Welcome to "The 411 Podcast" with your hosts, Four and Eleven; two young, educated, black women who met in college and became best friends. The 411 Podcast was created to discuss music, movies, current events, bestfriend goals, and the funniest s**t we have ever seen and experienced mixed in with a lot of laughter, and wit. There is nothing we will not talk about simply because 4-11 has no boundaries nor are we afraid to say what you might be thinking. Listeners' discretion is advised. For more information visit http://www.the411podcast.weebly.com

Throughout his music life,CrownKing97 has gone by many names.
Starting with a rap group called "PeaceClan" then "M.C.Twist,then CrownMulah.
Today he's simply known on the NorthCarolina rap World as "CrownKinG97"-the militant,conscious rapper from Raleigh-Durham, who demands we put our black fist up and Liberation to Hip-Hop!!
Inspired by militant,pro-black rappers like PublicEnemy, BrandNubians,KRS-ONE,X-Clan and ledgends like Rakim,BigDaddyKane,IceCube,2Pac,Scarface,BiggieSmalls,Wu-TangClan,UGK.

 CrownKing started freestyling and writing rymes at the young age of ten.
Today,he's a talented rapper with numerous rap songs under his belt for which CrownKing categtorize as "conscious crank"music.
Yet,before he emerged as a conscious rapper with a voice to be heard,CrownKing97 had to be shaped by the hard streets of Durham, N.C.

Also a visual artist,CrownKing's music and drawings tell storties of tough life on the streets-storties of beening poor,of living in the hood,of the drug game and of brothers dying in the streets.
Yet in the very next verse of his music you'll hear chants about Africa,as CrownKing97 reminds us who we derived from,Kings and Queens.
CrownKing97 is a soldier from a thug nation,a street rapper with real street storties which he's lived through and stayed sane enough to rap about.
His lyrics are real and moving with beats that indeed bring the hype energy of The South,So people get ready for the God,King,Gangsta of Music!!!!!!

Followers of Bestfriends 8~25~13