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bookings: 
carin@outer-agency.com
pascal@outer-agency.com (EU/WW) 
michael@heavy-trip.com (CA / US)
sync & licensing:  
gavin@syncsmith.com

contact: joseph.kamaru.jk@gmail.com 
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OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Brooklyn Raga Massive is a platform for all lovers of Raga music, listeners and practitioners, to get closer to the pulse of NYCs live Indian Classical music scene. Brooklyn Raga Massive is managed by artists, and is meant to help bring the community of Indian music lovers together. The Massive’s collaborative approach towards unifying and building the scene of Raga music in NYC provides the spark for the Brooklyn Raga Massive events and gatherings. The Massive is dedicated to presenting and representing Indian Classical Music in all its diversity of today.

Italian percussionist. She has been studying  traditional drums like Zarb, darbouka, dumbek, daf, tar, cajon... "The rhythms, linked to the dances, trace the cultural fabrics of a people..."
She start later to introduce herself to dialogue with electronics, with the idea of immersing ancient musical languages within suggestive listening environments.

blu.fra is following