Name: [ASMR] 1 Hour Binaural Nature Field Recording in Tuscany Countryside by Bnaural Experience | 360 Spherical Vision
Duration: 1 h

why always me ep.02

https://soundcloud.com/comastasis

https://www.retreatradio.net/sleep-deprived

Tracklist:
Lankum - What Will We Do When We Have No Money (Lighght Bitcoin Blockchain Blend)
YÖKKÖ - Making Luv With The Blizzard  
Guinevere Laurent & The Lampreys - The Belladonna of Sadness
aura - Dissertations 
PINK-187 - FUCK IF U FEEL MY TEARS (VALLILAJAM) **
Indus Bonze - Amanojyaku vs Kaneda
CupoCupo - Lava Lips (S H E - M A C H I N E Remix)
Sour Gout - Transmigration
Control Human Delete - Transpherium	X	J.O. Mallander - 1968
CECILIA - DEATH.OF.GOD.REMIX.EDITED 
Taylor Slow - Ketanic (Intro)
Strict Face - PF Instrumental
James Ferraro - City Smells
In my Talons - In Silence We March
Gabber Eleganza - LRNZ SNN + ZMBY (LIDO DI OSTIA EDIT) 
Digital Mystikz - Restructure 2 Rebuild
EXIT ELECTRONICS - TEACH US OH MIGHTY JUDGES
sineraw - Frozen feat. Diletta
Lucas Niggli, Matthias Loibner – Weinende Gletscher
Heejin Jang - Our Brief Eternity
Two Heavens - DJ Misson
Lash - House of Women (feat. Jesse Osborne-Lanthier)
Forces - Chaosmosis
Wa?ste - cyberia texture 5a x professed intention and real intention
Ryoji Ikeda - ultrasonics 01
.cutspace & xxhang - Head Trauma
Fat Trel - Low Life
Big Pokey & DJ Red - I Swear To Tell the Truth feat. RediMade (Slowed & Chopped)
Keiska - Jojo vs Jagged Edge
poozy - standing still
Cacao - Tropism IV

Sleep Deprived #7 w/ Comastasis (30/03/23)

Musician, writer and filmmaker, Sunik Kim follows up ‘The Bent Bow Must Wait to Be Released’  (Takuroku 2021) with their second LP - a deadly serious dismantling of the limits of contemporary computer music, delivered with playful dexterity and a touch of slapstick humour, a la Henry Cow. 

Enlisting General MIDI to create frenetic, vital patterns of dis-organisation made up of gleeful synthetic trumpets, wry orchestral sweeps and brutal key clusters, Sunik Kim explodes a kind of simplistic sound into complex, beautifully uncertain structures. Readers may laugh, but ‘Potential’ is calmer than Kim’s previous offerings. Rather than attempting to overwhelm or stun the listener into subjectivity, ‘Potential’ is ever shifting; regularly breaking form and unfolding, discreetly nibbling at the concept of the Spectacle and un-doing fatally closed systems of cyclic music. 

On first listens we recalled Cecil Taylor’s Unit Structures, Stockhausen’s Gruppen, and even those weirdo attempts at making music from inside the world of Animal Crossing, Lil Jürg Frey. The overflowing ideas of Henry Cow (to which Kim dedicated a fantastically blended mix for the Wire in 2021) never drift too far from view, but contemporary counterparts lay few except for Yorkshire's most eminent polyceleratrix, Gretchen Aury, who we asked to write the liners. Gretchen’s words are unsurprisingly as extraordinary as the record itself, so we’ll close out the call to elicit a Media response to possibly the wildest OTOROKU yet with their words:

“Potential reads as a rare honest response to the disaster capitalist era of the apparent nearing end of the anthropocene, a cyborg music which is not hopelessly psychotic like so much contemporary and especially computer-requiring music, but lucidly possessed with rapture, pain, madness, empathy, ecstasy, torment, fragility; all those vital feelings and incentives which our atrociously depressing times seem engineered to quash and bleed out of us. This sound is a blistering Electro Magnetic Pulse wave of revolutionary hope, exclaiming defiantly that History is not over, that the future is not ‘history,’ that there is still a vast multitude of ideas and identities burning brightly and resiliently, despite the fact that they are inconceivable to the tyrannical Hegemonic axis of global capitalist tech-culture. I ask of you, listener, if you truly wish to plunge beyond The Known, give yourself over in full to this record.”

