Welcome Priori to the BSR MIX!

Honoured to have one of our favourite producers on the BSRMIX off the back of his amazing new LP 'Your Own Power'.

Read a full interview with Priori here: https://buttersessions.com/blog/interview-with-priori

www.buttersessions.com

BSRMIX #118 - Priori

Monument are proud to present a mind blowing journey here from Patrick Russell recorded live from his closing set at the Mostra Festival April 2022.

Patrick returns to the Mostra stage on 6th April in Barcelona - https://ra.co/events/1612639

Photo by ©Paquito Pizarro

Follow -

https://soundcloud.com/ptrckrssll
https://www.instagram.com/ptrckrssll/
https://www.instagram.com/mostrabcn/ 
https://www.facebook.com/MostraBCN

MNMT Recordings : Patrick Russell x Mostra

Dorisburg @ The Lot Radio 11-15-2024

Welcoming the lovely Refuge Worldwide co-founder and dub-master @richard-akingbehin to the Animix series this week, with a beautiful journey of minimal house infused with his signature dub styles.

Clear in his DJ'ing, but also his work with @refugeworldwide, and his immaculately curated label, @kynant-records, Richard is an all-round classy selector, and a champion of community. Through his various outputs, his deep & considered knowledge and taste shines. 

Richard always impresses me with the diversity of moods he presents via his DJ'ing, hybrid collaborations with legend Tikiman, b2bs with other legends like livwutang, and his label - a diversity that's always strung together with his incredibly distinctive psychedelic, soothing dub formula. 

Thanks for the mix Richard <3

Downloads enabled

Animix One Hundred & Seventy Three: Richard Akingbehin

record live from the annex snuggle puddle sleepover club during ABYSS @ open ground at 5am -7am 
https://www.instagram.com/abyss______________________/

Neel	Lullaby
Night Sea Small Bird
Bernstein	tīrtha
Axs	Frozen Signpost
Zemög	Sailing Timbiquí River
zakè	Gaffney Fields
36 & zakè Stasis Sounds for Long-Distance Space Travel
Adhémar - Red Birds (Ambient Version)
Ehndo	The Entrance
Primal Code	Annie's Diaries
ASC	A Song For Hope
Sunju Hargun	Dakini
Ishq	Sky glide
Axs	Empty Sky
zakè	guide
Warmth	Reflector
zakè	home
Claudio PRC & Rambadu	Aqua
Multicast Dynamics - Cell Structure
Enamel	Quad
Malibu	Lost At Sea

sounds of healing vol. 8

A fittingly lush mix filled with dusty, wobbly perfection from the lovely Helsinki based @suskidj this week.

I met Suski when she warmed up for me the first time I played at Post Bar in Helsinki a few years ago - a place i've returned to a few times and truely adore! Suski is a resident at the much-loved Helsinki club. I was initially drawn to her dj'ing as the set she played as a warm-up in Post Bar was a pitch-perfect and contextually divine fit for the space & time. 

This mix is a poignant follow up - diving through through the rich textures of immersive techno, and an entire journey through the world of electronica & idm with broken beats, ambience and charmingly off-kilter percussive rhythms.

Thanks for the amazing mix Suski <3

Downloads enabled

Animix One Hundred & Seventy Six: Suski

@kia-sydney is @mixmaganz's July Cover Artist.

In just over an hour, one of Australia's most exciting talents presents a mix made up entirely of new and forthcoming material on her equally influential @animalia-label.

Tracklist:
1. @okegmusic - 'Spirit' (Forthcoming)
2. @sub-basics - 'Signal' (Forthcoming)
3. @okegmusic - 'Veil' (Forthcoming)
4. @sub-basics - 'Lobby' (Forthcoming)
5. @zaraolsen - 'Whirl' 
6. @sub-basics - 'Residual' (Forthcoming)
7. @o-utlier - 'Pulse' 
8. @andy-martin - 'Skye Spirals' (Forthcoming)
9. @aedis-aedis - 'Ortogon' (Forthcoming)
10. @o-utlier - 'Ionic'
11. @sub-basics - 'Proportion' (Forthcoming)
12. @shoall - 'Median'
13. @aedis-aedis - 'Vaen' (Forthcoming)
14. @www-coloursound - 'Sierra' (Forthcoming)
15. @andy-martin - 'Afrofuturism' (Forthcoming)
16. @shoall - 'Temporal Blend'
17. @www-coloursound - 'Locus' (Forthcoming)

Kia: Mixmag ANZ Cover Mix 06 (100% Animalia)

Inner Sight Fade

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

cigarette

blowinguptheworkshop.com/project/chrisssg

Dreams + Memories

In the garden of forking paths
Stretching out
And circling back
Dreams and memories intersect.

111 ◆ Chris SSG

Blowing Up The Workshop