It’s so emotional without any words😭😭

Didn't really expect much judging by the title haha but honestly I like it! It has this sad feel to it, abit of despair. You did a great job of capturing that sense of loss, great work!

So sweet and beautiful. Minimalism is tough and this works very good. :)

Great track. It seems that your Teddy Bear has been lost in a boreal area since the production is so lovely icy ;)

Summer daisies springing
In my mind I see them swaying to my feelings
So one with my tune
A beat here, a heed there
Just for you
 
The rainbow pales
Against your magic spell
Everything fades
When you come calling to my dream space
 
‘Çause I can’t forget
That one day we met
May never see you again
Till this light of mine shines
But you showed me places
That these eyes had stopped seeing
Ooh yeah..
(Yeah, it was you)
So darling, no matter, there’s only one place for you to be mine
In my dreams
Yes, in my dreams
 
 
Winter comes but I feel warm
Funny how a day’s memory
Can feel so strong
 
A gust of wind
Can’t shake me from within
Nothing else matters
As long as I know that my dream’s still living
 
‘Çause I can’t forget
That one day we met
May never see you again
Till this light of mine shines
But you showed me places
That these eyes had stopped seeing
Ooh yeah..
(Yeah, it was you)
So darling, no matter, there’s only one place for you to be mine
In my dreams
Yes, in my dreams
 
Life was so unkind
Once upon a time
Then something changed
Oh I may never see that day again
But I’ll thank you
For making me bloom
 
And I can’t forget
That one day we met
May never see you again
Till this light of mine shines
But you showed me places
That these eyes had stopped seeing
Ooh yeah..
(Yeah, it was you)
So darling, no matter, there’s only one place for you to be mine
In my dreams
Yes, in my dreams

Album - Hopes and Dreams (C) 2019
Song - In My Dreams
Music - Russell Lucas and  Sumi (Sreyashi Mukherjee)
Lyrics and Vocals - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

In My Dreams (EP - Hopes and Dreams)

Mother Earth Salutation  is  the second track from: Earth Heart From Within CD/album.featuring original lyrics & vocals by: Marie Earth Heart. 

"Mother Earth  Salutation"  was produced with clear and naturally pitched vocals, along with genuine sounds of nature.  This musical offering  promotes  a very soothing  night nature ambience, for  growth, healing ,& reflection .

Mother Earth Salutation: A Soothing Ambient Nature Healing Music Video
Premiered On: Thursday August 18, 2022 At 9:45 PM MDT  On You Tube!

Please Click You Tube Link Below: 
https://www.youtube.com/watch?v=ZzRjTlj1k1w&ab_channel=LoveHealer

Mother Earth Salutation

Mother Earth Saluation

Seq45mm Aaa   Good Morning To All -   Strong Spirit and Courage for Long and Deep Changement

LUV + 3NDR [Prod. xaynor + 1nosaint]

Lost Teddy Bear

Sage

R-Soul Collab-Version: https://soundcloud.com/russell-lorenz-526500824/things-that-fall-from-your?si=30e3493221994c559bf30b37bf59e333&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I don't want to destroy my first Demo-Upload. 
It is so sweet with the background laughing. So i create a new Version of this song.
Please check out the collab of this song with R-Soul. He lovingly added drums and backing vocals to this song.


Lyrics:
Sometimes things will happen, that can never be explained 
As by magic, they will stagger fall to the ground in pain.
Like a statue, anchored to its grounding 
They’ve lost the touch.

The stone you picked up at the shore on your holiday.
Has lain under water for many, many centuries
Moved only at low tide by the waves and the current.
now gets out of balance

And the things that fall off your shelf
Make me think about myself
How it must feel when there, where once was my place
All that's remains of me is this empty space
 
And while I fall off your shelf.
Pass all these things of beauty and grace
That you have placed with your skill for design and flair
As if between you and them would be a love affair

Everything arranged like a map of your mind 
mirrored on the wooden boards I left behind.
Each place was chosen with precission and care.
Some in a way that no one else would dare.
Some do not seem to fit together at all.
Without you, i feel so small

And when i reenter my place
you can see the tears that run down my face.
Of Joy and Fear 
I swore to you my dear
i will never leave this place here, without you again

Things Fall From Your Shelf - Second Demo

Why Not?

Why Not - KRT Production

What Is This

Parasiel

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

SN
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