—

Artwork by Sunik Kim
Layout and design by Jeroen Wille 
Liner notes by Vymethoxy Redspiders
Mastered by Anotine Nouel at Sound Love Studios

All music by Sunik Kim
Track 1 edited by John Wall

—

OTOROKU
18-22 Ashwin Street
Dalston, London
2023

OTOROKU is distributed internationally by Cargo. For any further enquiries about this release, contact abby@cafeoto.co.uk.

Potential

ROKU035 - Sunik Kim - Potential [sample]

unmade - 28/06/2023

Scène XVII - 13/07/2023

Mana Online w/official freestyler - 27/07/2023

NICHE_20.07.23_July_Klahrk (live)

ARP:ASALATO:PIPE

1. crique préfailles fin septembre
2. jam chez martine
3. salsa caliente – the meridian brothers
4. untitled edit2 – simplists compile
5. the glow of good will – exek
6. sono spaciente – kontexte
7. dans le toor van
8. hoodoo blues – kulku
9. gaza – maria violenza
10. canto de ordeno – fiesta en el vacio
11. op stilte – ladr ache
12. bo l’une chante, l’autre pas
13. the real song – ema, lou & clara
14. o baby – siouxsie & the banshees
15. rotterdam – moleskine & clara kaldin
16. a different view – lewsberg
17. le plat pays – jacques brel
18. chantier de ma fenêtre à nantes
19. are u afraid of getting old – naomie klaus

fall out mix

1 hour binaural nature field recording with dummy head in Tuscany hills countryside.

🔴 FOR BINAURAL EFFECT, LISTENING THIS TRACK WHIT HEADPHONES OR EARPHONES! 🎧

Description: recording made on a spring afternoon among the green Tuscan hills at the foot of a small woods. The flowing water of a small stream can be heard and among the trees there is a hoopoe's nest, also very audible during the recording. Present in the background in the distance is the traffic of an extra-urban road and some airliners flying at cruising altitude.

Equipment: Zoom F3, Dummy Head

[ASMR] 1 Hour Binaural Nature Field Recording in Tuscany Countryside

Amnesia Scanner & Bill Kouligas
Format: LP / Digital
Cat.No: PAN 83
Release Date: 5 April 2019
Buy: https://bit.ly/2OMcSsJ / https://bit.ly/2UivhmG

Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel.

Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast.

Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

Whilst broadly inspired by the experience derived from and exposure to algorithmic patterns as generated by visual artist Harm van den Dorpel’s specially-devised program, the work is a sonic reference to the fallouts of avant-EDM and cyberdrone. This in turn is simultaneously mirrored by the perturbing visuals, created by a unique algorithm that sources and blends various filtered imagery from DeviantArt and Flickr in real time – with a bias towards the NSFW, extreme banality, and ornamental melancholia. The results were a perfect fit for the deliberate intention of non-intent, an anti-video of sorts, which ended up as a defining element for the project.

The artwork is created with Harm van den Dorpel’s ever-evolving, image-sourcing algorithm and it is mastered by Rashad Becker at D&M, Berlin

Lexachast

Amnesia Scanner & Bill Kouligas - Lexachast I (PAN 83)

Field Recordist based in Tuscany, Italy. You can purchase my ASMR recordings on my Gumroad page find all my sound effects on my Bandcamp, Pond5 SFX page. Thank you for purchasing my digital contents and supporting my work.

[ASMR] 1 Hour Binaural Nature Field Recording in Tuscany Countryside

Bnaural Experience | 360 Spherical Vision

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