ALL THE LUCKI YOU NEED💜_part2

Lyfë

Flawlëss (feat. Lil Uzi Vert)

Back 2 Life

All the Way

My Phrases Songs Do Not Make Sense

The Volcano Wore Sunglasses

Der Track "Spiegel" tastet sich an jene dünne Linie heran, an der Wahrnehmung und Projektion ineinanderfallen. Was wir sehen, ist selten das, was ist – eher das, was wir gerade brauchen, um uns zu erkennen.

Hier wird der Spiegel zum stillen Mitwisser. Kein Werkzeug der Eitelkeit, sondern ein unspektakulärer Zeuge: er zeigt, was du sehen kannst, nicht, was du sehen solltest. Zwischen Urteil und Ideal, zwischen Glanz und Unordnung entsteht ein stiller Dialog – du mit dir, Bild mit Blick.

____
Lyrics:

du siehst dich
aber nicht dich.
du siehst dein urteil,
dein bild,
dein ideal.

und mit ihm auch die andere seite,
den mangel,
das ungeordnete,
die wunden, die kanten
das ungelebte

die spiegel der tatsachen
sind schwer zu fassen.
sie erscheinen nicht im glanz.
sie sind da,
unspektakulär,
ungeschminkt.

was du siehst,
ist das,
was du sehen kannst.
immer,
eine interpretation.

der spiegel
zeigt keine wahrheit,
einzig die, die du ihm gibst.
er ist nicht neutral,
nur ein alter bekannter
in deiner geschichte.

wer wirklich sieht,
verliert sich nicht im spiegel.
er sieht den raum,
in dem er steht,
die luft,
die ihn umgibt.
kennt die geschichte,
die ihn prägt.

Spiegel ist ein Stück über Wahrnehmung als Selbstgespräch. Über das feine Gleichgewicht zwischen Erkenntnis und Illusion, und über jenen Moment, in dem man den Spiegel plötzlich nicht mehr braucht, weil man endlich den Raum sieht, in dem man steht.

Spiegel

Willy And The Poor Boys

Fortunate Son

Blur

Song 2 (2012 Remaster)

GO:OD AM

Ascension

Can't Stop (PROMO)

Can't Stop- Red Hot Chili Peppers

Care For Me Tour tickets // https://sabapivot.com/sabatour

Additional Vocals // John Walt aka DinnerWithJohn
Music Producer // daedaePIVOT, Daoud, Saba
Additional Drums // Brandon Farmer
Trumpet // HerbieOne
Mixed // Papi Beatz

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Saba Pivot, LLC

PROM / KING

You ain't slangin stop, I pull up
Parking lots, you ain't arranging rocks, I know that
You think it's hard cause you've seen it done
Slash heard, you're a sponge, never be your own
Man, can't you understand how I came in the game?
Yeah me neither, no breathin', it's amazing I make
My way out the other side of my personal maze
I was stuffed for a minute, couldn't feel my legs
I had to bounce, back, like the rubber band snap
Round the ziplock bag full of money that we stashed
In the wall downstairs, that was back in 2010
I was just about to leave, no one knew just how to feel
But I did, that's why I wait and feel
Calm inside cause I am real
I am me and you are you
Running around tryin' to chase this loot
Hop straight back in and then I glist to the finish
White noise in the flesh, hair down, never see me
I done tried to make it clear, I do not think that they hear me
Mic check, 1, 2, Ri-ri-rick in the building
Got my hi-vis and my blade look like I'm building
On the site with my clipboard, smoking and chilling
No hard hat, no whistle, still officially killing
Every fucking working brain within a arms length distance
You get melted into ashes and I'm casting you to iron
Turn you to a blade of mine, so I can use your life in spite
I make cash all night, fuck your money and your ice
You ain't helping nobody with the shitty words you write

Think about it
Think about it
Think about it
Think about it

paidprogramming2

Rocks

Blur as we know it was born in 1989 when the band signed to Food/EMI. Debut album Leisure (1991) announced the arrival of a band with pop suss warped by an art-punk eccentricity. Yet Blur had more in them: namely, a revolution in the sound of English popular music. Second album Modern Life Is Rubbish reintroduced the idea that English rock music could be cool, and by the time their third album Parklife emerged in 1994, the rest of the UK had caught up. 

The Great Escape (1995) refined the sound palette of Britpop, but Blur were already moving on. 1997's Blur was an about-face - scuffed and noisy and un-English. Follow-up 13 was an even a more radical adventure in sound as William Orbit refereed a truce between organic punkpop and new-fangled technology.

Seventh album Think Tank (2003) was Blur’s first as a three piece after the temporary departure of founding guitarist Graham Coxon, featuring an eclectic variety of rhythms and textures and glorious melodies. 

In 2009 Blur reconvened as a four-piece to play a series of UK shows including two sold out dates at Hyde Park and a historic Sunday night appearance at Glastonbury. A film about Blur, No Distance Left To Run, was released in 2010.

Song 2 (2012 Remaster)

Blur Official

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