer, in the peace of the countryside. I wanted it to be a wide mix of things that I’ve listened to since I wrote Love on Ice. New inspirations and some classics, maybe a taste of what’s to come next. 

MFM Mix 056: Johnny Sais Quoi

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Vibe Operator   - Llupe & Venus Exotica - 07 Nov 2025

https://www.nts.live/shows/bell-towers/episodes/bell-towers-23rd-october-2025

DMS 23/10/25

Bridge (Original Mix)

Three hours of deep underground house music from a couple of Naarm's extended blend bosses.

@jackhnelson & @billusmoon

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. Sam: would be amiss not to say deepness – hard to really say what that means, though. Music played deep into the party, everyone on molly, the sound system is the one from Labyrinth, and it’s in Yarra Bend. 

A. Jack: Yeah much the same as Sam, we share a mutual love for deepness albeit in a slightly different way. I hope it will be a bit of an all hours mix for cooking, eating, driving or for the hours after etc.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. Sam: Many resonate, but the Baby Ford track toward the beginning sums up the whole deepness-being-difficult-to-describe thing, for me at least. David Alvarado does that to me as well – he features a fair bit here. 

A. Jack: there have been many tunes I would've loved to include - but without much defined planning we got to this mix one afternoon. Bit of a mish mash of different deepish tunes from over the years, moving around home base which is good old house music. Nothing too serious.

Q. You’ve both been involved in facilitating a myriad of great underground parties in Melbourne over the last decade from outdoor raves to basement club nights, Jack, tell us about your latest endeavour Reasons and how that fits into the music community focussed party ethos?

A. Jack: Reasons came about as a bit of an evolution from just running parties, toward something that connects and platforms the people around me and incorporates music, food and art.. After spending time overseas, I felt a strong pull to bridge those worlds, and to bring some of those ideas we encountered abroad back home.  

Q. I know you’ve both been working hard on various studio projects both solo and collaboratively, tell us about the latest endeavours, and what sounds are you enjoying exploring whilst working together?

A. Sam: Making music together has always come naturally, finishing tracks less so. Plans mostly go out the window once we start, but I feel like we’ve always converged on a distinct feeling without having to explicitly voice. I like exploring all sounds with Neil, but I guess we’ve always tended to steer toward some kind of 90s nostalgia. The final track in the mix is a useful example.

A. Jack: We’re both always making music in some form, sometimes with more focus than others, at least for me. We’ve always got a few bits in the works I guess (including the last track in the mix), but as Sam said, finishing things together doesn't always happen... Lately, I’ve been trying to be a bit more deliberate with what I am making. Definitely a few releases to come in the next 6 months, as well as a new non-dance music project.

MDC.315 Neil E & Billus

Don't mess around

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Maximilian Beck & Phillip Riedl - Serious

A vinyl focused musical experience bringing people together to celebrate life, love and freedom through underground electronic music.

Bloomcast 013: Mitch Smith

Bloom Atl