fading lights is a warm and truly atmospheric EP that invites the listener into a state of peace and reflection. written and performed by two eminent ambient musicians - sonant and ambient endeavors - this is a stunning 30-minute experience, a beautiful accompaniment to your meditative practice of choice.

stream & download: https://on.slowecho.space/fading-lights

join on instagram
https://instagram.com/slowechospace
https://instagram.com/ambientendeavors
https://instagram.com/chris_bartels

fading lights

ambient endeavors & sonant - fading lights

Taken from the upcoming album 'Duets' by Andrew Tasselmyer & Blurstem...

Music: Andrew Tasselmyer & Blurstem
Mastering: Ian Hawgood
Design: Daniel Crossley

www.fluidaudio.co.uk

Duets

Andrew Tasselmyer & Blurstem - Ray

Duals

'Ranier' is part of my 2020 album, A Welcome Noon, now available: https://smarturl.it/elsk-awelcomenoon

Originally released in June 2020:

All proceeds from this, as well as from everything else on my Bandcamp page (digital, vinyl, CDs) for the rest of the month of June will go to WeLoveLakeStreet and West Broadway Business and Area Coalition.

Minneapolis has been my home since birth. I love this city. I love its diversity. My heart goes out to the family of George Floyd, and to the black community. My family and I are committed to listening, learning, praying, and acting.

Black lives matter. They always have, and they always will.

www.elskavon.com
www.anthemfallsmusic.com
Elskavon on Spotify: http://bit.ly/Elskavon
Elskavon email list: http://bit.ly/ElskavonEmailList
Dreaming, Driving playlist: smarturl.it/dreamingdriving

A Welcome Noon

Ranier

@anthemfallsmusic (Blurstem releases here)
@elskavon
@borayork
@chrisbartels

Debut album, Among The Oaks: https://smarturl.it/BlurstemAmongTheOaks

Minneapolis composer Chris Bartels has been writing ambient music under the name Elskavon for a decade, and Blurstem was born as a piano-centric offshoot of the project. 

He and his wife were gifted an old spinet piano when they bought a house in 2015. Always slightly out of tune, a little dusty sounding, and very much imperfect, the instrument has its own character. But it wasn’t until Chris cut up an old sweater and taped it to the strings, so as to avoid waking up their children at night, that his love for that character really took form.