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https://www.instagram.com/zmbeparty?igsh=MWFlNzh4NThrbTI5ZA==

justa nigga with a wrist too cold
bass too loud n the wrist too swole
bass to ya face bass bass for ya hoe
back off lame nigga watch yo might

bass move how the hoe hit vouge
aint two hoes that cross my mind
aint too late too change my mind
ow my head like whats the time

kno damn well i lost control 
kno damn well i lost my mind

kno damn well i lost control 
kno damn well i lost my mind

kno damn well i lost control 
kno damn well i lost my mind

kno damn well i lost control 
kno damn well i lost my mind

justa nigga with a neck too swole
bass too loud, can’t hear no hoe
type groove make tha song hit yo soul
night time girl, party animal

ik im geeked but im gon be alright 
18 ways i could die tonight 
18 ways i could feel alive 
18 ways imma lose my mind

kno damn well i lost control 
kno damn well i lost my mind

kno damn well i lost control 
kno damn well i lost my mind

kno damn well i lost control 
kno damn well i lost my mind

kno damn well i lost control 
kno damn well i lost my mind

lost my mind dem @@zmbeparty

509 BMG’s Hollow Point Bad Boy fires off with sharp intent, drawing a direct line to Ninjaman’s 1994 album in both its title and striking cover art—a gritty, updated homage that reinterprets the original’s defiant posture through a lens of glitchy paranoia and modern street iconography. The album veers between menace and mischief: “Rayquaza” flexes lyrical dexterity with surreal punchlines and nerd-core swagger, where mythic Pokémon references collide with street-smart absurdity. Meanwhile, “Get Out the Way” is pure kinetic chaos, a blast of violent, bouncy energy built to spark elbows and adrenaline. It’s a record that knows exactly what it’s doing—and dares you to keep up.

Kevin James (prod. Kemikelex)

509 BMG