My love, my love, my love My love, my love, my love Pour the salt in the wound My love, my love, my love My love, my love, my love Pour the salt in the wound

Swell

Undiscover

Taken from the forthcoming SLO EP out in May!

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Shut Out Of Paradise

i never knew how good those clouds could feel
but every time you lay down next to me
ur lifting me up high so easily
and i love it 

this song is dedicated to taylor

So Easily

‘It won’t take long for B.Miles’ incredibly genuine vocal range to impress you, and for that reason, we believe she could become widely acclaimed very quickly’ – Hilly Dilly

Following on from ‘Nine Matches’, her acclaimed debut of earlier this year, dark pop artist B. Miles announces the release of her sophomore single, ‘Shaking Hands’ on 13th July.

The L.A.-based singer has described her latest track as ‘a twisted version of "The Boy Who Cried Wolf"’: a more complex take on the classic fable that’s perfectly in keeping with her atmospheric sound. Miles’ lyrical inspiration comes from the likes of Nick Cave and Tom Waits, and this is evident throughout. 

The track’s production certainly matches her songwriting too, opening with distorted bass, minimal percussion and stuttering guitar lines. As the sound on the chorus opens up, B. Miles artfully demonstrates the impact of her soulful vocal in its higher range – a talent that was already abundantly clear on ‘Nine Matches’ and prompted praise from Q Magazine.

The young artist first crafted her songwriting in Miami, attempting to forge an identity which captured ‘the essence of melancholy and yearning, while finding beauty in the sadness and pain that all of us carry inside’. 

Though also striving to remain true to a pop aesthetic, she is determined to succeed on her own terms, having spent years gigging mercilessly up and down L.A.’s Sunset Strip in order to refine her sound.

The recent charting of ‘Nine Matches’ on The Hype Machine saw this sound compared to the likes of London Grammar and Banks, inspiring a solid foundation of fans. And in gaining the support of production duo Noise Club, best known for their work with Wild Belle and the Spin Magazine-approved Quigley, B. Miles seems to have struck on a sound that promises much for the future.

Spotify

Shaking Hands

say there's nothing left
i've been waiting from the start
we'll keep our old regrets
and find our way out from the dark
the dark

even if you change your mind
it doesn’t have mean that it's over
even when the moments gone 
i feel the same
even when you bite your tongue 
it doesn’t have to mean that it's over
even if it all goes wrong 
i feel the same way 
hey

and if it takes some time
we’ll find a reason to restart
we watch the setting sun
and know we're never far apart
apart

even if you change your mind
it doesn’t have mean that its over
even when the moments gone 
i feel the same
even when you bite your tongue 
it doesn’t have to mean that its over
even if it all goes wrong 
i feel the same way 
hey

never getting too low
even when it all goes
even when you slip up
watching as it comes undone
ease into the motions
push it off your shoulders
even when it all goes wrong
i feel the same way
hey


even if you change your mind
even when the moments gone
even when you bite your tongue
even if it all goes wrong


Drift

‘B.Miles is set to turn heads with her angelic voice’– Earmilk

With previous singles ‘Nine Matches’ and ‘Shaking Hands’ both charting high on the Hype Machine, dark pop artist B. Miles returns with her new single, ‘Salt’, on 24th August.

Brimming with bluesy riffs and percussive clicks, bathed in her signature soulful vocals, ‘Salt’ - which was co-written with Eric Nizgretsky of indie rock group Loose Buttons - is as lyrically evocative as it is melodically sublime.

The Los Angeles native says of her new track: “When we were recording "Salt" in New York City, I began getting really homesick for L.A., and as a result, I really wanted this song to remind me of home. On top of that, I had these second degree burns all over my arms and hands at the time. Lyrically, I just imagined salt being poured into the wounds.”

An artist whose talents have already been praised by the likes of Earmilk, Hilly Dilly and Q Magazine, and prompted comparisons to London Grammar and Banks, B. Miles first crafted her songwriting in Miami, aiming to capture ‘the essence of melancholy and yearning, while finding beauty in the sadness and pain that all of us carry inside’.

Partnered with the atmospheric electronics of production duo Noise Club, best known for their work with Wild Belle and the Spin Magazine-approved Quigley, this young act has now developed a powerful sound that honours a pop aesthetic whilst retaining a bold originality.  

‘Salt’ will feature alongside her previous two previous singles on her forthcoming EP ‘twenty fifteen’, which is set to hit all digital stores soon. With a growing host of admirers, B. Miles as a true ‘one to watch’ this year.


Salt

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Sailing

Losing Any Sleep

Silence For You

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Music :: CLAVVS 
Mastered by John Horesco IV for One Up Mastering in Atlanta, GA

World Underwater

Siren

A dark energizer bunny confused with its place in the world.

Contact: eric@mooncrawlmgmt.com

Salt

B.Miles

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